What kind of story is the movie The Art of Orgasm?

"The Art of Orgasm" tells a story: a girl from the sunshine zone, who is the editor of a photography magazine, stumbled upon a once excellent photographer, and now she is addicted to drugs. They are attracted to each other and gradually approach each other's world. For example, the girl began to take a little medicine, and the photographer began to take some photos. Finally, the girl thinks it is better for them to belong to her sunny world together. She almost succeeded in trying to pull the photographer out completely. "Almost" is a special word for tragedy. When the photographer asked his ex-lover to break up, he died of anger due to overdose. The story reminds me of a certain theory of sociology, or a theorem told by a sociologist who likes to play with academics. The so-called academics are simple and complex expressions, and the theorem of complex expressions is actually such a simple meaning-good is easy to get worse, and bad is hard to get better. My understanding of this sentence is that bad is better than good, such as why drug abuse is not good, because it is a relatively comfortable state, and everyone is willing to indulge in it and cannot extricate themselves. There are several scenes in the so-called wind movie that make me sad. When their feelings have been born, they have not made it clear, and they have all gone home to toss. Both of them have their own love at home. Dialogue between a girl and her boyfriend: Boyfriend: You can't be with that photographer. Girl: I didn't sleep with her. Boyfriend: Don't you want to have sex? Girl: I don't know Boyfriend: You'd better know. Dialogue between photographer and lover over there: photographer: I can't do this anymore. Lover: You're breaking up with me again. If you want to sleep with her, I have no right to ask. The above two scenes show that the eyes of the masses are discerning. There are two other scenes, when you are tempted, go home and find fault with your lover. Girls complain about boyfriends: You always belittle my friends as hypocritical, idiot and meaningless. The photographer over there said to his lover, you are not listening to me. This proves my theory that when you subconsciously want to change, you can always find a reason to change. Or, it's not the wind, it's your heart. People are still the same person. People always belittle your friends, and people never listen to you. However, when you want to keep people around, these are just topics of flirting and bickering. When you want to leave people, these become unbearable problems. The so-called deep entanglement, I almost forgot my first feeling about this movie. It should be dull, and it doesn't impress me very much. I don't think it belongs to the movie I would recommend to my friends (of course, I have touched me when I wrote here). But why did Fogg think highly of such a film? I believe that my feelings about this film are related to my personal experience and mood. Then I can't help wondering, what moved fugue? Ask fugue when you return the disc. He said that he likes this film because it is plain and profound, and it expresses the relationship between a female photographer and her ex-lover, a deeply entangled relationship. I agree, really. Well, I also know that Fogg likes deep entanglement. In addition: After reading this article, at the risk of looking more and more like vampire Drakula, Fogg replied in the middle of the night, stating that he actually doesn't like deep entanglement, so what does he like? During the discussion, Mr. Fogg and Mr. Torrea often put forward some "theorems" and "axioms", which seem effortless, but always hit the nail on the head and make people remember them vividly. For example, this sentence: Why is drug abuse bad? Because it is a relatively comfortable state, everyone is willing to indulge in it. Right, right, that's very good, such as drug addiction, homosexuality, art, these things are easy to make a fuss about. The advantage of this film is that people feel that marginal people are also human beings and people with a normal heart. Their depravity is not for coolness, not for antisocial, but for comfort. Torreya grandis asked meaningfully: I believe my feelings about movies are related to my personal experience and mood. Then I can't help wondering, what moved fugue? Frankly speaking, fugue is not very interested in the emotional relationship between the two people in the film, but more concerned about their attitudes towards their respective careers. Hehe, does this reflect the difference between men and women in looking at things? For example, a female photographer with tough facial lines suddenly retired from the rivers and lakes when her fame was in full swing and her future was boundless, and she made the choice of "career suicide". Why? The photographer's girlfriend, who has been in a semi-coma, has been talking about the glory of starring in fassbinder movies in the past and giving up her career, but she always seems unwilling. Why? Another example is the female editor of a photography magazine, who is climbing the