Traditional Culture Encyclopedia - Photography and portraiture - What are the structural techniques when shooting goods? Common construction methods of commodity photography

What are the structural techniques when shooting goods? Common construction methods of commodity photography

1. Tools: digital camera or high-definition mobile phone.

2. Reflect the beauty of repetition: when shooting products, multiple forms of the same series are placed in the same size but different sizes; Or the arrangement of different colors in the same shape will be like the beauty of melody (bottles, bottles, mobile phones, food, etc. Will often use it like this).

3. Balanced picture composition: When you want to show more than two products, you can consider it. You can match the size of the product shape with the color and material of the product itself. Small things are brighter and large products are darker. This will be more balanced in the picture.

4. Background visual intersection composition: the intersection of product background or composition elements and lines, so that the texture or lines in the picture will guide the vision to the main display products.

5. Tick-tac-toe layout: A layout with wide applicability, that is, the main display position of the product is set at the four intersections formed by the bisecting lines of the length, width and side of the picture.

6, the details of the main area of composition: Now many people like to leave a blank composition, but when emphasizing the details of the product, too much blank space will make the display of the picture insufficient, and the texture expression of the product is not shocking enough.

7. Vertical product composition: the product is placed vertically, which can reflect the height and firmness, and can be used to show male or sturdy products (women's cosmetics are mainly standing, so it is not recommended to use this composition to shoot alone, which can be combined to be more feminine).

8. Curve composition: Line product, softness and change guide the viewer's line of sight, which makes the viewer's eyes flow with the picture, which invisibly increases the stay time of the picture.