Traditional Culture Encyclopedia - Photography and portraiture - European and American portrait photography male photos

European and American portrait photography male photos

No matter how good the equipment and technology are, there must be wonderful moments that cannot be recorded. Here are some portraits of European and American men that I have compiled for your appreciation.

Appreciation of European and American men's pictures

Europe and America portrait photography male portrait 1

European and American portrait photography male photos II

European and American portrait photography male photo 3

European and American portrait photography male photo 4

European and American portrait photography male photo 5

European and American portrait photography male photo 6

European and American portrait photography male photo 7

Composition? Golden section? Application of

The most common mistake that beginners make is to put the most attractive scenery in the middle. Indeed, the scenery in the middle is the most attractive. However, putting an attractive object in the middle can easily make people focus on that object and make the picture dull.

Since we want to avoid being caught in the middle, we should know the so-called? Golden section? , that is? Golden ratio? When applied to the composition of art and photography, it is often represented by a ratio of 5: 8. In addition, Jiugongge composition (also called tic-tac-toe composition) actually belongs to a form of golden section. That is, draw two horizontal lines at 1/3 and 2/3 horizontally, and draw two vertical lines at 1/3 and 2/3 vertically, and then try to place the subject at the intersection point. In fact, these intersections are consistent. Golden section law? , is the best position, of course, balance, contrast and other factors should also be considered. This composition can present changes and movements, and the picture is full of vitality. These four points also have different visual senses. The top two points are more energetic than the bottom, and the left side is stronger than the right side. In specific photographic composition, it can be applied to plot contrast, virtual contrast, dynamic contrast, size contrast and so on.