The grass doesn't grow green in spring, and my sideburns have turned silver, aging too fast. We leave for too long, and slowly all the pain will be forgotten by time. Originality _ Translation and App

The grass doesn't grow green in spring, and my sideburns have turned silver, aging too fast. We leave for too long, and slowly all the pain will be forgotten by time. Originality _ Translation and Appreciation The grass doesn't grow green in spring, and my sideburns have turned silver, aging too fast. We leave for too long, and slowly all the pain will be forgotten by time. -Song Jiangkui's "Gu Tian Yuan Xi Meng" is not green in spring, and it is first. We leave for too long, and slowly all the pain will be forgotten by time. The water flows eastward and never stops. Early know this day is sad, there should be no original lovesickness. The meeting in the dream is always unclear, and we can't catch up to see a clearer portrait, and this kind of wet dream is often helpless and will be startled by the sound of the mountain bird.

The grass doesn't grow green in spring, and my sideburns have turned silver, aging too fast. We leave for too long, and slowly all the pain will be forgotten by time. I don't know who made me miss that evening, that happy reunion night. Only you and I can understand this feeling. (Shentong: Shen) Translation and annotation translation of Selected Poems of Song Dynasty: Graceful and Graceful, Pursuing Dreams and Caring for the People

At Wang Yang, the water flows eastward and never stops. If I had known it was bleak today, I shouldn't have been so haggard. I always can't see the meeting in my dream clearly, and I can't see the portrait I chased clearly, and this kind of spring dream is often awakened by the cry of mountain birds.

Before the spring grass grows green, my sideburns have turned silver and are aging too fast. We have been apart for too long, and slowly all the pain will be gradually forgotten by time. I don't know who it is, but it makes me miss it. Every reunion night, only you and I can feel this feeling.

Appreciation 2 This is a love poem, which is related to the "Hefei Incident" in Jiang Kui's youth. In the poem, it is the yearning and yearning of the old couple in Hefei. It can be seen that Baishi is a very emotional person. Although the past is gone forever, the passage of time and the transformation of space, coupled with the vicissitudes of personnel changes, have not changed Baishi's deep attachment to Hefei couple. So he wrote a series of poems that deeply missed each other during his long wandering in the rivers and lakes. In the third year of Qingyuan in Song Ningzong (1 197), he dreamed of seeing his old lover again, and after waking up, he wrote this touching love story. This year, it has been more than twenty years since I first met my lover.

The first two sentences reveal the reason of dreams. The first sentence begins with empty fat water, which is interesting and concrete. There are two streams of fertilizer and water in the east and west, which refers to the one that flows eastward through Hefei and enters Chaohu Lake. Pointing out "fat water" not only explains the place where this love happened, but also draws the poet into distant meditation. Reflected in the poet's mind, there are not only images of fat water flowing eastward, but also a series of warm or painful memories related to Hefei Incident. Here, the fat water flowing from the east in an endless period is not only a symbol of the long passing years, but also a symbol of endless lovesickness and attachment in the long years, which is natural and rich in connotation. It is precisely because this relationship brings endless painful thoughts that the second sentence turns to complain that this lovesick relationship should not have been planted in the first place. The word "kind" of "planting acacia" is used exquisitely.

Acacia is the fruit of acacia, so acacia is associated with acacia, and the word "species" is derived from the tree. It not only gives the abstract acacia a sense of image, but also implies that it keeps pace with the times and cannot be eliminated, and it has planted an unforgettable and long-lasting hatred in its heart. This feeling can't be eliminated, so I can only get down and frown. (Li Qingzhao) The word "disharmony" comes out with a sharp and embarrassing language, which seems to regret the frontier, but in fact it more powerfully expresses the sincerity and depth of this lovesickness and its long-term painful torture to the soul.

"I didn't see Dan Qing in my dream, but suddenly I heard the birds singing." Three or four sentences "dream" to the point, divided into dreaming and waking up. I miss you deeply, which leads to my dream. However, due to the long-term separation, the image of Iraqis in the dream is also very vague, and it doesn't feel as real as that shown in Dan Qing's pictures. The author seems to have a portrait of an old lover in his possession, and he often takes it out when he is lovesick on weekdays, but he always thinks it is better to face the truth of Iraqis, and when he dreams of Iraqis, he feels that the image in his dream is not as vivid as that of Dan Qing. Meaning becomes a layer, forming a deeper hazy meaning. The next sentence and the last sentence are contradictory in language, but its meaning has become another layer. It is said that in my dream, I suddenly heard the crow of a mountain bird, which awakened my dream and made the image of "no better than Dan Qing" disappear without a trace and nowhere to be found. If the last sentence is regret in a dream, the next sentence is melancholy after waking up. Being far away from the thinker, meeting each other is only in a dream, but even such an unreal dream can't last long. What's it like? The first part stops here, but "lovesickness" and "dreaming" continue, and the next part goes deeper from another angle to express the feelings after waking up.

Another year has passed, and the suburbs of spring have not yet been green, and the spring is chilly: "Xian Si" said that he wandered around the rivers and lakes in the past, and after years of frosting on his temples, even though there was a fragrant spring to reward him, why not! Two sentences are a flowing pair, language contrast. The feelings are extremely sad and the intentions are extremely unique.

