What are the terms of film shooting skills?

Montage French (montage [mcn5tb: v, 5mnctdv] n. Montage, transliteration of the combination of literature, music or art), originally an architectural term, means composition and collection. One of the main narrative means and expressive means of film creation. This film combines a series of shots taken in different places, from different distances and angles and in different ways to describe the plot and portray the characters. However, when different lens groups are connected together, they often have meanings that each lens does not have when it exists alone. For example, Chaplin connected the lens of workers entering the factory gate with the lens group of driven sheep; Pudovkin connected the scene of melting glaciers in spring with the scenes of workers' demonstrations, which made the original scene take on a new meaning. Eisenstein believes that when the lens groups in opposite rows are connected together, the effect is "not the sum of two numbers, but the product of two numbers". With the help of montage, movies enjoy great freedom of time and space, and even form movie time and space that are inconsistent with real life time and space. Montage can produce a third action besides the actor's action and the camera action, thus affecting the rhythm of the film. As early as the film came out, American directors, especially Griffith, noticed the role of film montage. Later Soviet directors Kuleshov, Eisenstein and pudovkin successively discussed and summarized the laws and theories of montage, and their related works had a far-reaching impact on film creation. Montage originally refers to the relationship between images. After the appearance of audio movies and color movies, the application of montage has a broader world in images and sounds (human voice, acoustics, music), sounds and sounds, colors and colors, light and shadow, etc. There are many names of montage, so far there is no clear grammatical norm and classification, but the film industry generally tends to be divided into three categories: narrative, lyrical and rational (including symbol, contrast and metaphor). After World War II, andre bazan (19 18- 1958), a French film theorist, opposed the role of montage, believing that montage imposed the director's point of view on the audience and limited the fuzziness of the film, and advocated the use of depth-of-field lens and scene scheduling for continuous shooting, believing that only in this way could the integrity of plot space and the authenticity of time flow be maintained. However, the role of montage is undeniable. Film artists always use montages and long shots to create films. Some people think that a long shot actually changes the scope and content of the shot by the action of the shot and the scheduling of the actors, which is called "internal montage". Montage is the general name of film composition forms and methods. Montage-a transliteration of French montage, originally a term in French architecture, meaning combination and assembly. Later, it was borrowed and extended to be used in movies, which means editing combination, indicating the combination of shots. Simply put, montage is to make a film into many shots according to the content of the film and the psychological order of the audience, and then connect them according to the original idea. Bottom line: Montage is a means to connect the cut lens groups. Therefore, montage is a means to connect the shots taken by the camera according to the logic of life, the order of reasoning, the author's viewpoint tendency and its aesthetic principles. First, use the camera, and then use the scissors.

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