Traditional Culture Encyclopedia - Photography and portraiture - How to shoot people with a wide-angle lens
How to shoot people with a wide-angle lens
How to shoot people with a wide-angle lens? If the subject is an acquaintance, if you put the camera close to him, you will definitely think that you are joking with him and often make him laugh. ? Press the shutter at this time, and a vivid photo will come out.
Spearman thinks:? According to the traditional portrait photography method, it is generally believed that focusing should be based on the two eyes of the subject. As long as the person's eyes are clear, even a little blur in the ears and nose is acceptable. However, this method may not be applicable when shooting people with wide-angle lenses. Through the wide-angle lens, we can find that the most striking place is not the eyes, but the chin, lips and even the glasses frame. If you want to shoot everything clearly, you must turn off the aperture as small as possible.
? It is also suitable for shooting full-body images with single-lens reflex cameras and pocket cameras with focal lengths of 35 and 40mm, especially for showing the relationship between the subject and the surrounding environment. For example, an artist in his studio, or a housewife in her beloved room, can take more indoor scenery into the picture with a wide-angle lens. As long as the subject is not too close to the lens, the effect will be natural. When taking this kind of photos including the environment, we should pay attention to the connection of vertical lines and put the camera flat when shooting. Some photographers deliberately tilt their cameras to get dramatic effects, but this is not suitable for people's photography. ?
Blancstein also mentioned the problem of shooting portraits with wide-angle lenses, pointing out: If it is not for the pursuit of humorous effect, ordinary people may be disappointed with this kind of lens when taking portraits. The subject's nose sometimes accounts for almost half of the whole photo: but this doesn't mean that this kind of lens is not suitable for portrait photography, and it can get very good snapshot effect.
For example, in a crowded environment, the large depth of field of 20mm lens enables photographers to shoot quickly without precise focus. Using the wide-angle characteristic of this lens, the lens can be aimed near the subject without direct aiming. In this way, you can take photos without the knowledge of the subject.
In addition, the photos taken with this lens have environmental color, that is, shooting a certain range of environment related to the subject to describe the work or life situation. ? m? Bell and me? Javiz also believes that although it is extremely difficult to shoot a portrait of a single person with a super wide-angle lens, the super wide-angle lens provides a good opportunity for photographers to shoot people in the environment, which is worth a try. When shooting, the protagonist is arranged in the foreground, making him the master of the dominant environment. At this time, the characters in the background will be swallowed up by the environment, and there will be no distractions.
It is difficult to make people's images more natural by shooting group images with super wide-angle lenses. But a super wide-angle lens can make a small group of people look like a large group of people, and a large group of people can become shocking. At the same time, close-up photos of a small group of people can make the relationship look very close, which is often beyond the reach of other cameras. Of course, the choice of viewpoint is extremely important at this time, otherwise serious deformation will occur.
In short, learning to use wide-angle lenses is interesting and creative. Moreover; Once mastered, you can shoot very vivid and powerful works.
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