Why is Picasso's painting?

Question 1: Why are Picasso's paintings so distorted? Because he is an abstract painter, he reflects social life with distorted works and exposes the dark side of society with abstract paintings.

Question 2: Why are Picasso's paintings so valuable? Picasso's art is admired for its imagination, vitality and sensitivity to the outside world. He is a central figure in the development of cubism, and is also famous for his versatility and superb technology. People generally think that he is an outstanding figure in modern art and one of the most creative and influential painters in history. For more than a hundred years, people have been trying to define the function and category of painting. What is the purpose of art and what is real painting? Since the invention of photography, this problem has become more obvious and urgent. It goes without saying that no painter advocates completely depicting nature, because even the most skilled painter can't keep up with a cheap camera. However, in this movement to get rid of pure descriptive art, it seems that the most daring, innovative and influential figure is Pablo? Picasso.

Although in theory, I don't appreciate Picasso's indulgence and superstition; But Picasso is really a genius emotionally. He is too good at manipulating pictures. There is no denying his artistic talent. His paintings should not only look at the surface, but also understand the deep meaning. As for the hype, there is still some. At present, many art dealers are just arty, echoing others' opinions, which will raise others' opinions and devalue good paintings. .

China's landscape paintings are different from three-dimensional abstract paintings. In short, each has its own uniqueness ~

Question 3: Why are Picasso's paintings so famous? You must find it incredible, but it's not. Look at his early works.

Question 4: Why can't Picasso's paintings be understood? Picasso's painting and style have changed several times in his life. Perhaps because of his sensitivity and precocity to impermanence and poverty, Picasso's early works are full of precocious melancholy. Early paintings approximate the theme of expressionism; While studying, Picasso studied academic skills and traditional themes, and created works with religious themes as the description object, such as The First Eucharist. The soft color of Degas and the theme of high society pursued by Rotleck are also the objects of Picasso's early research. In the paintings such as Garrett's Mill and Woman Drinking Absinthe, there is always a vague sadness that the phantom of sound and light floating is operated by Rotlake. When Picasso was fourteen, his parents moved to Barcelona, where they saw new art and ideas. However, just when he was eager to try, he encountered the failure of the Spanish colonial war at that time, and the fierce political changes led to the tragic scene of the people. As an important city, Barcelona bears the brunt. Perhaps it is this double * * of excitement and despair that makes Picasso subconsciously give birth to the melancholy power of the blue period. Picasso, who moved to Paris, was poor and lived in a strange and shabby residence "laundry boat", where some wandering artists gathered at that time. It was also at this time that seventeen-year-old Olive entered Picasso's life on a rainy day. So the nourishment and sweetness of love softened his stubborn and depressed heart for life, and the blue color of his gloomy pain began to have a jumping mood. Carefully and slowly burn the old sadness, at this time, the whole painting style expands the tenderness of happiness and the joy of emotional closeness. In the works of the rose-red period, although the characters' expressions are still indifferent, they have paid attention to the harmonious aesthetic feeling and subtle humanistic care. In addition to the richness of colors, the whole has been out of the hopeless abyss of the previous blue period. Abandon the sad and lifeless symbols of poverty and disease, and replace them with interest, care and confidence in life. In a woman's shirt, a looming tulle shirt gently outlines Dong's body emerging from the darkness, firmly extending and revealing the arrogance and self-confidence of young women. There is a delicate and subtle aesthetic feeling that flows like a ghost. The overall atmosphere is conveyed in a soft and meticulous way, which makes the mysterious body pity the morbid beauty in the dense; The main reason for the formation of collage art stems from Picasso's desire to break through the limitation of space, which is the product of a stroke of genius. In fact, collage was not initiated by Picasso, but existed in folk crafts in the19th century, but Picasso brought it to the picture and broke away from the status of crafts. 19 13 The first collage works, Still Life on a Rattan Chair and Guitar, are the best interpretations of cubism in collage. Later paintings focused on primitive art and simplified the image. 19 15- 1920, the painting style once turned to realism. 1930 is obviously inclined to surrealism. During World War II, Picasso painted the oil painting guernica, and German and Italian fascists bombed the northern Spanish town of guernica. This painting is Picasso's most famous abstract painting which combines cubism, realism and surrealism. Its violent deformation, distorted and exaggerated brushstrokes, geometric color block accumulation and abstract modeling show pain, suffering and * * *, and express Picasso's complex emotions. Later, he created a large number of sculptures, prints and ceramic works, and also made outstanding achievements. Picasso engaged in artistic activities from the end of 19 to the 1970s. Picasso was the most influential modernist painter in the whole 20th century. Picasso's works have a great influence on modern western art schools.

