Art photography skills

In photography, when we first determine that photos can be divided into different types, according to this inference, the next step is naturally a syllogism, so we enter the classification of species + genus difference. If we find A middle ci inevitably links the major ci and the minor ci, so the relationship between the premise and the conclusion seems self-evident. The spiritual activities involved in it are concealed in this seemingly reasonable demarcation. The duration of the soul is forcibly decomposed and determined into essence by the container of reason, and this so-called essence is brought into speculation by the wings of reason. The vacuum will no longer encounter any resistance. But can such a flight be possible in the realm of the soul? . The logic of photography lies in expressing the diversity of existence. The creator chooses a special way to show us a certain possibility of his own existence, gaining poetic meaning where rational logic makes no sense. The word "logic" borrowed here is not in the same category as the rational logic derived from Eleatic ontology, but it is precisely on the path of opinion pointed by Parmenides that the poetic meaning can be It also shows us a state of clarity. The Western ontological logic tradition formed by the Eleatics only came up with this definition when answering "what is" of human beings: human beings are talking animals, and the realm of the soul is categorically rejected. When new ontology answers the question of human existence, it attempts to reconstruct human existence (survival) on the path of opinions prohibited by Parmenides, and art has achieved its self-sufficient development under this new existence. .

Since what is shaken is the ontological view of traditional logical deduction, the basis of photographic reconstruction should still be on the basis of existence, but it only starts from the existential structure at the existential level of the new ontology. To explain the "being/is" of photography, we use the means of display rather than the method of deduction. Just like the reconstruction of Euclidean geometric methods by non-Euclidean geometry (Cassirer's "On Man"), for photography, the first research field that can be entered is the controversial topic of documentary and art. "Documentary and Art" "The Existence of Art" should be a topic worth sorting out. There are four typical views on the past debates about documentary and art, all of which are based on dualism. In recent views, documentary or art The expansion of denotation allows art to be included in documentary, or vice versa, to end the dualistic state of opposition, but the result is still swirling in the traditional ontology. If we clean it up from the new concept of existence, documentary and art are not considered to be completely opposite existences. By deconstructing the traditional view of photography in this way, the purpose is to clean out the sludge attached to the photography itself, and after cleaning it, restore the original appearance of photography. Therefore, exploring the problematic aspects of photography from the perspective of new ontology will be a new vision that greets us. Just as the axis of traditional thinking methods is traditional ontology, new ontology is still the axis of new vision thinking. In terms of the three factors that guide the language turn, new ontology fundamentally shakes the logic of logos. Center, and semiotic theory, linguistic theory, and postmodernism, etc., all develop their criticism and subversion of the traditional view of existence in the chapters of the new ontology. The scope of the traditional view of existence is only limited to a certain new existence. On the deduction within the scope of arriving at the premise, that is, it is limited to the present in the time dimension. The presentization of time is the manifestation of the traditional ontology from Parmenides to Hegel, because in the traditional ontology, time is only a species of existence. The current perspective makes traditional ontology lose its historical domain of existence and become just the presence of Dasein ("Being and Time"). Time and self-identity are the most prominent features in modern thought ("Aspects of Modernity"). The traditional ontology that lacks a historical perspective is increasingly being questioned, and the binary opposition it brings is increasingly unable to deduce the unique character of human existence without doubt, because time as a way of existence Dimension, when the structural matrix of existence is put into the process of existence, existence can gain its own understanding.

In the process of experiencing existence, the modern development process of Chinese photography or thought. Looking at it, it is often interrupted by external and other things. Many of our own ways of existence that are spontaneously generated in Western society have become other current objects for us, no matter how sophisticated their thinking is. It is new, but it is never generated from our own understanding. Therefore, this kind of other art is non-art to us, because it is non-existent to us, so why is it missing for us? What about the understanding of "art"? Even if some pioneers and avant-gardes enjoy it, it is difficult for us to have a deeper communication with what they present to us. The difficulty of this communication lies in the otherness of these things. And Those participating in the production are not in their own understanding, because the historical nature of their existence determines that the things they take are also other for them. This otherness makes the works they present only possible. It is conceptual. Therefore, the temporality of the new ontology, the non-species relationship of existence, the presentation of existence, etc., while eliminating the binary opposition between documentary and art, also bring out the essence of what conceptual photography is. problem, thereby clearing the way for the shift in photography language.

Art photography is mostly taken by people in photo studios. When taking art photography, people need to put on a lot of makeup. Gorgeous clothes. Through the lighting and background effects, the effect after shooting is very beautiful.

In a way, through artistic photography we can fully express ourselves.