Traditional Culture Encyclopedia - Photography and portraiture - What are the noteworthy problems in corporate microfilm shooting?
What are the noteworthy problems in corporate microfilm shooting?
A good script is half the battle. Without a good script, it is difficult to get a good reputation. The contradiction between directors and screenwriters is often the biggest, because they consider different angles and have different understandings of a film.
Shooting technique, story structure
The effect of telling the same story by what means is different. A good story structure can add a lot of color to the story. Including foreshadowing, ending and emotional expression are the most important things in the film.
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Photography is an important part of enterprise microfilm shooting, which requires a high aesthetic standard for photographers and directors. For micro-movies, the results of early shooting can greatly reduce the workload in the later stage. The effect summoned by special effects is different from that taken before. For example, the warm tones commonly used in micro-movies, if post-adjustment is used, tiny color blocks will appear in the video.
Lens switching and smoothing
As a low-cost corporate microfilm shooting, character switching or dialogue is basically achieved through lens switching, and the video does not move in a clip. Try to switch shots when shooting to reduce this embarrassment. In addition, if the lens can move smoothly when shooting, just like the shooting track laid in the movie, it can add a lot of story sense. But at the same time, the requirements for shooting costs, photographers and post-editing work will also increase.
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