Question 5: Why are Picasso's paintings so messy or master? Picasso's paintings are not messy, but Fauvism is mainly about lines and composition. Mainly because they were deeply influenced by cubism in the early stage, the main content of the picture is the more direct feeling brought by the cutting of color blocks, which is the lifelong pursuit of Fauvism. Just like Kandinsky's paintings are all circles of various colors, the layman looks nothing, but the composition is extremely wonderful. They pay attention to the position of color in the picture and the size of color blocks, so that the visual effect is closer to the viewer. Since post-impressionism, painters have paid more attention to the formal sense of the picture, not just imitating nature, but calling it that painters imitate nature. It is the reason why these paintings are really recognized by more and more people.

Question 6: Why can't ordinary people in China understand Picasso's paintings? At present, the Picasso China Exhibition is being held in Chengdu, Sichuan, attracting many citizens to visit, but most of the visitors are "watching the fun", and most of the citizens say they don't understand or don't quite understand. Why can't people in China understand Picasso? Picasso is the most creative and far-reaching artist in the modern west and the founder of cubism. He and his works occupy an immortal position in the history of world art. However, for ordinary people in China, and even for some people who love art and painting, Picasso's paintings are really hard to understand. Picasso is just a "symbol", a "symbol". Most people are paying attention to and chasing Picasso's commercial value, even his anecdotes. As for the beauty and goodness of his paintings, many people are confused by those strange characters and distorted outlines. For the phenomenon that ordinary people in China can't understand Picasso, artists and critics who participated in the "Picasso China Exhibition High-end Forum" in Chengdu believe that this is because there is a lack of modernism represented by Picasso in the history of Chinese art. "Modernism is a lost link in our country. Because we used to talk more about European and American traditional art and classical art, especially European classical art; After 1990s, we paid more attention to their contemporary art and so-called postmodernism. But it is precisely the modern art in the middle, which has a history of almost 100 years in Europe, and we have ignored it, or have not studied it enough. " Shen, director of the Institute of Aesthetics and Critical Theory of Zhejiang University, said. Chen Mo, a professor at Chengdu Academy of Fine Arts, also believes that before the reform and opening up, China was in a relatively closed state, and many excellent foreign arts were rejected. "People don't know that outside our country, modern art has lasted for 65,438+000 years. It was not until the early 1980s that we knew about Impressionism, Modernism and Picasso. " At the same time, Shen also pointed out that not knowing Picasso has something to do with art and art history education in China, and higher education and professional education can't keep up, which directly leads to low social penetration rate. At present, there are few things that teach modernism in professional art colleges, and Picasso and his modernism are considered to be untraceable. In addition, the current foreign art history education, whether professional education or general education, often ends in impressionism, and modernism, especially classic modernism like Picasso, is ignored. Modernism is a variety of avant-garde artistic schools and trends of thought that have parted ways with traditional literature and art since the 20th century, also known as modernism. Modernism is the product of the second industrial revolution in the west. The expression of the work is absurd, abstract and meaningful. It does not directly describe society and life, but alludes to society and life, which reflects the strong nihilism in the artist's thought and has social, historical and aesthetic value that cannot be ignored.

Question 7: Why are Picasso's paintings so expensive? Because of his painting style, his artistic style represents an era, and he has begun to explore three-dimensional graphics. Moreover, the works of most celebrities are valuable because they are famous and have their social background. A crab map during the Anti-Japanese War seems to be bullying, but now it can be sold for a lot of money, because it satirizes imperialism on behalf of the Anti-Japanese War, so it is valuable. If you draw a crab,

Question 8: Why can't Picasso's abstract paintings be understood? The main trend of Picasso's painting is rich modeling means, that is, the use of space, color and lines.

After the age of 30, Picasso entered one restless exploration period after another. His works, like his life, have no unity, continuity and stability. He has no fixed ideas, is varied, is passionate or manic, is amiable or disgusting, is sincere or pretentious and unpredictable, but he is always loyal to freedom. There has never been a painter in the world who recreates the world completely freely and exercises power at will with amazing frankness and naive creativity like Picasso. He doesn't want rules, he doesn't want prejudice, he wants nothing, he wants to create everything. His artistic course is irregular, from naturalism to expressionism, from classicism to romanticism, and then back to realism. From concrete to abstract, coming and going, he opposes all the constraints and sacred views in the universe, and only absolute freedom suits him.

Because his works follow his thoughts and deep personal feelings, we must try to understand his psychology and the background of his paintings at will, not just the pictures.

Question 9: Where are Picasso's paintings? It doesn't look like a painting at all It's still twisted and uncomfortable to look at. Why do so many people say yes? The following contents come to Zhihu:

First of all, clear a few points:

1. Art works, no matter how classic, are regarded as masterpieces by critics and art historians. You can also think it is not beautiful. There is no doubt that aesthetics is a subjective thing. However, you can't deny its value, let alone allow others to think it is beautiful. Because they may look at it from different angles and may combine more things.

