What are the nine categories of Beijing?

Scenery can be roughly divided into the following five types: distant view, panoramic view, middle view, close view and close-up.

Vision: In vision, the size of the characters in the picture is usually not more than half of the height of the picture, which is used to represent an open scene or a vast space. Therefore, such a picture is broader and more profound in vision and slower in rhythm, which is used to express open scenes or distant people.

Panorama: a picture showing the whole scene or the whole body appearance of a character. It can not only show the whole picture of a single person, but also show many people at the same time. From the perspective of expressing characters, panorama can also be called "full-length lens". The proportion of people in the picture is roughly the same as the height of the frame.

Close shot: a picture that shows the chest of a character or the local appearance of a scene. When representing a character, the character occupies more than half of the close-up picture. At this time, the head of the character, especially the eyes, will become the focus of the audience's attention.

Close-up: It is a picture showing some local details of a person's body or a shooting scene. If you use one word to describe it, it is "showing details".

Scene change:

1, the change of scenery brings about the change of viewpoint, and camera modeling can meet the psychological requirements of the audience to see the subject from different perspectives.

2. The change of scenery is one of the factors to realize the modeling intention and form the rhythm change.

In the modeling performance and lens of TV pictures, different scenes reflect different modeling intentions, and the combination of different scenes forms the change of visual rhythm. The audience can not only feel the photographer's picture thinking in the changes of time, space and sight distance, but also feel the rhythm changes of the whole TV movie or TV program in scene jump, viewpoint jump, priority and so on.

3. The change of scenery makes the picture more directional.

Different scenes include different time and space and content. In fact, it is the photographer who constantly defines and limits the scope of the subject, which determines the audience's visual acceptance of the information in the picture, thus guiding the audience to pay attention to and watch different aspects of the subject, so that the picture has a hierarchy, emphasis and order of expression and narration of things.