Traditional Culture Encyclopedia - Photography and portraiture - What are the taboos of outdoor wedding photography skills?
What are the taboos of outdoor wedding photography skills?
How to avoid the taboo of location wedding photography and make location wedding photos more beautiful and colorful? More eye-catching. Generally speaking, location wedding photography needs to pay attention to the following aspects: the backlight direct lens shoots backlight in the case of strong light, and it is necessary to prevent the light from direct lens, otherwise it is easy to produce halo phenomenon. Top light, people stand on the concrete floor to take pictures, because the surface of the cement floor is flat and light in color, which will form a strong reflection. This kind of bottom-up "footlights" will often have horrible effects and should be avoided as much as possible. Wear reflective clothes to take photos under strong light, if the subject wears reflective clothes (such as white shirts and clothes made of luminous nylon, etc.). ), it will turn white or produce a large glow, which makes the texture of clothes difficult to express. Standing under a tree and taking pictures, light and shadow complement each other. The stronger the light, the deeper the shadow. When people stand by and take pictures of a tree, sunlight often casts leaves on people's bodies and faces, causing mottled shadows, which is not conducive to the aesthetic feeling of the picture. Using high-speed film in sunny and scorching sun, the light intensity is already very high. If you use high-speed film again, it will often force the aperture to receive very little, or you can't use a slower shutter speed. All these situations will bring certain limitations to photography creation. Fill the light at random. In the bright sunshine, the scenery will have a strong contrast. In order to avoid excessive contrast, it is effective to use auxiliary lights for auxiliary lighting. However, to master the sense of proportion, it is necessary to avoid excessive auxiliary light and to avoid showing traces of auxiliary light (such as projection opposite to the main light). Completely dependent on the automatic exposure file Many photographers like to use the automatic exposure file when taking pictures outdoors, but I don't know that this automatic exposure file can only handle some ordinary situations, but when it comes to the opposite or opposite; Light and other conditions will become "stupid", so we have to play it by ear and make appropriate exposure adjustments according to specific conditions. Ignore the filter. Under the cloudless blue sky outside Wan Li, all the places far away from the light are covered with blue. In the afterglow of dusk, all the scenery was stained with orange red. In such an environment, if you want to keep the original color of the scene, you must install the corresponding filter in front of the camera. In the former case, you can choose a reddish or amber filter, and in the latter case, you can choose a light blue filter. Direct sunlight and bright sunshine provide good lighting conditions, which make the scenery full of vitality and saturation, and provide conditions for using high-speed shutters and small apertures. However, strong sunlight can also bring problems. The most prominent thing is that its dazzling light will open the eyes of the subject. At the same time, high-angle direct sunlight will also cause heavy facial shadows and skin wrinkles, which will damage the image beauty of the characters. So when taking pictures outdoors, let the sun shine on the subject from the side.
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