Thank you for your comments on the modeling of Zhang Yimou's Yellow Land.

After seeing the specific scenes of the Loess Plateau, I was not only moved by the unique scenery of the Loess Plateau, but also deeply felt the oppression and shock of the grand natural environment. Of course, my home is on the Loess Plateau, so there is nothing to be surprised about, which is of course attributed to Zhang Yimou's photography classics to some extent. While flattering his movies, I still want to talk about the trip to heaven in the movies. The tragic artistic effect created by the whole film should be terrible. He compared the magnificence of the whole Loess Plateau with the smallness of human beings. At the same time, it is obvious that this comparison is not only a simple comparison, but also makes people realize that people who are oppressed in a powerful natural environment can only live like this. What is their tragedy? Is the realm of life. Is it a lifestyle? Is this an idea?

In fact, in Chen Kaige's works, we always can't understand them, because he instilled all the profound connotations, and this instillation directly refers not only to a specific life culture, but also to a philosophical discussion. Or I think too much,

In fact, as far as the yellow land is concerned, since the seeds of love germinate in such an environment, what is the final result? Maybe it's a stale traditional concept, maybe it's an advanced but unreasonable system, or maybe the Yellow River feeds them.

It doesn't matter anymore. Today, apart from talking about this film by Chen Kaige, I am mainly interested in the envelope tour in northern Shaanxi.

Xintianyou, I have some lyrics here. In fact, this kind of written lyrics will be sung after reading it.

Go to the west exit: Brother, you go to the gate, but it's hard for me to be with my little sister. I will take my brother by the hand and walk him to the door.

Others: buckwheat noodles and mutton soup, keep up with each other.

I cooked some Qian Qian, got some rice, picked up some firewood on the way, and killed you.

The ducks in the river went down to the geese in the river, and a pair of furry eyes looked at their brothers.

White face is basking in the sun, and Qiao Geling's hand is pulling bitter vegetables.

This melancholy and sentimental voice itself brings a lot of sympathy. Therefore, when Er Qiao is carrying water at the seaside, the backlit figure is in the distance of the sunset, and then mixed with the bitter but moving sound, which not only penetrates your ears, but also penetrates your melancholy heart, making you immersive, putting you in this situation, lifting the bucket of yellow water in the cold wind, and making you face the shade on the river bank at dusk.

Perhaps the beauty of the Xintianyou is to make people remember the trembling feelings and the special feelings in the special environment, which are unforgettable.