Traditional Culture Encyclopedia - Photography and portraiture - Reflections on To Father 600
Reflections on To Father 600
In the film, Li Yuwen plays a white-haired father and Jerry Lee plays his son Haoran. He is a talented photographer. He is busy shuttling between studios every day, gradually ignoring his family. Until I happened to know that my father's eyes, who had been a photographer all his life, began to blur. So a struggle between family and career entangled in his heart, and he finally chose to wait for his father.
In the film, what makes Haoran change his mind is another family relationship that is buckled into people's hearts. He has his own dream, at the same time, he has achieved a certain career height, and at the same time he has fallen into a bottleneck period. Then he got lost and became the most touching scene in the film. Warm scenes are always easy to infect people The scene setting of this drama makes the story have multiple narratives, and also makes the theme of kindness and affection more perfect and warm.
My father opened his heart to Haoran, and his heart was completely opened because of an old photo album. Wang Haoran smiled at his father for the last time. He finally realized his father's recognition of his photography dream, and he also learned how to integrate emotions into photography to shoot the most satisfactory works for his neighbors, mothers and daughters and himself. The warmth brought by the short 25-minute microfilm instantly penetrated into the softest place in people's hearts. Wang Haoran wants to try the best works of his father's life, and children all over the world want to try the best works of his father's life, which has nothing to do with achievements, but only cares about their hearts. The end of the story, of course, is the reunion of father and son, and the elimination of bad feelings. This kind of warmth is also a long-lost concept that the film wants to convey to the audience, and it is the emotion that children should cherish most.
Perhaps the father's feelings are always not as delicate as the mother's, so most people always seem a little embarrassed in their communication with their father, but just as a mother's love is like water, a father loves a mountain. I still remember the subtitle at the end of the film, "Every father has an unspoken compliment, and every child has an unspoken gratitude". "To Father" is warm and touching. After reading it, I really want to call my father and say, Dad, I miss you. If "To Youth" makes us feel that youth is fleeting, and "Companion" makes us look back on the days of life, then "To Father" makes us return to rationality and affection and feel the deep fatherly love.
To Father takes the affection between father and son as the starting point. The picture is simple, complex and clear, and the dialogue is simple. The overall rhythm is soothing and touching, and it is patchy according to the development of the plot. Even the expression of the protagonist is so clean, and the mood of the audience does not fluctuate much during the viewing process. But in a short time, the audience's emotions were mobilized, so that the audience followed his emotions and showed emotions. After reading it, all the complexes are quiet.
At the end of To Father, after the confession of father and son, the son was detained by his father for one night in his busy schedule, which made thousands of fathers and sons in Qian Qian feel such happiness. This micro-film is like a prose poem, dedicated to my father, that is, my father, dedicated to the person who silently loves us. You and I have been singing.
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