Is Anger in the Streets of Imperial Stormtroopers an action model of Hong Kong films?

The film pursues conciseness, directness and consistency in narrative. This is the most typical Hong Kong gangster film mode. It doesn't need to challenge your brain, but your eyes and nerves, so that you can enjoy watching movies in 90 minutes. In the process of story narration, the film is more relaxed and the details are unambiguous. Various small plots are interspersed in the main narrative in an orderly way, such as the warmth of the European Union players talking to their families on the phone before performing their tasks, and the misunderstanding and pity between the two brothers, which have played an excellent role in embellishing the story, while the latter has promoted the local development of the plot, making the plot of the film full of tension. I have also done my homework in drama conflicts. The conflicts, big and small, have never stopped, and there is no silence from beginning to end. As the absolute main line of the film, conflicts between police and bandits, between superiors and subordinates, between police and people, between colleagues and brothers are presented to the audience one after another, which makes people dizzying. Vivid characterization is an important factor in the success of this film. In this film, the image created by Chen Musheng is extremely wonderful: the police are fierce, and in order to bring the thief to justice, they can ignore their personal safety and the boss's scolding. The more dangerous they are, the more they will rush forward. They will jump off the building without fear, but they will stop for the personal safety of a pregnant citizen. Bandits are fierce bandits. They can be arrogant enough to sing Beijing opera to the police in handcuffs. They can pretend to be policemen and rob prison cars in broad daylight. They can March in the street and rob their cash at Interpol headquarters. The characters in the film have different personalities. Zhu Huabiao is bold and unconstrained, and he is informal; Fan Jiao is conscientious and meticulous in discipline; Mcdull is cheerful, sophisticated, smart and witty; Apple is naive and lively, bold and fearless; Da Dan is talkative, laughing and loyal to others; The professor is overbearing, fierce and capable; Birds are cold, crazy and bite; Brother Long is smart and brave; Officer Guan of the major crimes unit is even more narrow-minded and selfish. From a tolerant boss to a double-identity undercover, from a vicious villain to a friend who appreciates each other, from a frivolous informant to a sleek company manager, the protagonist and supporting role have their own charms, and they firmly attract the audience with laughter and abuse. The lines of the characters are also exquisite and simple, wise and humorous without losing the kindness of the civilians. "Xiao Li doesn't often participate in flying knife competitions." "I don't have to pay the phone bill this month!" These lines are bound to bring a knowing smile to the audience.