What aspects should the scene analysis of film works start from?

Film and television scenes can be roughly divided into interior scenes, exterior scenes, real scenes, venue exterior scenes, stunt synthesis scenes and computer simulation scenes.

(1) Interior-an artificial scene specially built for shooting in the studio. This kind of scene space is limited, the shooting environment should be completely arranged, the light processing can be more delicate, and shooting is not limited by natural conditions.

(2) Exterior location is a natural landscape in nature. This kind of scene has a vast space, so it is often necessary to choose local shooting or local shooting processing. Due to the limitation of natural light, light should be selected for light treatment.

Timing.

(3) Real scene-the natural architectural scene of human habitation and activities. These scenes often don't exist for shooting. This kind of scene space is very real and full of life, but it has obvious architectural structure relationship and limitations in shooting.

(4) Exterior location: a scene artificially made in a certain proportion for shooting in the selected natural environment. This scene is reasonable in space and meets the requirements of film shooting. However, the requirements for the overall art design are relatively high, and it will also be limited by natural light.

(5) Stunt synthetic scene-a small-scale artificial scene created artificially to cooperate with stunt shooting. This kind of scene is generally a model scene and needs to be shot together with the actual natural scene. The perspective and proportion of art design are very important.

(6) Computer simulation scene-the scene environment of virtual reality created by computer (digital) technology.

The significance of scenes in film and television lies in:

1, the scene determines the style of the film, and we often say that the location is conducive to the atmosphere of the film; Indoor is conducive to the use of film lights; Real scenes are conducive to the spatial expression of movies. To put it simply, the exterior shows artistic conception, the interior shows drama, and the real scene shows scheduling.

2. The scene affects the spatial sense of the film.

3. The scene restricts the character's modeling, the exterior makes the character's expression have more environmental basis, and the interior optimizes the photographic modeling elements, which is more conducive to the character's acting.

4. The scene is related to the tone composition of the film, and different scenes can form different tone effects.

Extended data:

Analysis film:

I. Theme

Two levels of theme:

The content of the film or what the author wants to tell us.

② What have we learned from the understanding of the theme, conception and audition image expression of the film?

Second, the structure

Structure-is the structure of the film's organizational arrangement and narrative combination. The structure and framework of the film is the style of the film.

1. The script structure of the film, the narrative structure of the film and the ending of the story are all based on the following four modes of existence: ① rationality and expectation. (2) beyond reason, as expected. 3 reasonable, unexpected. 4 beyond reason, unexpected.

But no matter what kind of ending, it will be full of the flavor of "causal relationship", "accidental relationship", "inevitable relationship" and "dramatic relationship", and there will be an artificial subjective factor.

The structure of modern movie scripts is often very random and changeable, and the focus is on the reasonable handling of scripts, some of which are reasonable and some are unreasonable; Some are reasonable and some are unreasonable; But from the structural analysis of most films, rationality is more important than rationality.

2. Plot structure analysis: The arrangement of movie plots often takes the psychological clues and development of the characters as the main line. In the past, the "dramatic" film narrative relied on the exquisite external plot design and setting to a great extent. The choice and determination of the final structure of the film must be conducive to the theme of the film, the shaping of characters, the embodiment of style and the diversification of narrative.

Third, the characters

The characters in the film are the core of narration, the focus of contradictions and conflicts, and the basis of film modeling.

The performance of the characters mainly includes:

1, the appearance of the characters-film and television attaches great importance to the treatment of their clothes, hairstyles and makeup, and the appearance of the characters should not only conform to the narrative of the film, but also have distinctive characteristics.

2, the performance of the scene of the characters-film and television often make full use of the scene of the lens, focusing on the description of the psychology, emotions and expressions of the characters.

3. The performance of characters-The processing of characters is not only for narration, but also for the shaping of scenes and characters.

4. Characterization of the position of characters-The position of characters in film and television pictures has special significance in characterization. Some people are treated in the center, some people are treated at the edge, and some people are treated at the foot.