Appreciation of the Translation of Three Original Poems of Yi Jiangnan Ci

The scenery in Jiangnan is very beautiful, and the picturesque scenery has long been familiar. When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan? Jiang Nanyi, the most memorable is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you come again? Jiang Nanyi, followed by Wu Gong. Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. We'll meet again sooner or later! -Bai Juyi's Three Notes on Jiangnan Ci in Tang Dynasty: Bai Juyi's Three Notes on Jiangnan Ci in Tang Dynasty

The scenery in Jiangnan is very beautiful, and the picturesque scenery has long been familiar. When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan?

Jiang Nanyi, the most memorable is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you come again?

Spring Translation and Annotation Translation of Yuefu, Scenery and Place Names

How beautiful the scenery in Jiangnan is, the picturesque scenery has long been familiar. Spring is coming, and the sun rises from the river, making the flowers on the river brighter than the red ones, and the green river is greener than the blue grass. How can one not miss Jiangnan?

The memory of Jiangnan can best evoke the memory of Hangzhou, which is like a paradise: visit Lingyin Temple to find laurel trees, board the county pavilion, rest on it and enjoy the ebb and flow of Qiantang River. When can I go to play again?

Memories of Jiangnan, and then memories of Suzhou Wugong, drinking wine and spring bamboo leaves in Wugong, watching the singers in Wugong dance like charming hibiscus. I don't know when we will meet again.

Creative background 2 appreciation these three words are independent and interrelated, so they must be analyzed together.

The first song captured the scenery of Jiangnan in the spring of one year, full of vitality and colorful. The phrase "flowers on the riverside win the fire at sunrise" describes the spring flowers on the riverside reflected on the first day, which are redder than flames. It shows the vibrant state of blooming flowers in spring, and makes people feel the rich and warm beauty of spring in Jiangnan. The second sentence says, "The river is as green as blue in spring." Spring water is rippling and blue waves are thousands of miles away. The poet exaggeratedly described it as greener than blue grass. This dark blue and green color is more dazzling in contrast to the fiery red of the above sentence. The poet used colorful words to show the charming state of spring scenery in the south of the Yangtze River. People who have lived in Suzhou and Hangzhou for a long time like the author will naturally "forget Jiangnan!" Even people who have never been to Jiangnan can't wait to see it.

If the first song is an objective grasp and a general description of the spring scenery in the south of the Yangtze River, it shows that "Jiangnan is good", then the second and third songs verify "Jiangnan is good" by highlighting Suzhou and Hangzhou, two places known as heaven. In ancient mythology, there is a legend of laurel trees in the half moon. "Nan Shu Xin Yu" says: "Hangzhou Lingyin Temple is full of osmanthus flowers, and the monk said,' It will be planted this month'." Up to now, watching the night in the Mid-Autumn Festival, children often fall, and monks try to pick it up. "It can be seen that laurel's statement in this temple is just a monk talking to himself. But the truth of life is not equal to the truth of art, and the works use this legend to express the extraordinary of Hangzhou. At the same time, "Looking for Guizi in the Temple under the Moon" also shows the poet's romantic imagination. Our eyes seemed to be full of sweet-scented osmanthus, and we smelled a strong cinnamon fragrance. The second sentence, "Watch the tide on the pillow of the county pavilion", depicts the wonders of Hangzhou and Zhejiang entering the sea. Through the description of two representative life pictures, Mountain Temple and qiantang bore Watching Tide, the poet can make people want to see the colorful Hangzhou in just two sentences.

The last song is about the beauty of Suzhou. Suzhou has scenic spots and historical sites, such as Guanwa Palace, which was built by Fu Cha, the king of Wu, for beautiful women. There are fine wines, and there are also wines called "Zhuyeqing". Women in Suzhou are also more beautiful and can sing and dance well. Their dancing reminds people of the lotus flowers intoxicated in the wind. With wonderful poems and pen and ink, the poet succinctly outlines the charming customs of Suzhou, which makes people fascinated.

Appreciate the first memory in Jiangnan and write about spring scenery. The whole word is five sentences. When I opened my mouth, I praised "Jiangnan is good!" It is because of "good" that we should "remember". The phrase "I used to be familiar with the scenery" shows that the "good" scenery in Jiangnan is not what people say, but what I personally felt and experienced in those years, thus leaving an unforgettable memory in my own aesthetic consciousness. It not only implements the word "good", but also clarifies the word "memory". Next, he wrote down the scenery of the south of the Yangtze River in two words: "At sunrise, the river flowers win the fire, and in spring, the river is blue." "Sunrise" and "Spring is coming" have different meanings. Spring is full of flowers and very red; The red sun is brighter and redder. Here, the brightness of the color is improved because of the same hue baking and dyeing. The water by the river is green, and the red sun shines all over the river bank, making the green waves more sparkling. Here, the contrast of different tones enhances the uniqueness of colors. The author associates "flower" with "sun" in order to dye the same color; And "flower" and "river" are connected together, in order to set off different colors. The river is red, and the river is green. The two are background to each other. So the red one is redder, "Red is better than fire"; Green is greener, "green as blue".

