Why did the comedy "Love on the Cloud" add so many ghost elements?

Compared with previous works, Love on the Cloud is obviously much more cheerful. The story begins with the entrepreneurial dreams of three young artists drifting in the North. One of them is a screenwriter, one is a director and starring, and the other is a photographer. They wanted to make a movie called Living with a Werewolf, so they started the process of looking for investment and modifying the script according to the wishes of investors. In this process, the lonely screenwriter WeChat shook it and shook it in front of the car model Angelababy, and the story began.

Although Love on the Cloud is covered with a noisy comedy coat, it is still the consistent theme of Gu Changwei's works: lamenting an ideal death. This time, in the movie, Edward Zhang played the little actor Bei Piao, which is synonymous with idealism. He was crazy about the scenes in the film, and Gu Changwei used the most romantic scene in the whole film on him-floating feathers falling slowly, romantic but sad.

The process of meeting investors and changing scripts is full of exaggerated comedy, which is very different from Gu Changwei in the past. He enjoyed it, and it was mixed with thrillers-because no one expected an urban comedy to come out like this before watching it, which really scared many people, such as me, such as my friends who went with me. This also proves that Gu Changwei really has a good life, and the old artist is crazy, which is also surprising.

If we strictly demand love on the cloud, it must be meaningless. This is a movie that makes everyone have a good time at Christmas. Young drifters in the north can rent a house in Shuangjing, East Third Ring Road, and they also meet a middle-aged literary woman, who can reduce the rent by listening to her sing. Even the last person has to live in such a big house. These are obviously out of touch with reality. However, just like Michael Chen eating roast duck on the roadside, the film is not intended to restore the true youth drifting north, so the exaggeration in it has become a joke to some extent, not to mention that the last one left Beijing in a mess, one was lost in the Inner Mongolia prairie, and the other completed his literary dream with self-sacrifice. Gu Changwei used the results of The Dream of the Three Musketeers to tell most young people in North drift that dreams are not so easy to do.