Salary Status of Actors, Screenwriters and Directors in China

Generally speaking, the' stars' of Cantonese films seem to be higher than those of Mandarin films. For a long time, Xian Nvhong, Fang Yanfen and Sun Ma Shizeng all earned around 1 10,000 yuan, and Ren Jianhui and Bai Xuexian even earned more than 7,000 yuan. Zhang Ying and Deng Biyun are hot figures. Zhang Ying is said to have reached the edge of 7,000 yuan, while Deng Biyun has already broken through the 5,000 yuan mark.

The movie stars of Zhonglian are all shareholders of Zhonglian, and their own companies have to pay 5500 yuan for making movies. If they are shooting for other companies, according to box office records, their salary should be equal to that of any most popular actor.

As for those who act in mandarin films, except Great Wall and Malone have different production policies, the actors involved in the work don't care about the pay. It is said that Li Lihua is the only actor who can earn more than ten thousand yuan. It is said that Li Lihua costs 40,000 yuan per film, but this is just a rumor. The real number is still a mystery. It's just that in the past six months, Li Lihua hasn't heard what new film she is going to shoot, except that she is filming the Great Wall of Wan Li alone, so it's even harder for outsiders to know the pay of each film she shot today.

wnc.com/20040726/ca 1065507.htm

The root of writers' weakness lies in the monopoly of TV stations. Zhang Jizhong: Do producers need to protect their rights? Does the director need to defend his rights?

Shi Kang: Yes. In 2002, I had a 20-episode script. The previous contract was 1 10,000 episodes. I sent the script to the producers episode by episode, and they always said that the script was qualified, but they didn't even give me the money for an episode, and then suddenly turned against each other. Although it is useless to sign a contract, it is not enough to pay the lawyer's fee by legal means. If you hire a better lawyer, you will get 0.2 million/200 thousand, so this matter will eventually go away.

A big-name screenwriter said that he could write 65,438+10,000 words without money, and then gave the money to the producer. They do write well and please the producers, but even so, they still can't get the due benefits, and the cost performance is underestimated.

Culture/2008/03-05/037 @1kloc-0/2312.htm