Traditional Culture Encyclopedia - Photography and portraiture - Super wide-angle photography works
Super wide-angle photography works
For photographic works, it is definitely the content that determines the form. First of all, with the object of shooting, we can decide what form to shoot. For example, landscape photography, only the beauty of famous mountains and rivers, spring flowers and autumn moon can inspire you to express it in what form. Using vertical painting to express height and horizontal painting to express width is the most basic form of expression of the subject. For example, if we want to represent high-rise buildings, we will take the form of vertical composition; If we want to show the breadth of grassland, we should adopt the form of horizontal composition. But also can adopt wide-angle, ultra-wide-angle or panoramic shooting as required. The following set of photos is a set of photos of Huangshan Sea of Clouds that I took on July 1 2065438. According to different themes, different forms of expression such as vertical composition and horizontal composition are adopted.
Highlighting the theme is the soul of a work.
The content of the work is good first,
Both form and content are well assisted.
Unique, good quality,
The sun shines well in the clouds.
All forms of literary and artistic works serve the content, so does photography. Content is always the ideological theme of the work, and form is always the means to express the theme of the photographic work. A good photographic work must be the perfect unity of ideology and expressiveness, which complement each other. Therefore, a good photographic work must first have content.
Your own shallow knowledge above may not be appropriate, but it may also belong to the kind in front of teachers and friends. Laugh!
I think a good photographic work should be highly unified in content and form, and the two complement each other. Form must serve the content, without which form is meaningless; The content must look at the form. Without form, content cannot exist.
The two should be antagonistic and unified. News photography reports should put content first, and artistic photography can be more formal than content, but it also depends on its unity. Only in this way can the works have inspiration and enlightenment.
Content should be put in the first place, and form should serve the content. A good photographic work, first of all, depends on its content, what kind of theme is highlighted, and only by highlighting the theme can we catch the attention of the audience! Resonate with everyone!
A good photographic work, in general, should first conceive the theme and content, and then consider which form to create. But sometimes only with creative inspiration and passion, it is also possible to complete immortal masterpieces in one go with your own habits and feelings, and create with inspiration before considering the theme. For example, Zhang Xu's cursive calligraphy, in a drunken state, probably didn't think about the content in advance, and then considered some form to create. At that time, it should be improvisation, relying on the catalytic effect of drunkenness, putting aside all constraints and achieving a masterpiece of crazy grass calligraphy for a lifetime. I never felt this way again when I was drunk, and I couldn't write my own original work.
So is photography. When you see a beautiful and passionate scene, do you have to study the content before you show it? Sometimes we meet by chance without posing. In the ever-changing moment, it will not work if you miss it. I have to make a decision and take a snapshot by feeling first. Therefore, with a solid foundation, when we want to create, we should not be bound by the rules and regulations of certain skills, and we don't have to put the content first and the form behind. I think sometimes it is reversible and possible, but it is not static.
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