Light and photographic analysis of stuttering movies

One lazy afternoon, a movie penetrated me. Whether it's Black Boy Not Too Cold, The Ultimate Chasing Order or Black Boy Leon, the extreme publicity in the film has completely made me ignore these details. I feel my heart pounding. Those feelings submerged behind too many mediocre and boring lives are instantly ignited like torches. The aesthetic ability numbed by too many small and empty films suddenly becomes acute and sensitive, like a nail covered with nerve endings, deeply wedged into the soul.

When we are used to simply defining "killer" as "bad guy", we lose the details of killer. Right in front of our eyes, Robinson restored a super killer lyon. The killer is not a homicidal maniac. For Leon, a killer only means a career, a career he has no choice but to do. It only took us five minutes to understand that the heartless Leon was a born killer.

He's not even after the money. When he entered the cafe, he suddenly became shy and talked about money with his boss Tony. I feel very sorry for him: he has never even seen the reward of 10' s efforts. All the rewards are kept by suspicious Tony. Even after being betrayed by Tony, Leon let Mathilde go to Tony to enjoy the countless "blood money".

In Lyon, I felt the charm of the killer. The killer has a charm in the dark, where he keeps the power to kill and seize. Like God, they hang over everyone's head in the dark, on high places and out of sight, indicating the fragility and nothingness of life.

Leon is a cool killer. His creed is "always be in the best condition." Always stay awake. "Every night, he wears sunglasses and sleeps on the sofa with a gun in his hand. His room is always so simple, there is nothing superfluous, there is a simple strength and simple beauty. In a killer's life, he must refuse gentleness and affectation, otherwise, he will be ruthless enough to shoot bullets that rob him of his life. The only thing that can hint at Leon's inner life is the lush orchids. He seems to cultivate it as his own soul, a green soul that will never give up at any time.

Leon is also a lonely man. He finished his business neatly, went home, took off all his equipment and began to take a shower. At that moment, I saw his naked helplessness and exhaustion. Later, he carefully ironed clothes and sprayed flowers and fat, and went to an empty theater to watch musicals and movies with relish, permeating the loneliness and loneliness of middle-aged men.

Would he be better off without Mathilda's intrusion?

There is no doubt that it is entirely possible for him to live longer and safer. His hands won't tremble with tenderness, he won't be late for fear of killing people, and he won't get hurt for fear of killing people.

When Madida's family was killed and Madida came to his door with milk and begged him to open the door, his career as a killer was coming to an end. Mathilda, a problem girl who has never received warmth and care and is full of lies, has no choice but to walk into his life. At night, he suddenly jumped up, put on a muffler and pointed a gun at Madida's sleeping head.

He had to push her away. The killer's world can't be melted. He can become a super killer because he has no weakness, only murderous look. He must push her away, or he will only sink and die.

However, destiny takes a hand, Mathilda came into his life. Madida is mature and cold beyond her age, but her coquettish appearance can't hide her innocent eyes.

Two cold hearts glow faintly when they are close to each other, warming each other and redeeming each other. He became her belief, but she became his weakness. Killer lyon in Dancing with Bullets opened the door and blood oozed, indicating that the murderous look was reduced. Because of his inner tenderness and concern, he seldom gets hurt.

How powerful is the individual? How far can they go for revenge?

In order to avenge Mathilda, he met the most powerful and invincible enemy in his life: the anti-corruption unit of the police station, which is blacker than the underworld. His tragedy is doomed. When so many armed men annihilated him in the name of justice, where could he escape? The "boss" of the anti-corruption group who killed people while talking about Beethoven has completely lost his humanity and even killed children and women, but he did whatever he wanted in a legal capacity because he occupied the position of power.

In that bloody battle, the other side used all the weapons, and he used all the extreme survival wisdom of a killer. But he didn't escape after all. When he walked only a stone's throw away from the door with blood all over his face, a pistol followed his back. This is a thrilling subjective shot: the gradually inclined ground declared his death. He's dead. It's time to end this. The era of killers is over. He said to Mathilde, "You won't lose it. I just tasted the joy of life. " But he's dead.