2. There are many formal explorations in art history. These formal explorations are like sparkling waves, beautiful but perhaps short-lived, and the sea below is the mainstream. Their value is not to completely overthrow the mainstream, overthrow the classics and replace them, but to tell you that art can still do this. Form can also be explored in this way, and this form can be explored to the extreme. Tradition has been preserved under the influence of aesthetics and has never been abandoned. However, since the end of19th century, influenced by Darwin's theory of evolution, people think that society must progress and innovate, which leads to the exaggeration of form and the blurring of artistic boundaries. It is wrong to ignore the subject, as if the public likes vulgarity and the minority likes avant-garde. What they explore is valuable, but it does not represent the mainstream of art. In fact, up to now, what people see most in galleries is easel painting and classics. The modern art museum may be completed in a short time. Indeed, sometimes they don't need a long time to meditate because they are highly formal. However, they are still valuable, and they can be considered unattractive, but they cannot be simply denied.

The art history we see today, especially modern art, highlights those formal explorations, innovations and anti-traditions. Moreover, for an artist, the period of anti-tradition and innovation is often mentioned most often, while others are often ignored. In fact, many artists' early works are also very traditional (because they often receive academic training), and later many artists return to tradition. So our impression of an artist is often incomplete. Maybe it's just his specific works in a specific period.

Next, look at Picasso.

Give a positioning first:

The most creative and far-reaching artists in the contemporary west, like Matisse, are the real masters of liberating painting and breaking the form.

Picasso was born without exploring cubism.

He said this sentence:

At the age of thirteen, you can paint like Raphael, but at the age of seventy, you can paint like a child.

I can't find some pictures of my works for the time being, sorry! I'll make it up when I find it later, but it's more difficult to visually inspect it. If you have a friend's painting, you can tell me. )

Picasso's creative career is also constantly exploring, or, in his own paintings, discovering.

From greco style with Gothic style to classicism style, to impressionism and post-impressionism, especially the influence of Cezanne, it finally formed its own unique artistic style in the process of change and integration.

The key factor of this style is how to deal with the problem of picture space.

Let's briefly sort out the changes of painting space expression in art history. I remember that Zhang Gongzi mentioned in his reply that early western art, like eastern art, looked less realistic because it didn't pay attention to perspective and light and shadow. And how did western painting change?

14 13 years, brunelleschi conducted perspective experiments. 1425, Ma Saqiao's Trinity is an early example of perspective.

During the Renaissance, the use of perspective became more and more mature and natural.

Raphael is using the Athens Academy.

Baroque period, more and more emphasis on the grand and strong depth effect.

This pursuit of perspective has changed a lot since I arrived in Dewitt. For example, the alliance of the three Horace brothers and the death of Socrates consciously restricted the three-dimensional space and began to emphasize the two-dimensional nature of the picture.

In the evolution of the concept of picture space, "three-dimensional illusion" and "two-dimensional actual painting expression" have always been a pair of contradictions.

Greenberg, one of the most famous critics in modern times, said: Western modern painting is a process of flattening.

So what did Picasso's cubism do to explore the picture space?

Let's take a look at Picasso's creative stage in the history of art:

Blue period (190 1- 1904)

Because of poverty, life is tight. The main color of the picture is blue, and the tone is sad. Such as works: life, tragedy, woman, crow.

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Rose period (1905- 190...> & gt

Question 10: Why are Picasso's paintings getting less and less like but more and more valuable? Picasso, Spanish painter and sculptor. ** * party member. He is the founder of modern art and the main representative of western modernist painting. The Girl in avignon, written by him in 1907, is the first work with cubism tendency and a famous masterpiece with milestone significance. It not only marks a major turning point in Picasso's personal artistic course, but also a revolutionary breakthrough in the history of modern western art, which triggered the birth of cubism movement. In the next ten years, this painting made the French cubist painting get unprecedented development, and even spread to ballet, stage design, literature, music and other fields. The Girl in avignon created a new situation of French cubism, and Picasso and Braque also became the man of the hour of this painting school.

Picasso advocates cubism, and the sunlight reflected subjectively in his abstract paintings shines in a spiral shape, which is different from that in the objective world. Picasso used to consciously draw spiral objects when he was a child, although he couldn't explain what he was drawing. Cubist artists pursue the form of fragmentation, analysis and reorganization, forming a separate picture-taking many combined fragments as the artist's display goal. Describe the object from multiple angles and put it in the same picture to express the most complete image of the object. The overlapping of various angles of objects creates many vertical and parallel line angles, and the scattered shadows make the cubist picture have no illusion of three-dimensional space caused by the traditional perspective of western painting. The background and the theme of the picture are alternately interspersed, which makes the cubist picture create two-dimensional painting characteristics.