How to take pictures on the beach in snowy days?

Ice and snow, like a beach, can deceive the exposure meter: bright white will lead to underexposure-because-don't forget-the exposure meter gets readings from 18% gray scale. The easiest way to compensate is to get a reading from a gray card or a landscape that you know is in the middle tone. Make sure it is in the same light as your subject, and the exposure meter will not read data in a bright background. If it's an important shot, use surround exposure. If you have taken many photos of the same scenery, and you have determined the underexposure of the exposure meter, you can set the exposure compensation dial to automatic compensation. If your camera doesn't have such a dial, you can change the ISO value to "cheat" the exposure meter. For example, if you use ISO 200 film, the exposure meter reads F/ 16 at 1/250 seconds. From the grey card, the reading you get is F/ 1 1, at 1/250 seconds. Change the ISO value to 100 to compensate for the first gear. Remember, halving the ISO value doubles the amount of light needed to reach the film. Don't forget to switch back to the original settings after shooting. If the weather is fine, come out in the early morning or at dusk. Low-angle sunlight makes snow show more details and textures than during the day. Avoid shooting when the sun is shining directly from behind you. Light reflected directly from the snow to your lens usually gives you a white effect. If you film sports-skiers or sledders-look at the details of sports chapters and learn how to freeze or capture sports. In very cold conditions, we should try to keep the camera battery at an effective working temperature. I usually put my camera in my coat, take it out when shooting, and put it back when I go to a place. Also remember that skin will stick to extremely cold metal, so tape all contact surfaces in advance. Don't forget the point where your nose touches the camera. On very cold days, don't forget the condensation phenomenon when you go back indoors. When you are still in a cold environment, seal the camera with a plastic bag, then heat the camera when you return to the room with heating equipment, and then open the plastic bag. Look for the details that really explain "cold": a bird curled up in feathers, a child who just showed his eyes from a bright down jacket, the suspended breath in the air when two people talk, and the ice on his beard.

Tip: Be extra careful when shooting falling snow with a flash. The flash will only illuminate the latest snowflake, but not the rest.