The next sentence, "Don't be sad for a long time in the world", is the condensation point of the whole word's feelings, full of profound life experience and deep sadness. True and deep love always engraves the rings of memory deeper and deeper with the accumulation of years, but on the surface, this deep-rooted acacia often does not manifest as a warm outbreak and strong external grief, but as underground magma, it sneaks a fiery torrent under a calm and even indifferent appearance. It is also like an underground river under the surface of the earth, surging in the depths, but its appearance is not easy to detect. Especially because of age, repeated lovesickness and pain year after year have gradually made nerve endings feel dull and numb, and the sadness in my heart has accumulated too much and is wrapped in an outer membrane that is not easy to touch. In this case, even I don't seem to realize the hidden sadness in my heart. "Affectionate but always ruthless" (Du Mu's two farewells), and the appearance of "not sad" reflects the sadness in his heart more deeply. When the author is clearly aware of this, the sad feelings will inevitably go further. In a homophonic work written by the poet a few days ago, there is "juvenile things are always sad", which is exactly the same. This is a deeper and more tragic emotional state of a middle-aged person who has experienced emotional hardships. In the face of this unforgettable pain in the form of numbness, the loveliness and sadness of young men and women are inevitably superficial.

"Who teaches red-violet night, the two know each other thoughtfully." Red lotus night refers to the Lantern Festival, and red lotus refers to the lanterns of the Lantern Festival. Ouyang Xiu's Mo Shan Xi Yuan Xi: "Cut Red Lotus in the City", and Zhou Bangyan's Jieyu Flower. Lantern Festival: "Full of red lotus, snuff set each other off", which can be proved. The break ended in lovesickness and knowing each other. It is the same as Li Qingzhao's "one kind of acacia, two kinds of leisure worries". "Year after year" means the first sentence "endless". The special mention of "Red-violet Night" here seems to be not only to the point, but also because the Lantern Festival easily touches the association of reunion, which is probably related to past love. In ancient times, the Lantern Festival was a good night for young men and women to have sex. Ouyang Xiu's Life Checker, Xin Qiji's Jade Case and Liu Yong's Welcome the New Year all help to understand this point.

So, every year on this night, I miss you so much that I "dream". To say "thoughtful" instead of "lovesickness" is not only to avoid repetition, but also because the word "thoughtful" has the perceptual image of bowing one's head and thinking, which is quite like Li Shangyin's artistic conception of "the moonlight should be cold when singing". "Knowing each other" means that both sides know that they miss each other, and only each other knows the situation and taste of lovesickness (whether it is warm and sweet memories or the pain of long-term separation). The two sentences mentioned by "who taught" seem to be asking questions, crying, complaining, resenting some unknown force that separates the two sides forever, and resenting themselves. There is a delusion of love in the world, and this hatred has nothing to do with romance. (Ouyang Xiu's "Spring in the Jade Building") After a deeply engraved sentence "The world is not sad for a long time", it ends with the sentence "Who teaches". This is a description of nothing, which turns reality into emptiness and human things. The charm of the word is long and profound, and it contains ethereal meaning.

The author has been to Hefei several times and fell in love with a geisha. The party at that time became a memorable event in his life. In my memory, her image is very vivid. However, the Iraqi people are far away and have no future. Looking back on the past, it is memorable and deeply touched. Meet in a dream and be awakened by a mountain bird. The pain of missing makes me really feel the endless troubles of "the original lovesickness", just like the fat water flowing eastward for an endless period. Who let two people have their own hearts to relive the scenes of falling in love in those years every Lantern Festival night? The sadness and sadness revealed between the lines is caused by this. The whole poem is affectionate and touching. This word was written by Song Ningzong in the third year of Qingyuan (1 197) in memory of Hehe lovers. This dream poem is called "One Yuan Xi Dream" and was written in the Lantern Festival in the third year of Qingyuan in Ningzong. The first part wrote about the regret of past love, and then wrote about the resentment of not seeing the lover in the dream, which shows the depth of the author's love. The next film says don't be so sad for so long, your hair has turned white. Just take a few pictures and imagine that on the night of the Lantern Festival, the other party is also suffering from acacia, which is extremely painful. Spring is not green, the temples are first silk, and the world is not sad for a long time. "Spring is not green", but as far as Lantern Festival is concerned, the early spring is still cold and the vegetation is not green; The first wisp of silk on the sideburns tells that the poet woke up from his dream all night, suddenly awakened his love affair 20 years ago, and suddenly felt that his sideburns were gray and his youth was gone. Only then did he realize that his old feelings seemed to have become indifferent, and he forced out the feeling that "the world will not be sad if it is not long." The so-called "not sad" refers to the long-lost lovesickness, from * * * exposure to deep introversion, from sentimentality to forbearance and restraint, showing a kind of indifference and dullness of "not sad", which is actually a deeper and more depressed sadness. The whole poem is profound and ethereal. The appreciation of the third song "A Partridge in a Spring Dream" was written by Jiang Kui in memory of lovers in Hefei. Written on the Lantern Festival in the third year of Qingyuan in Ningzong (1 197). According to Mr. Xia's research, Jiang Kui was about twenty years old when he first met his lover. At the age of 36, he had been to Hefei twice. "Shao Xiyuan years (1 190), Jiang Kui visited Hefei again. This winter, Jiang Kui Albert Venn Dicey gave two new voices, the faint fragrance and the thin shadow, to Fan Chengda Yongmei, and gave them to singer Xiaohong. " When he wrote this word, Jiang Kui was 42 years old, nearly 20 years have passed since he first met his old lover.

