Traditional Culture Encyclopedia - Photography and portraiture - The little lotus has just revealed its sharp corners, and a dragonfly has already stood on it. Who wrote it?
The little lotus has just revealed its sharp corners, and a dragonfly has already stood on it. Who wrote it?
The little lotus has just revealed its sharp corners, and a dragonfly has already stood on it
Yang Wanli (1124-1206), a poet of the Southern Song Dynasty, with the courtesy name Tingxiu and the name Chengzhai, was born in Jishui, Jizhou (now in the Jiangxi) people. He is one of the writers who wrote the most poetry in ancient my country. His poems are popular, fresh, smooth and natural, and are known as "Cheng Zhai Style". The content of the poem is mainly about mountains, rivers and natural scenery, so his good friend once jokingly joked with him that "everywhere in the mountains and rivers, I am afraid of seeing you."
Appreciation of famous lines - "The little lotus has just revealed its sharp corners, and a dragonfly has already stood on it."
This poem expresses the author's love for life. The descriptions of springs, shades of trees, lotuses, and dragonflies give us a vivid picture of simplicity, nature, and the interest of life with infinite vitality: the springs silently seep trickles, as if they cherish the crystal spring water very much. The green trees like to blend their shadows into the pool water in the soft atmosphere of sunny days; the tender lotus leaves have just stretched their pointed corners out of the water, and naughty dragonflies have already been standing lightly on them. The whole poem focuses on the "small", vividly and meticulously describing the vivid and dynamic new scene in the small pond in early summer, and is used to describe the newly emerging newcomers.
The garden is full of spring scenery, and a branch of red apricot comes out of the wall.
Ye Shaoweng (year of birth and death unknown), courtesy name Sizong and Jingyi, was a poet of the Southern Song Dynasty. His poems mostly describe the pastoral scenery of rivers and lakes, and his seven-character quatrains are particularly novel, beautiful, and full of life interest.
It is February in the south of the Yangtze River, the clouds are clear, the wind is gentle, and the sun is bright. The poet took the opportunity to come to the door of a small garden and wanted to see the flowers and trees in the garden. He knocked lightly on the firewood door a few times, but there was no response; he knocked a few more times, but still no one answered. After knocking and knocking for a long time, no one came to open the door to welcome guests. What's going on? Is the master really not here? Probably because they were afraid that the moss on the ground in the garden would be trampled by people's burps, they closed the door and thanked guests. If that's the case, that would be too stingy!
The poet was thinking and wandering outside the garden, feeling very disappointed. When he was helpless and about to leave, when he looked up, he suddenly saw a branch of red apricot flower in full bloom on the wall sticking its head out to greet people. The poet thought happily: Ah! The spring beauty of the garden has already overflowed outside the wall. No matter how tight your master closes the garden door, he can't close it! "The garden is full of spring scenery, and a branch of red apricot comes out of the wall." From a branch of blooming red apricot flower, the poet appreciated the lively spring scenery in the garden and felt the gorgeous spring light in the sky. Finally, his trip was worthwhile. However, later readers were not satisfied with this, but gave these two poems the philosophy of life according to their own wishes: new things will definitely break through all the difficulties, stand out, and develop vigorously. These two poems also gained new life and spread endlessly.
Green trees are suitable for covering the corners of the house, and green hills are suitable for filling the gaps at the top of the wall.
Ma Zhiyuan was born in 1250 and died around 1321. He was a famous dramatist in the Yuan Dynasty. A native of Dadu (now Beijing). Ma Zhiyuan is famous for his writing, and his name is ominous. It was later named "Dongli" to emulate Tao Yuanming's ambition. He was later than Guan Hanqing, Bai Pu and others, his birth year should be before the Zhiyuan Dynasty (beginning in 1264), and his death year should be between the first year of the Zhizhi Yuan Dynasty and the first year of Taiding (1321-1324). He once served as the provincial secretary of Jiangsu and Zhejiang provinces.
Ma Zhiyuan is the author of sixteen kinds of dramas. The surviving ones include "Tears of Sima Qingshan in Jiangzhou", "Autumn in Han Palace", "Lv Dongbin Three Drunks in Yueyang Tower", "Thunder and Blessing in the Midnight" There are seven kinds: "Stele", "Ma Danyang served as Fengzi three times", "Opening the altar to explain Huangliang's dream", "Chen Tuan lying high in Xihua Mountain". Ma Zhiyuan is also famous for his Sanqu works. The existing volume "Dongli Yuefu" contains 104 small orders and 17 sets. The content of his dramas is mainly about deified Taoist priests, and the scripts all involve the stories of the Quanzhen religion. Jia Zhongming said in his poems at the end of the Yuan Dynasty and the beginning of the Ming Dynasty: "The horse gods are among thousands of flowers, and they will travel far away through hundreds of generations." "The name is fragrant throughout the pear garden."
This is also the swan song in Sanqu. If viewed separately, Ma Zhiyuan's poems may be more engaging because they are portrayed more freshly here. But when we compare it, we will feel that Meng Haoran's poem is richer, and it shows no trace of processing. However, the whole farm is clearly visible, and it shows a deeper level of work. This is of course also because Ma Zhiyuan wrote from the corner of a hut, which is a small world for a hermit. However, this small world is connected with nature, which is the joyful thing. But Meng Haoran wrote about the entire countryside. Here, Meng Haoran's poems have more human flavor and more life breath in the more common world. This is why it is more profound.
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