Du Fu writes landscapes and is good at coloring. For example, the sentences such as "Jiang Bi birds are too white, blue and white mountains burn" ("quatrains"), "Two orioles sing green willows, and a row of egrets go up to the sky" are all picturesque. The technique of setting off different tones obviously plays an important role. Bai Juyi seems to be very interested in learning. Such as "The setting sun is burning red, and the clear sky is bluer than blue" (Qiu Si), "Spring grass is more like a dream when it is green, and it is close to Chang 'an when the waves are red at night" (titled Yueyang Tower), "Three hundred and ninety bridges with green waves east, west, north and south, and red pillars" (wandering on the third day of the first month) and other couplets are all brightly colored because of the use of foil techniques. As for the sentences of "sunrise" and "spring comes", we have made some innovations on the basis of learning from our predecessors: in the bright spring, we draw pigments from the first day, rivers, rivers, flames and green leaves, and alternately use the techniques of baking and dyeing, supplemented by appropriate metaphors, thus forming a broad picture. Not only colorful, dazzling; Moreover, it is rich in layers and resistant to association.

The word "Yi" in the title and the word "Lao Zeng" in the poem also show that this word has a more important layer: setting off the spring scenery in the north and south of the Yangtze River. The whole poem describes the "deja vu" spring scenery in Jiangnan with nostalgia. At this time, the author is in Luoyang. Compared with Jiangnan, the spring in Luoyang comes later. The author wrote in Luo Yang's "Wang Weidi" Seven Wonders Cloud: "Flowers are cold and lazy, birds are lazy, and horses are idle in the west. Where did you think before spring, wicker was powerless to Wei? "In the south of the Yangtze River, the rising sun rose, flowers in the river prevailed over fire, but Luoyang was" cold and lazy ",and only the wicker on Wang Wei's levee showed a little spring.

Flowers bloom later than Jiangnan, and the water is different. Luoyang has Luoshui and Yishui, not far from the Yellow River. But even if spring comes, the water can't be as green as the spring water in the south of the Yangtze River. Therefore, the author tried his best to recall the spring scenery in Jiangnan, and sincerely praised "Jiangnan is good". After writing down the beautiful scenery he once knew with flowers, he could not help but close the whole poem with the feeling of "I can't forget Jiangnan". This collection of works not only supports the Luoyang-born author's infinite admiration and nostalgia for the spring scenery in the south of the Yangtze River, but also creates a long-lasting charm. Although the words are combined, the lingering feelings fly away, which naturally leads to the second and third songs.

The second word begins with "Jiang Nanyi, the most unforgettable thing is Hangzhou", and the first three words "Jiang Nanyi" are connected with the last three words "Recalling Jiangnan" of the first word to form the continuity of meaning. The last five words "Hangzhou is the most unforgettable" highlight the author's favorite Jiangnan city. If the first word is like Jiang Nanchun's intention and was written by a painter with a bird's eye view, then the second word is like a painting in autumn in Hangzhou.

The author loves the spring in the West Lake very much, but he doesn't write the spring in Hangzhou in his words, probably to avoid repeating the spring scenery written in the first word. He wrote the autumn in Hangzhou, the moon in Lingyin Temple and the tide in Qiantang River on the shelf. Two words can write two realms. The "Mountain Temple" of "Mountain Temple Looking for Laurel" refers to Lingyin Temple in the west of West Lake. There are many legends circulating in this ancient temple, some of which are covered with a myth: it is said that the osmanthus tree in Lingyin Temple fell from the moon palace. The author once enjoyed the moon in the temple, and the Mid-Autumn osmanthus fragrance made him unforgettable. Looking for laurels in the shadow of mountains, temples and the moon, I wrote about the beautiful environment and the activities of poets in it. However, the poet's memory of Hangzhou has another unforgettable realm. That is, "watch the tide on the pillow of the county pavilion." The tide in Qiantang River is a wonder of nature, which can reach tens of feet. So Bai Juyi wrote that he was lying in the pavilion of his county government, and he could see the tides with clouds and snow, which was very interesting. Watching the Tide on the Pillow in the County Pavilion sets off the stormy scenery with leisurely pen and ink, which is in sharp contrast with the quiet and hazy beauty realm of the previous sentence "Looking at the moon in the mountains and looking for the moon in the temple" and complements each other. Bai Juyi loves Hangzhou, so after he returned to the north, he had the desire to "revisit for a day".

The third poem is not as good as the first one or the second one in terms of ideology and art, and it is about singing and dancing life, so many anthologies are not introduced. In fact, writing is not entirely without merit. Although the first two words are also about people, they are mainly about scenery. The third song goes to Wu Palace, but it is mainly about people, kabuki in Suzhou and the poet himself. On the whole, the change of artistic conception makes the linking words appear rich and colorful.

Drink a cup of spring bamboo leaves. First of all, bamboo leaves are opposite to hibiscus in the next sentence. Secondly, "spring" is an adjective here. The so-called spring bamboo leaves do not necessarily refer to bamboo leaf green wine, but to wine that can bring spring. Bai Juyi said in another poem that "the bamboo leaves in the urn are ripe in spring". Many famous wines in the Tang Dynasty were named after the word Chun, and most literati loved wine. Bai Juyi should be no exception. Drinking Wu wine and watching "Wu Wa Shuang Dance" is like the dance of drunken hibiscus. "Tile" means beauty. At that time, it was called "Wa", and the house built for her by Fu Cha, the king of Wu, was called "Guanwa Palace". Bai Juyi wrote this poem because he was associated with this peerless beauty. The author is not a debauchery person. He enjoyed Wu Wa's singing and dancing very much and hoped to see the performance again. So when he returned to Luoyang, he said, "We will meet again sooner or later."

These three words, from now on, recall the past and recall Suzhou and Hangzhou from Luoyang. Today, yesterday, south and north, time and space span greatly. The first two sentences of each song are love stories of the past and the present. I am in Luoyang and am fascinated by Jiangnan. The middle two sentences of each song are infinitely affectionate memories of the most unforgettable past in Jiangnan. What about the conclusion? Then I went back to today, hoping that those beautiful memories would become a living reality one day. Therefore, the whole set of characters is only a few tens of crosses, but it attracts readers to enter the role from multiple levels, imagining various situations experienced by the protagonist past lives and experiencing various spiritual activities displayed by the protagonist past lives, thus gaining endless aesthetic enjoyment.

Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, Lotte, Xiangshan, and drunk. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen jointly advocated the New Yuefu Movement, and together with Liu Yuxi, they were called the "Bai Yuan" and "Bai Liu" of the world. Bai Juyi's poems have a wide range of themes, diverse forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on. Bai Juyi

The swordsmen of Zhao are dotted with tassels at will, and their swords are as bright as Shuang Shuang. The silver saddle and the white horse set each other off and galloped. Within ten steps, kill one person, cross a thousand miles, leave no one behind. After you finish, brush off your clothes, don't show any sound, and hide in the depths. Sometimes when I'm free, I walk through the county town, have a drink, and cross my sword over my knees. Eat meat with the sea and drink with Hou Ying in a big bowl. Three cups of spit, five mountains are light. After drinking, my eyes were dizzy and energetic, and the rainbow was swallowed up by the air. When Zhao was captured, the soldiers and civilians in the city were frightened. Hai and Hou Yingcai are real warriors of the second century, and they are famous in the whole city. As a knight, the death of chivalrous bone is also fragrant, and it is worthy of being a hero. Who can learn Confucian scholars, stay in books all his life, have white hair, and still write the Xuanjing? . -Tang Li Bai's "Chivalry" Chivalry

Tang Dynasty: Li Bai

The swordsmen of Zhao are dotted with tassels at will, and their swords are as bright as Shuang Shuang.

The silver saddle and the white horse set each other off and galloped.

Within ten steps, kill one person, cross a thousand miles, leave no one behind.

After you finish, brush off your clothes, don't show any sound, and hide in the depths.

Sometimes when I'm free, I walk through the county town, have a drink, and cross my sword over my knees.

Eat meat with the sea and drink with Hou Ying in a big bowl.

Three cups of spit, five mountains are light.

After drinking, my eyes were dizzy and energetic, and the rainbow was swallowed up by the air.

When Zhao was captured, the soldiers and civilians in the city were frightened.

Hai and Hou Yingcai are real warriors of the second century, and they are famous in the whole city.

As a knight, the death of chivalrous bone is also fragrant, and it is worthy of being a hero.

Who can learn Confucian scholars, stay in books all his life, have white hair, and still write the Xuanjing? . ▲ Yuefu, writing people, praising the madness of silk and bamboo to make songs, and pretending to raise their voices. You don't understand the beauty of folk songs. Its voice expresses the singer's heart. -Lu Guimeng's "Two Nights, No.2" in the Tang Dynasty.

Music can make beautiful songs because of the use of musical instruments.

You don't understand the beauty of folk songs. Its voice expresses the singer's heart. I don't go home for a few springs, and I see cherry blossoms in the jade window. There is a brocade book that makes people dumbfounded. At this point, my heart is broken, my heart is broken. Clouds and smoke are tied to the temples, and sorrow is like running back to snow. Last year I sent books to the balcony, and this year I sent books again. Dongfeng, Dongfeng, blow clouds for me and let the west come. Come but not come, the fallen flowers are silent and covered with moss. -Li Bai's Long Separation in the Tang Dynasty

Don't go home for a few months, see cherry blossoms at the jade window.

There is a brocade book that makes people dumbfounded.

At this point, my heart is broken, my heart is broken.

Clouds and smoke are tied to the temples, and sorrow is like running back to snow.

Last year I sent books to the balcony, and this year I sent books again.

Dongfeng, Dongfeng, blow clouds for me and let the west come.

Come but not come, the fallen flowers are silent and covered with moss. Yuefu, women miss it.