The first sentence of Shangque, "Fat water flows eastward endlessly", points out the place where I fell in love at the beginning, which means that I was lovestruck by this long and endless water for an endless period. On the surface, "I was lovesick at the beginning" has a feeling of regret, saying that this relationship should not have happened at the beginning, but in fact, I can't get rid of this unforgettable relationship at all, and I am always entangled in lovesickness, which makes people feel distressed. There is Li Taibai's "Autumn Wind Poetry", "Acacia is like a memory, and acacia is infinite. If I had known it was so frustrating, why didn't I know each other? " I didn't see Dan Qing in my dream "wrote the regret in the poet's dream. In the dream, the lover's face is blurred, not as clear as a portrait. It shows that the poet has never forgotten the appearance of his lover in the past twenty years and often lingers in front of her portrait. The phrase "I suddenly heard birds singing in the mountains" was extremely painful. I have been away for a long time, far apart, and I can only meet in my dreams. However, this vague dream was awakened by the singing of birds. Love hurts Ross, but also hurts the heart and spleen.

Starting from the first sentence, "Spring is not green, and the hair grows first", it is said that at the beginning of beginning of spring, the hair has turned white first; I also secretly wrote about my 20 years of Sauvignon Blanc. Don't be sad in the world for a long time tells the sorrow of the world. After such a long separation, people's emotions are numb, and they can no longer feel the unforgettable pain when they leave. It coincides with the Buddhist truth that "all beings are illusory and all colors are empty". However, when you think about it, the world is full of love, which is the same, especially when reading. Two sentences, "Who will teach Red-violet at the end of the year, and the two places will try to figure out each other's knowledge", point out the main idea and complete the whole article. Will you think of me on January night? Can you feel my yearning for you? This question is a heavenly question, and there is no answer. Only the two sides understand it in their own hearts. It can be inferred that this relationship had a sweet memory in the Lantern Festival on the night of 1 month. At this particular moment, it can trigger mutual memories and lovesickness.

Appreciation According to the textual research of Mr. Xia's Chronicle of Jiang Baishi, the author met and fell in love with his lover when he was young, and then drifted around to make a living, leaving more with his lover. But the poet misses his lover all his life, and sometimes his words are involved. This word is the most obvious one, which reveals the information of lovers and when to fall in love. In the first part, I dreamed of thinking, and when I woke up, I lamented that my dream was vague and I knew that my lover's face was unclear. Dreams are short-lived, just meeting, but awakened by the singing of birds. The next movie, from "Spring in Yuan" to "Change of Heart", is about the sigh of the years. "Don't be sad in the world for a long time" is a new idea. The whole word is ethereal and durable. Jiang Kui was a writer and musician in the Southern Song Dynasty. Beautiful personality, beautiful posture as jade, if the posture of gas is overwhelming, like a fairy. He wandered between Hubei, Jiangxi, Anhui, Jiangsu and Zhejiang, and made friends with poets and poets such as Yang Wanli, Fan Chengda and Xin Qiji. In the middle of Qingyuan, he wrote a letter begging Zheng Taichang for elegant music. Lonely and poor as a teenager, I tried many times and was unemployed all my life. He traveled all his life, selling words and helping friends for a living. He is versatile, proficient in temperament, able to compose his own music, and clear pronunciation and mellow voice. His works, such as the songs of Taoist white stone, are famous for their ethereal implication. Jiang Kui is good at poetry, prose, calligraphy and music, and is another rare artistic all-rounder after Su Shi. Jiangkui

There are willows planted in front of the hall, so there are several spring breeze. Farewells are endless, and I cherish the cool weather. People who are most worried are afraid to hear the swan song, and lonely travelers are in the silence of mountains and clouds. The weeping willows don't touch the skirts. The dragon is a boat. Unlike the autumn moon, people who cling to leave are injured twice. I already feel that I have lost Sichuan, and I feel sorry for it. I saw Jin Shu hiding behind the boat. Every year, on the cross road, in the drizzle, long-distance ships are on the shore of An Shu. Farewell to my old friend, I love infinity, and tears fall down on the river. Floating clouds are like wanderers, like wandering, and the sunset slowly goes down the mountain, which seems to be nostalgic. Don't go home for a few months, see cherry blossoms at the jade window. Facing the mist on the water, I still waved my hand and cried. Sincerely advise friends to drink a glass of wine, and it is difficult to meet their relatives when they go out to the sun. Keep this song, don't renovate it. A song can teach intestinal knots. My body seems to have been displaced like others. Where can it be my hometown? With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave.