Traditional Culture Encyclopedia - Photography and portraiture - Flightless bird, Chinese translation of American mouth?
Flightless bird, Chinese translation of American mouth?
American estuary, at the American estuary.
Steel company. wine
Iron and wine band (brand: folk songs)
I am a quick wet boy.
I used to be a crying boy.
You can't find coins when you dive too deep.
Fall too deep into a coin
All your straight blind eyes
Your blind eyes look straight ahead
My plastic toy
My eyes are on my plastic toy.
When the police closed the market.
When the police closed the market,
I cut off my baby's long hair.
I cut off my baby's long hair.
Stole me a map with a corner.
You stole an old map with horns for me.
Calling you everywhere
I've been looking for you everywhere.
Did I find you?
But did I find you?
Flightless birds, jealous, crying
American mouth, envy, cry.
Or lost you?
Or have I lost you?
Usa zui
American estuary
Large bills are approaching.
A mirage with a huge cape.
Now I am a fat domestic cat.
Now I am a fat domestic cat.
Curse my dull tongue.
Curse my tongue, it hurts when I touch it, and it tastes weak.
Watching the warm poisonous rat huddle in the gap of the white fence.
Watching the dying mouse curl through the gap in the white fence
Kissing in a magazine photo
Kissing photos in magazines.
Those baits are thrown in cold and clean places.
Let the bait be thrown into the cold and pure
Blood of Christ mountain stream
In the blood of Christian mountain streams.
Did I find you?
Thousands of Baidu are looking for you. Is there any result?
A flightless bird with brown hair bleeding.
Those birds with broken wings are dripping with blood on their brown wings.
Or lost you?
Or have you lost my love forever?
Usa zui
At the mouth of the river in America
Big bill, it's stuck below.
This huge promontory has begun to sink. ...
Future. Welcome to correct and modify QQ:4763342.
Song from: Iron &; Wine-Shepherd Dog Album
2008 Twilight Movie soundtrack
Special link: Samuel Beam plays live MV (it turned out to be a beard of unknown age:)
/watch? v=OYUFcxBq 1y4
Introduction to the band:
Steel company. Wine: Urban Nostalgia in the Independent Folk Song Era
Iron and Wine is actually a one-man band of Samuel Beam, or just his stage name. This late bloomer is a film teacher. Before he became famous, he taught at Florida State University. 1999
Beam has a four-track machine, so hiding in the bedroom and playing with some lo-fi gadgets has become his great hobby. At first, it was just a way to kill time, just like others watching TV. Later, he accidentally found himself.
But there are so many songs to write that the four-track machine is scrapped and a computer has to be added.
If he hadn't listened to super pop music occasionally, Tie and wine might still be entertaining themselves in his bedroom. As a professional music fan, the top people of Sup Pop have been completely conquered. Out of professional acumen, he
The children immediately understood that this is also the voice that the public has been looking for for for a long time. After months of persuasion, Liang finally gave his accumulated works enough to make two albums to Sop Pop. The company's initial idea was to suppress samples.
Making two CDs as they are is still out of professional acumen, and they realize that it seems too generous for fans. With the help of Beam, twelve songs that feel very suitable were carefully selected, so there was one.
Iron and Wine's debut in 2002, The Cradle Drinks in the Stream.
In 2004, Our Endless Days was the first studio album of Iron and Wine, which meant that Liang completed the transformation from an amateur to a musician. The sound of the album is clean and concise.
Let Liang's voice and lyrics become the focus of the audience. Excellent technical means did not interfere with the heartfelt simplicity of Our Endless Days. Liang is like an angel with a broken wing, stopping at your place.
The shoulders are full of expressions. With the help of other musicians, this album has richer musical vocabulary than "The Stream Drinks the Cradle", and countless exquisite details activate the auditory endings, which makes people feel surprised and impressed.
Move it. Whether he is a university teacher or not, Liang's seemingly seamless words and sentences are concise and profound, and his frank and serious statements abandon any affectation. Iron and wine are not the kind that can make you ecstatic with one ear or
Wailing music, it slowly flows into your heart, permeates, irrigates and nourishes you.
It is worth mentioning that after resigning as a teacher to engage in music creation, movies still have not quit Liang's life, and even continue to play an important role in his music. The works of iron and wine are quite popular in the film industry.
Favorite-The soundtrack of Garden State contains many of his works, and the "trapeze artist" in The Queen is written for the film "Good Companion". Graphic design and photography major
Liang, who was born, has already filmed MVs for his three songs, hoping to continue shooting more in the future.
The musical style of iron and wine is difficult to tell. Pastoral meditation, the foundation of bluegrass and alternative countryside, echoes Nicholas Rodney Drake and Spark Horse to some extent. Expressed in poetic and meaningful language
To achieve a very personal feeling of life, the introversion and profundity of thoughts remind people of Connor Oberst and Elliott Smith's urban folk songs. "Before I gave many interviews, I never thought about how to dedicate my music.
Classification ",Liang said," I think I like the label' folk songs'. I recently realized that folk songs are all music except classical music. Whether rap or rock, folk songs are all music from the people.
"
In fact, the classification of music is just something similar to the introductory guide for fans. When the music of iron and wine does not stick to the pattern, I believe you will have your own judgment. Music is good, who cares? Cool summer night, all over the sky.
The quiet beach under the starry sky is what I felt when I first listened to Iron and Wine. In the jungle of reinforced concrete, we can still find a place to release our emotions, and some delicate and fragile feelings can still be caressed.
Comfortable. Fortunately, there is music. At this moment, there are not only notes, but also homesickness of deja vu. (turning)
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