Reference examples of papers in movies?

Thesis title: Non-objective image human modeling in Hollywood movies.

Keywords: Hollywood; Image modeling; Art design

Hollywood high-concept movies with the narrative theme of "fantasy, battle and future" often add "humanoid" characters with different shapes. Creators combine movie characters with wild animals, cooperate with machinery, or process and upgrade their appearance or function on the basis of real characters to build human models. The author thinks that although they are strange and full of power, they are still based on narrative background, inspired by physical objects or creatures, and have rich and detailed descriptions of animal and plant figures, metal mecha and cyber figures, which have become creative designs in line with artistic reality. Such a virtual world, in which unrealistic humanoid shapes are inserted into the screen without any sense of disobedience, has become an indispensable way of modeling creation in Hollywood high-concept movies, which is worth learning from domestic art design.

Citation: Li, Wang Lijun. Non-objective image human modeling in Hollywood movies [J]. Art Research Express, 2023, 12(2): 65-68. Ics) and the compound word "cyborg" with the letter "organism" were written by Manfred Klines and others from NASA. At first, it refers to the application of medical science and technology to human body to enrich biological performance, and then it develops into the concept of combining human with modern science and technology such as machinery and intelligence [3]. Cyberberg blurs the line between human and machine. In the development of film art, it quietly implants intelligent systems into the human body, or establishes mechanical modeling outside the human body to create intelligent imagination modeling in the screen space. For example, she, 20 13) tells the fantasy love story between her and the male host Theodore from the perspective of Samantha. The film connects artificial intelligence with Samantha, and uses this invisible mechanical body to explore the coexistence of human beings and technology in the future world. Similarly, Joey, the girlfriend of Shanzhai K in Blade Runner 2049, also hides her intellectual attributes under the appearance of a human figure. She can be projected into three-dimensional space under the command of the remote control, and has the true feelings of human beings. The high-rise sci-fi building plays the holographic projection advertisement of her role image, forming a blue-purple Cyberpunk space, bringing the viewer into a romantic and mysterious exotic artificial intelligence world. Alita: Battle Angel (20 19) is a network image that is quite different from the appearance of real human beings. Alita's head made by real face acquisition technology has a virtual feeling visible to the naked eye, and looks like a Barbie doll with big eyes. For the body part, CG technology takes machinery as the semantic body of some parts, which transforms Alita's ability and improves her action efficiency.

Matrix reaction (202 1) connects the simulated human body with the intelligent computer through the nervous system. The film continues the world view of The Matrix, the first in the series, builds a narrative background full of program codes with rich imagination, and constantly transforms the mother environment with the future world, forming an illusory space full of philosophy, and discusses the coexistence of man and machine in the post-human world. In the film, the personnel training base in the mother environment is like a huge whirlpool, which is filled with culture solution. Every "baby" lives in a glassware space and is equipped with high-tech equipment such as data lines and converters, passively waiting for the choice of machines. In The Matrix, the hero Neo was selected from this training base. When he first entered the virtual program of the mother, countless identical images were copied and pasted into a bitmap arrangement space, which fully reflected the mother's manipulation of individuals and the individual's attachment to the mother. However, in the unrealistic cyberspace, linear modeling design and competitive space environment composed of numbers have appeared many times. The virtual space formed by this green linear modeling combines the oriental visual elements such as martial arts and Zen, and intuitively shows the theme of digital technology and humanistic philosophy [4]. In addition, there is a famous scene in the history of Hollywood movies called "bullet time". The special effects team set up 120 cameras in the form of circular arcs, shooting at intervals of one second, and finally made them with the concept of optical flow, adding the effects of lens transition such as fading in and out, and finally presented this exquisite screen design.

4. Conclusion

Throughout the contemporary Hollywood high-concept movies, the film crew, with their aesthetic foresight, technological leadership and ideological foresight, shaped different non-objective body shapes in the screen space, and portrayed non-human and post-human scenes with semantics divorced from reality. From ancient times to the future, from the earth to the universe, from magical monsters to sci-fi mecha, and then to intelligent network characters, Hollywood's high-concept movies give these unrealistic concrete "things" morality, civilization, history and development with a consideration of nature and society, and complete the depiction of different life forms with continuous fine works and creative ideas, satisfying the curiosity of the audience and bringing countless commercial interests. High-concept movies also show the reflexivity of digital technology, that is, a post-digital aesthetics. The audience can not only see the wonders of biological characters, metal mecha and cyber figures, but also see the traces of digital technology. This illusion mechanism, which constantly swings between "visible" images and "through" images, constitutes the movie attraction in the post-digital era [5].

refer to

Yang Xiao. Dinosaur, Nuclear and the Ghost of postwar Asia-Pacific Politics: Taking Two Godzilla Movies as Examples [J]. Literary and Art Competition, 202 1( 1): 204-208.

[2] Cheng Yao. Interview with the director and starring Mecha of Pacific Rim: Thunder Comes Again, which is adapted from China Kung Fu [J]. Movie, 20 18(4): 76-79.

[3] Yan Li and Chang Bin. Haravi's view on women in the film She [J]. Journal of Guangdong University of Foreign Studies, 202 1, 32 (3): 50-58+ 158.

[4] Yang Zhiwei. Research on the spatial modeling performance of science fiction movies [D]. Chongqing: Chongqing University, 20 14.

Luo Jingting, Fan Hong. Research on "Digital Image" and "Movie Attraction" in the Post-digital Era [J]. Journal of Beijing Film Academy, 2022(4): 56-64.