Traditional Culture Encyclopedia - Photography and portraiture - How to evaluate the movie Out of Amazon?
How to evaluate the movie Out of Amazon?
His "patriotism" is manifested in the patriotic concept of the film, which takes the training experience of two trained special forces in China as the main line and expresses the hero's love sentiment around symbols such as "country" and "red flag" from beginning to end.
During the whole process of watching movies, everyone's passion was ignited and they were amazed from time to time. Even in the last day or two, everyone was talking and proud.
First of all, the story about the movie. Throw away all the ideological things and shooting things in the film. Looking at the story itself, it is not difficult to find that both the conception of the story, the connection of the story and even the drama of the story are well done. The authenticity of the film background can not be ignored, but looking at the film, it is even more artistic to sacrifice the story itself in order to highlight it.
In terms of stories, we have too much scruples to do it boldly. It seems that the wave of emancipating the mind needs to be further promoted in film understanding. Then there is the drama of the story, which is still remarkable. This is mainly because the students were caught, Henry Hui Wang taught the instructor a lesson, and later he was killed by one of his own inexplicably.
Secondly, in narrative. This military film does not use any skills and techniques in narrative, but simply tells the story in chronological order. Only in the end, the hidden secret line-drug dealers-was revealed. Both of them are presented in parallel montage narrative techniques. Besides, this movie has nothing else to say in narrative.
Third, characterization. At this point, the main advantage is the successful macro characterization of the characters. Needless to say, it can be summarized in a few words: tenacity, persistence, fortitude, courage, simplicity and alertness; Love the motherland, put national interests first, and sacrifice their fighting dedication.
Finally, in terms of shooting. Too many close-ups and overhead shots are used. It gives people a feeling of deliberately raising. In some blasting scenes and action one, we simply used some fixed photography, ignoring the sense of movement and rhythm of the film. This kind of drama is more suitable for using moving shots such as shaking and following to create a sense of reality, movement and rhythm, rather than simply recording and presenting.
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