I am immersed in a piece of anger and pain that I can't extricate myself. The boss will escape. No one will know the truth. He will get away with it forever. I can't breathe.

But it's not over yet. The huge explosion destroyed everything in a mutually destructive way. Killer and "boss", justice and evil, kindness and cruelty, were reduced to ashes in a huge fire. Thanks to Lu Beisong's idealism, perhaps in real life, the "boss" will always prevail, but Lu Beisong gave us temporary satisfaction.

Madida entered a normal life.

She went back to school and planted rootless orchids on the ground. This rootless orchid, like sleeping in the wind in The Story of Teddy Boy, is a metaphor for the killer.

However, after such a miserable life, can Madida really return to a normal and dull life?

2. This film with strange spirit and full of strange imagination comes from Jean-Pierre Joune, a French film geek. According to the comments, this is his consistent shooting style, and it is also the style that makes him successful. Unusual people and things, even with fairy tales and grotesque colors, beyond normal people's thinking and imagination, are this guy's preferences.

I saw this movie for the first time as early as my college days, and the most direct feeling about it is that the Chinese translation of this movie is unique, which should belong to the angel Imiri, but this translation is really a double feeling: Imiri, an angel on earth, fell in love with beauty, hehe. I watched it more than four times later. The characteristics and details of Rococo, a civilian who found this film, are incomparable: small, exquisite, jumping, delicate, peculiar, full of life flavor and poor fairy tale color.

The art of Rococo began with Louis XV's interior decoration, trying to break the baroque style that was too serious and pretentious at that time, and trying to embellish the details with chic, exquisite, gentle, elegant, light and energetic effects. In the later period, art, painting, architecture, sculpture, clothing, daily life and even etiquette were greatly affected. Politically, it is more like the evolution of nobles and civilians.

Imirie, like a Rococo angel in a serious and lonely Baroque crowd, brings comfort and pleasure to a group of lonely people who are not good at expressing themselves. The film completely shows me an exhibition hall of rococo art in French civilian times.

There are four Rococo-style exhibition halls in the exhibition hall:

Small and exquisite rhythm

The scene arrangement and design of the film are very jumping, from the interpretation of Imirie's origin (is it like playing a science film with Chaplin's humor) to the fact that little Emily put strawberries on ten fingers and ate them quickly. A goldfish can exaggerate the outbreak of family emotions, or unplug the antenna when the other side watches the ball game because of revenge on neighbors. What's more, her father's heart beats faster when he is near. As an adult, Imirie always cares about things that others don't pay attention to, such as observing bugs in the corner of curtains when watching movies, watching countless people climax on the balcony, and seeing that she likes to fetch water from the river (her goldfish was once released in the river) and so on. From the world of Imirie, the audience followed her footsteps, and explored the interest and meaning of life in the rhythm of movie jumping. It's fun and enjoyable.

The subtle warmth of design

From time to time, the film is interspersed with warm pictures: the landlady cried with joy when she received a forged love letter, the old man saw his childhood toy baby come home, stuck needles in two boring and sick people in a Paris pub, edited videos for the old man who painted, and dad finally walked out of the valley to see the world when he saw the photos of the puppet trip. Even the owner's whole design is to care for the weak equally. From the whimsical ideas discovered by chance to bring warmth to everyone around us, those angelic ideas not only bring warmth to the film, but also make the film colorful and completely block the audience's sight.

Strange fairy tale colors

The whole plot design is like a child's fairy tale, beautiful and light, but the princess in the fairy tale is always redeemed by a prince. So there appeared a prince who had such a strange hobby of collecting photos of bad documents. He made our angel's heart beat faster than his father's when he was young. So love shines in seeking and being sought, hesitation and courage. The tacit understanding in hiding, the design of the album when meeting. The canvas of French romanticism has a strong color. I can't help but think of the paintings "Di Anna Shower" and "Swing" which tell about the beauty of life and body and harmony and happiness.

