Have you seen the six Hong Kong films that were banned in those years, each of which is a childhood shadow?

In the 1990s, the number of genre films in Hong Kong broke out, resulting in many blockbusters that pursued novelty, visual stimulation, sensory stimulation and even challenged public cognition. There are many excellent films with high box office and high reputation. Of course, in today's strict film censorship, most of these films have been banned and become the history of Hong Kong films.

The film The Mystery of Dissolving Bodies, based on true events, was directed by Chuen-Yee Cha and starred by Wu Zhenyu, Cecilia Yip, Ivy Leung and Huang Qiusheng. It was released in 1993 and adapted from 1989 The Mystery of Stewardesses Dissolving Bodies. Coincidentally, the same year's Hong Kong film Lang Xin Ru Tie also tells the same story. Both films are masterpieces of the year, among which "The Mystery of the Corpse" was nominated for the Oscar for best director, best screenwriter and best supporting actor. Wu Jiali, the heroine of nirvana in fire, was nominated for the Oscar for Best Actress and won the Golden Horse Award for Best Actress that year.

Shirley in the film was frustrated by love and found a king who was in the same boat. She was completely carried away by love, ignoring all objective factors, only trusting her own judgment subjectively, and even kneeling in court crying to prove her husband's innocence. And the devil, no matter how well disguised and innocent, is the devil after all.

Wu Zhenyu's acting skills in this film can be called the best actor's level, just like Ni Xiaoyong in Infernal Affairs 2. Whether it is calm and gloomy eyes or relaxed emotions, it is amazing. Finally, Sir A, played by Huang Qiusheng, explains what he thinks is a crime, and the director also shows his suspicion of Huang Dawei from the side. Even after watching the film, Huang Dawei thought that the film implied his crime and hoped that the film would stop showing.

Monty on a rainy night before this film, Hong Kong's "unsolved case" series The Butcher on a rainy night has been released, and this Monty on a rainy night can be said to be a sequel to The Butcher on a rainy night. The film is directed by Rong Xiao, with Zheng Baorui as the assistant director. Anyone who is familiar with Zheng Baorui probably knows his film style. His obsession with film noir is not limited to detectives and dog-eat-dog.

When Monty on a Rainy Night was released, he was just a newcomer. The film stars Wu Zhenyu and Chingmy Yau; Hua Dan, the standard of Hong Kong films, is highly valued by powerful filmmakers. As a product of Hong Kong film assembly line, Monty on a Rainy Night borrowed from many European and American crime films, and many scenes were mixed together, but it was also a major feature of Hong Kong films in that era.

Of course, in the era of "every two weeks", the box office of this film is not good, and it is submerged in a huge number of works. I can't see the whole movie now, only a few fragments can be seen. Not surprisingly, it became a banned film like other works in the mystery series.

The movie "shinjuku incident" tells the story of a big man from Northeast China who rose step by step in Shinjuku, Japan after he sneaked into Japan. There are not only good scripts, but also excellent action scenes (after all, Uncle Long is in the show). The film was nominated for best film, best director, best photography and best action design at the 29th Hong Kong Film Awards.

In 2009, this film was also "treated" when it entered the mainland, which is a great pity.

The movie Accident tells the story of a killer group, which becomes suspicious because of a failed action. The leader of the organization suspected that there were "traitors" inside, so he began to liquidate its internal members. The ending of the film, the unexpected ending, has also become a genius of the whole film.

From the lens scale, this film Accident is not bad, but the gloomy and depressing plot design and negative energy story theme of the film have hindered its release in mainland cinemas, which is really a pity.

"rules? 》

The photography and editing of this film are really touching. Although the story is trite, it is a Hong Kong-style fast food. As long as you shoot well, you will never get tired of watching it. As the only female beauty in this film, Guan Xiumei is so ugly that after she took the box lunch, the quality of the film began to plummet and even became a bit ridiculous.

Jackie Lui was very handsome at first. I thought he would shine, but he turned out to be a loser. In fact, the role of Ou Jintang is very attractive, but it has not been explored at all. Generally speaking, it is dispensable.