career ladder. She has to endure the arrogance of post-modern terms such as "Lacan" and "Deleuze" from the academic school, and she has to be a pawn or even a handyman in this magazine with a strong commercial atmosphere. How does she solve this internal and external contradiction? Also, how can female photographers realize self-denial again and have a new look in photography? How can she get rid of the deep entanglement with past actresses and realize her emotional liberation? And how did female Bian Xiao subvert her established route of heterosexual love, lesbian photographer and professional hibernation? These questions are very intriguing. Curiously, their respective "life or death" is actually the same question, and it is also related to their erotic relationship. I really want to tidy it up when I have time, and seriously sum up my experience in watching this movie. The title Gao Art is a pun, which is difficult to translate. The so-called elegant art literally refers to "pure" art and "elegant" art, that is, court art such as carving ballet tragedies. Regardless of whether photography and movies with suspicious origins can be regarded as elegant art, anyone who thinks that there is elegant art in the world today must be naive. The current situation is that "art is equal to messing around." In this helpless background, the film discusses the purity of art and links the purity of creative motivation with the artistic value of the work. In any case, this "classical" attitude is admirable. Although it is unlikely to draw any convincing conclusions. Another meaning of High is also obvious, that is, the feeling of "high" to drugs. Female photographers give up their art and public life and settle for the comfortable state and private space of drug abuse. Isn't that another "art of living"? Of course, the director still has his own position. We saw that the female editor-in-chief was just a handyman's little secret when she went to work, and the female photographer met an old acquaintance who was in academia when she was taking drugs in the bathroom. The academic atmosphere revealed by the latter is no different from that of magazines. There must be ulterior motives in arranging these small details. Having said that, then again: facts are always more tortuous and moving than novels. In fact, the main reason why fugue likes this film is that the female photographer in the film strongly refers to a real female photographer, South Golding. Before and after watching this movie, I just saw Golding's photo collection "Narrative of Sexual Dependence", which was very shocking. After several years of shock, I still feel shocked, so that I feel affected when I watch any news documentary, character description and narrative photos. Golding only takes pictures of friends around her, including herself. They take drugs, have sex and change clothes. In short, they are a degenerate and marginalized group. She filmed them from a completely "anti-news" angle. Because, like them, she didn't peek in from the outside, but looked at herself and the people next to her. She filmed her face disfigured after being beaten by her boyfriend, and the process of her best friend dying day by day after she got AIDS. She embarked on the road of photography because her teenage sister who committed suicide left no decent photos. Later, her best friend also died. Golding kept patting her as if she had caught something that she failed to catch at last. The film does not explain why the female photographer chose photography in the first place, but her work philosophy is obviously Golding-style: practice and start from yourself; The theme of the work is also the interdependence and containment between the two sides of the gender relationship. Some photos posted on the bathroom wall by the female photographer in the film were taken by Golding. Grassroots like Golding later became famous, and her photos became "elegant art" recognized by the society. The trend of contemporary art is nonsense, which is probably an example. After she became famous, her films became a little soft and empty, which is not a pity. After all, the dead relatives and friends are gone, and a person's youth is gone. What is artistic success compared with price? Torreya grandis said that the female photographer is too masculine and a powerful man. This evaluation is too in place, I admire it. If the word "man" is easy to be ambiguous, it can be changed to "masculine"-photographers, both men and women, must have such a positive temperament, that is, a desire to explore, examine and possess. The film portrays the female photographer as a "masculine" lesbian, which makes photography and sex inseparable, which can be described as a stroke of genius. When the female editor reactivated the desire of the female photographer who had been corroded by white powder for a long time in bed, we saw that the camera in the hand of the female photographer also rekindled the passion of fighting. It is better to forget the shutter wide-angle lens than to immerse yourself in white powder. This is the inspiration of climax art, haha.