Traditional Culture Encyclopedia - Photography and portraiture - When I was a child, I especially liked the Dinosaur Super Tournament, but it took so long that I forgot what it was. Who can tell me, I hope it can be more detailed, thank you.

When I was a child, I especially liked the Dinosaur Super Tournament, but it took so long that I forgot what it was. Who can tell me, I hope it can be more detailed, thank you.

"Fear" is very important for people born in 77-85, especially those born in 8 1-84. In that era when entertainment, news and other TV programs were underdeveloped, "fear" was amazing to us at that time! You know, 1978, Japan's science and technology is not very developed, but it has brought us classic memories.

Background information (quoted from electric donkey)

On the development of Japanese special films;

Special photography is the abbreviation of special photographic film, which was originally made by using special photography technology. From this point of view, the magic films represented by The Lord of the Rings and the martial arts films unique to China can be regarded as "special films", and even in a sense, All cartoons are out-and-out "special films" in ...................................................................................................................... In fact, special films can only grow and develop in a special country, a special nation and a special period. Feature films have some shortcomings, such as high cost reducing the profit of producers and overhead background making it difficult for audiences to sing. But in fact, this has its inevitable inevitability. After World War II, Japan, as a defeated country, suffered political and economic sanctions, including culture and entertainment. Article 9 of the Japanese Constitution stipulates that it is impossible to produce entertainment film and television works showing fierce war scenes, which makes it impossible for Japan to launch films like Pearl Harbor or Armageddon to meet the audience's needs in this respect. Therefore, the Japanese can only let the audience see the "war theme" movies through some overhead backgrounds and characters. The United States can choose World War II and Vietnam War as the war background, while Japan has only "invaders from the universe" and "XX organization that wants to rule the world". Because they chose World War II, the evil side became themselves; The United States has its own ace pilots to praise and make movies for their heroes; However, Japan cannot take a war criminal in the Nanjing Massacre as the prototype of its hero. Therefore, the "Justice Warrior" was completely fictional in the feature film and became body double, the "national hero" in the hearts of Japanese (at least children) at that time. At the same time, because Yamato is an aggressive nation, Japanese feature films are more intense than Superman and Batman in the United States. At that time, because the production level of cartoons was still relatively low, it was not enough to show fierce battle scenes, and feature films became the only choice. Fierce fighting scenes have attracted a large number of Japanese teenagers and even adults, becoming a kind of "popular" entertainment. Americans tell people the horror and cruelty of war through war movies, and war scenes are used as negative teaching materials; But in Japanese feature films, the bloody battle scene is the first, and any educational significance is just "by the way". This is also the reason why Japanese feature films are different from heroic films such as American Superman. They can be unique and have their own living space. In this way, special photography was born in Japan, and gradually grew up in .............................................................................................................................................................. masquerade knight series; Motorized ultraman superman series. The dinosaur Tejikesai was one of the Japanese dinosaur trilogy at that time, and China only introduced Kekesai at that time.

1974- 1975 "Leo Altman" produced by Yuangu Company suffered an unprecedented failure in ratings. The Japanese economic crisis triggered by the oil crisis led to a sharp decline in the company's benefits, which made Yuangu unable to undertake the production of a feature film that required a lot of models and special effects. However, in the 1970s, the competition of special films was fierce, and different types and themes emerged one after another. In particular, the series "Masked Superman" and "Super Team" of Dongying Company have won high praise, not to mention that the super robot series in the animation industry is also competing for the market with feature films. If Yuangu Company doesn't do something, the result of waiting for him will undoubtedly be squeezed out of this lucrative market.

Therefore, during the four-year adjustment period of 1976- 1980, Yuangu produced several thematic works alone or in cooperation with other companies, which not only showed the audience that they were "still alive" in the thematic photography world, but also tried new creative ideas and techniques in different themes. One of the unique series is the dinosaur trilogy. The first work The first work The Team of Terrorists (1976, 25 episodes) The second work The War of Terror. But in the audience, the voice of "want to see the complete special photo" is still very loud. Therefore, according to the experience of the first two works, in the planning of the third work, Yuangu decided to return to all the special photos performed by real people and models.

The original creative work was handed over to Hideyoshi Nagano, who has a cooperative relationship with Yuangu (who participated in the script writing of Jack Altman and Aesop Altman). At that time, he was working on the creation of "Time and Space Guard-The Age of Dinosaurs", which was originally intended to be published in the form of a cartoon, and he proposed to adapt it according to this comic story. This suggestion was adopted. Although the creative work was given to the money for some reasons, in the whole planning process of "Kesai", except for some details, the story setting in the original comic book was basically maintained and renamed as "Terrorist Group".

Get down to business

One day in 200 1 year, Japan was attacked by ultra-low temperature and ultra-high temperature light from unknown sources, and the time and space administration, which was in charge of all historical periods of the earth, found out the reason for the Cretaceous anomaly 70 million years ago. So the warriors of that era, headed by Captain Banno, set off for that magical dinosaur era on the large time machine "Cosay". There, they met Ataxias, an alien princess who fled her hometown, her attendant robot Ji, and the mysterious universe invader-plant life-Gedemis. ...

The whole story of 52 episodes is divided into two parts. Episode 1-28 is about the struggle against an intruder who tried to occupy the earth, in which episode 1- 13 revolves around a secret plan to defeat the secret sticker of gedemis. The 29-52 episode returns to the original police task of the General Administration of Time and Space, and the enemy becomes various careerists, criminal groups that use time machines to carry out criminal activities, intruders of unknown origin and so on. In the 40th episode, the title was changed to "Terrorist Group". The human cannon "コセィダー", and according to the opinions of the audience at that time that the protagonist was too active and the supporting role was too monotonous, some distinctive characters were arranged on both sides of each episode.

Give you one or two websites, you can have a look:

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