Traditional Culture Encyclopedia - Photography and portraiture - Thoughts on grassland reading
Thoughts on grassland reading
One drizzly afternoon, I read Chi Zijian's novel Grassland on the Internet. The plot of the novel is very simple, telling the story of "Wang Tuo" on the grassland. Wang Tuola was ordered to go to the grassland to repay the money owed by the factory to the herdsman Arongji. On the way, he met Altai riding a good horse in the inn. The Altai family lived a poor life. In order to raise money for his son to compete, he decided to sell his beloved horse. Wang Tuo couldn't help pulling out his sword and gave Altai the money he wanted to pay back. Soon, Wang Tuo came to Arongji's house as promised and explained to him why he couldn't pay back the money this time. However, Aronki said that Wang Tuo had been cheated. Later, it proved that Aronki's prediction was not accurate. Wang Tuo received a letter and money from Altai's son.
It is such a simple story that in Chi Zijian's beautiful language expression, people feel the sincerity and beauty that touches their hearts. Sincerity and beauty have always been the theme of Chi Zijian's novels. Grassland used a lot of space to describe the beauty of Mid-Autumn Festival in grassland. The clear blue sky and green grass on the open grassland are fascinating, and then they ferment a sad story in intoxication. This is a unique skill in Chi Zijian's novel creation. Why did Chi Zijian pour so much beauty into the grassland? Because a beautiful environment can produce a beautiful mind. Wang's Dragging Bottle is very beautiful, which may be discounted in the downtown area where desires cross-flow, but under the bright moon, the beauty of the soul is so touching. Chi Zijian is a master of language, riding a pony and enjoying the moonlight writing on the grassland, which makes people feel the charm of language. "Once the moon is exposed, it's like a bride getting into a sedan chair. Although she was shy, she walked out of the boudoir happily. Soon, half the moon became more than half, light and shadow floated on the grassland, and the gloomy atmosphere disappeared completely. The moon rises faster than I thought, watching it get higher and rounder. Finally, I couldn't hold my fullness, and with a bang, I left the world and embarked on a trip to heaven. The arrival of new life is always accompanied by crying, and so is the moon. At the moment of rebirth, its cheeks were wet. " Throughout the ages, there are countless descriptions of the moon, and it is rare to see such descriptions of the moon as Chi Zijian. The moon written by Chi Zijian is a moon with life and feelings. Recently, I read the novel Aesthetics by American writer Cecil milian. In this book about the creation of primary schools, Sai milian advocates that the language of novels should have the power to shock readers' hearts. I think milian is right. Language is the most basic element of the novel, and only vivid language can guide the author into the design scene. The success of Chi Zijian's novels is largely due to her excellent language skills. Her unique aesthetic pursuit of rhythm, rhythm and words on the rhetorical level reflects her good artistic feeling and firm position in folk writing. Prairie is a model of Chi Zijian's novel language.
Today, we learned the text Grassland. The grassland written by Lao She is really beautiful. "The lines of those hills are so soft, just like Chinese paintings only render green without ink lines. Green is flowing everywhere and gently flows into the clouds. " This sentence describes the soft and green features of the hills, and compares the hills to Chinese paintings that only render green without ink lines. No wonder Mr. Lao She wrote: "In such a state, even the old cow and the good horse can't stand." Yes, even the old cow and the good horse are deeply intoxicated by the beautiful scenery of this grassland. How can they not make people feel relaxed and happy and linger? If I were a singer, I would make the most beautiful songs reverberate in the vast grassland; If I were a photographer, I would shoot this picturesque grassland with the highest technology; if ...
The scenery on the grassland is beautiful, and the enthusiasm of people on the grassland is even more touching. "I don't know how I got into the yurt, but the milk tea fell and the milk tofu was placed." I also brought the most famous hand-grabbed mutton. The Ewenki girls are singing and dancing, expressing their friendship and welcome to the Han nationality. "Singing seems louder and more touching than any other language." When I read this, I can't help thinking of a song: 56 nationalities, 56 flowers, 56 brothers and sisters are a family; Fifty-six languages, summed up in one sentence, love my China, love my China, love my China ... No wonder Mr. Lao She sighed at the end of the article: Why can't you bear to say goodbye to Mongolian and Chinese? Mr. Lao She, the master of language, deliberately combined the contradictory and mutually exclusive descriptions in the article Grassland, so that language can see meaning in simplicity and philosophy in commonness, and express complex thoughts and feelings vividly. The analysis is as follows:
First, the lines of those hills are so soft, just like Chinese painting only renders green without ink lines. Green is flowing everywhere and gently flows into the clouds.
"Emerald lust flows" means that emerald will flow but not flow; And "flowing into the clouds" means that the color of emerald has flowed into the clouds. Are the two contradictory? In fact, this is not contradictory, but vividly shows the realistic modality of grassland scenery. "Green wants to flow, slowly flowing into the clouds" describes two different visual images respectively. The first sentence is a close-up description: the grassland is thick and green, shiny and shiny, giving people the feeling of "wanting to flow" This is turning static into dynamic, highlighting the color and life of grass and expressing the author's infinite love and admiration. The last sentence is a long-distance description: from a distance, the grassland meets the sky, the thick green sets off the sky, and the jade is thousands of miles away, constantly extending to the depths of the sky. Besides, the car is driving forward. Don't those hills in the field of vision, which are "only green and don't want ink lines", and grasslands thousands of miles away, all quietly flow to the sky?
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