Silent but full of energy

Imirie's voice is always so low that she hardly wants to be heard. But the deep voice makes me feel that she always wants to express her divided feelings, and people are eager to transcend a life without sustenance. Let the stewardess friend take the puppet to many places and send the photos back. Finally, the silent father went out to travel. Movies always hope to make silent people smile and walk happily. It's hard for me to forget this scene: Imirie contacted her boyfriend out of curiosity, but made an exaggerated and funny expression when the other person tried to fall in love (my director's unique ingenuity). The keen insight of Confucianism constantly makes his angels visit, creating those meaningful and emotional moments, which originated from real and ordinary life, but were endowed with rococo lace-like details by him, making the whole film meticulous and touching, highlighting the appeal of French romantic movies. Make the film more warm and delicate.

With exaggerated romanticism, the whole movie seems to be the keynote of a comedy, but it is not a completely hilarious movie. Many people in the film have communication barriers, and many people who can't start a new page independently in their lives can't communicate, but they are so eager to be concerned and concerned, lacking courage, and often feel frustrated and difficult to express. Angels in Confucian movies gave them an idealized ending, while Imirie was idealized. But every ordinary person in life can be an idol and angel for himself and the people around him. This idea makes me feel very warm. Just like the old man who painted Renault finally gave our angel encouragement-people who are afraid of love and giving will never get what they want.

Posters are everywhere, and it's just in the nasty rainy season. In this season, it is most appropriate to relive heroes and feel love.

Trojan horse is like a mysterious spell, which is another reason why I watched this movie. When I was very young, I heard from the old man next door that it became a clear memory of my childhood. Now sitting in the cinema, it hurts a little to think that I can relive my childhood in a few minutes. The war was really simple, but in A.D. 1 193, it was a male-dominated world. Unlike the present equality between men and women, women hold up half the sky, in my opinion, more than half. There is another example in the ancient East. Angry crown is a kind of beauty. To Helen, a Greek beauty, to Chen Yuanyuan, a famous prostitute in China. The Trojans finally fell into the trap, and Wu Sangui led the Qing soldiers into the customs. History crosses the boundaries of time and space, and there are often many amazing coincidences.

The film is based on the Iliad, and the voice of the old poet Homer rings in Waiting and ends with a sigh. I haven't read the introduction before, and I don't see how it has the color of Homer's epic. The terrible thing is that I haven't read Homer's epic either. Friends say that the gates of Troy have the effect of sand sculpture, which is very imposing and the sea is blue. The sea is the Aegean Sea, so the name sounds romantic. The number of soldiers involved in the film is amazing. The turbulent war scene has an immersive feeling. The close-up of Achilles standing on the top of the mountain overlooking the soldiers is much more than Jack's view of "I am the king of the world" in Titanic, which is simply childish compared with the former. Imperial territory, love, crutches symbolizing kingship, coastal family killings. The beating fire reflects a beautiful face ... a series of scrolls interweave, blend, entangle and tear your visual nerve and fragile heart.

This is an era when heroes make history. Achilles' bravery, contempt for gods and confusion about love show his tenacious and flexible character. The gods in Greek mythology are gentle, while heroes are often brave. The brave hero died in the tenderness of love, but what a pity! This character is also reflected in the Prince of Troy, who killed Achilles' cousin in the melee of attacking the Greek Coalition forces, and clearly knew that he would never return in the challenge of Achilles riding alone. He still went, and the moment the door closed, it was the end of his life. During the war, he arranged a secret passage for his wife to escape. He left without hesitation. He is as brave as Achilles, more than his brother who loves Helen.

I always thought it was a good schedule for this film to be released before Father's Day, although the old king begged Achilles to return the body of his eldest son and give the deceased a decent funeral, which was very sad. I loved him from the moment he was born until you killed him. A father, a king with kingship, saw his son killed by a sword, and his body was carried away by a chariot on the tower. He was a loving monarch, a wise man and an old man who suffered greatly from Cang Sang. It's also the old man, he said. It is worth fighting for love. He respected the gods and finally died under their protection.

A war triggered by beautiful women ended in a wooden horse. The Trojan horse left by the Greek Coalition forces became the scourge of the Trojan defenders. The ten-story wooden horse is magnificent, which makes the war more mysterious and dramatic. The only deficiency is the deletion of three plots, which makes the death of the hero too sudden and the beauty too dull in the night.

Flying over the madhouse, the one upstairs did a good job! !