What do you mean, peach is full of rain and willow is full of smoke?

I can do this problem! I have seen this poem before, which means: the red peach blossoms still contain fresh rain all night, and the green wicker even carries a touch of spring smoke.

The origin of this poem is:? Wang Wei's Seven Pastoral Songs in Tang Dynasty and Six Pastoral Songs in Tang Dynasty

The original work is like this:?

Hearts also contain fresh rain overnight, green willows and a touch of spring smoke.

The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping.

Translated into vernacular Chinese, it is like this:

Red peach blossoms still contain fresh rain all night, and green wicker has faint spring smoke.

The petals fell, the children at home didn't clean up, and the oriole fell asleep with a leisurely mountaineer.

Here are some important words, please explain them separately:

Su Yu: It rained last night.

Morning smoke: refers to the morning fog.

Family children: child servants.

Shanke: A person who lives in seclusion in a villa refers to the poet himself.

Youmian: Still sleeping.

What is the background of the author's writing this poem?

Pastoral Music is a group of poems composed of seven six-character quatrains. The author lived in seclusion in Wangchuan Villa, in order to enjoy the pleasure of being close to nature, so the title is "Six Words of Wangchuan", and this poem is one of them. This poem is Wang Wei's later work. In Wang Wei's later poems, he mainly described his leisurely and secluded life in Zhong Nanshan and Wangchuan.

Knowing the original intention and creative background, we can better appreciate this poem:

In the poem, spring sleeps, warblers sing, flowers fall and rain stays, which is similar to Meng Haoran's five elements of "Spring Dawn". There are so many similarities in the life content written in the two poems, but the artistic conception is quite different. Comparing with each other, it is easiest to see two remarkable characteristics of Wang Wei's poem.

The first feature is vivid and colorful, and there are pictures in poetry. This is not to say that there are no paintings in Meng's poems, but that Meng's poems focus on freehand brushwork. Although the wind and rain of flowers and birds are also mentioned, they are not described in detail, and their environment is indirectly realized by readers from poems. Wang Wei's poems can be completely different. Not only the composition is large, but also the coloring is concrete and vivid, and the description is meticulous. Write peach blossoms and leaf warblers to capture the characteristic scenery of spring. Here, peaches, willows and warblers all refer to flowers and birds, which is more specific than Meng's general reference to flowers and birds, and it is easier to evoke intuitive impressions. Writing "rain at night" through "staying in the rain" and "facing the smoke" also has the same artistic effect. On the basis of sketching the scenery, the use of color, "red" and "green" make the scenery bright and pleasing to the eye. Readers will see a bright future. "Peach flies away, burning its glory", plus "Liu is Yi Yi", the scenery is pleasant. After coloring, there is a layer of rendering: deep red and light red petals are slightly raindrops overnight, and the colors are softer and more lovely. After the rain, the air is clear and fresh, and flowers in Ran Ran are scattered all over the place; The green wicker cage is more charming in the hookah. Poetic landscape, after layers of rendering and detailed description, has become a detailed and colorful picture scroll; In contrast, Meng's poems are like uncolored freehand brushwork. One is colored and the other is colorless. Meng's poem begins with "I woke up in this beautiful spring morning" and saw people before entering China. On the other hand, Wang Shi didn't meet anyone before entering this country. Because of the "constant rain", there is a "falling flower". Flowers should be cleaned up when they fall, but "children haven't cleaned up yet." Don't sweep, don't sweep, because people haven't got up in the morning. No one asks about the scene where the flowers fall to the ground, so don't have some leisure. This is exactly what Wang Wei likes better. The word "not swept" was obtained intentionally or unintentionally, with no effort and no trace. Finally, I wrote Yingying. Yingying didn't dream, and Shanke fell asleep. This is a charming photo. I woke up easily in this spring morning. But there are subtle differences with Meng's poems. Meng's poem begins with "I wake up in the spring", but people are already awake, so there is a pleasure of "birds singing around" and a suspense of "I don't know how many flowers have been folded", and its artistic conception can be summarized by the word "spring trouble". This poem was written at the end of spring sleep, when people slept soundly and safely and knew nothing about the outside world. Although flowers are falling and birds are singing, it only sets off the tranquility and mood of the "mountain guest" residence, so its artistic conception is mainly based on the word "quiet" Wang Weizhi's "music" is also here. The idea of advocating silence has a negative side. But Wang Wei's poetry is commendable because it is different from silence. He can write life in silence through the interaction of motion and static, giving people a fresh and clear aesthetic feeling. Tang poetry is characterized by vague artistic conception, but there are still two specific manifestations: one is biased, such as Meng's poem "Spring Dawn"; The other is biased towards the environment, so poetry is. And from the environment, there are pictures in the poem. Is that most remarkable advantage of this poem.

The second feature is to work hard on the battle and rhyme loudly. Meng's "Spring Dawn" is an archaic five-character quatrain, which is free in meter and melody. Because Meng's poems are scattered, the meaning and pulse are consistent, and they are wonderful. This poem is another work, because it belongs to six-character quatrains, and its meter is extremely strict. From the perspective of parallel couples, not only the real words such as "Peach Blossom", "Liu Qing", "Su Yu" and "Chao Yan" are steady and steady in the confrontation, but even the function words are very cautious in the confrontation. For example, "Fu" and "Geng" are opposites, and they have progressive poetic functions in sentences; "Wei" and "Jude" have a poetic turn in the sentence. The verbs "contain" and "take" have positive meanings, which make the objective scenery subjective and vivid. And against Seiko, watching a scene, but echoing each other, muddy as one. Peach, willow green, staying in the rain and welcoming smoke are interrelated, while the phrase "falling flowers" comes from peach and the phrase "singing birds" comes from willow, and "children at home have not been swept" and "mountain guests are still sleeping" also echo each other. What is shown here is the artistic ingenuity of manual cutting management and the perfection of painter's composition. The antithesis and beautiful melody make this poem catchy. Ancient Chinese poetry is dominated by five or seven words, and six-character quatrains are underdeveloped in all previous dynasties, especially masterpieces, and several poems by Wang Wei are rare.

Finally, here is the author of this article:?

Wang Wei (70 1 year -76 1 year, 699 -76 1 year), whose real name was Ji Jie, was named the magic pony. Han nationality, a native of Hedong, Zhou Pu (now Yuncheng, Shanxi) and Qixian, Shanxi, was a poet in the Tang Dynasty and was known as the "Shi Fo". Su Shi commented: "Poetry is full of paintings; Look at the picture, there are poems in the picture. " In the ninth year of Kaiyuan (72 1), he was a scholar and was appointed as Tai Lecheng. During the Tianbao period, he worshipped the official department as a doctor and a servant. In the first year of Tang Suzong's rule, he was appointed as a senior minister, known as "Wang Youcheng". Wang Wei is a representative of poets in the prosperous Tang Dynasty. Today, there are more than 400 poems, including Acacia and Autumn Night in the Deep Mountains. Wang Wei is proficient in Buddhism and is greatly influenced by Zen. Buddhism has a Vimalakīrti Jing, which is the origin of Wang Wei's name and ci. Wang Wei's poems, paintings and calligraphy are all famous, versatile and proficient in music. Together with Meng Haoran, they are called "Wang Meng".