Traditional Culture Encyclopedia - Photography and portraiture - What kinds of films are famous directors in China good at?

What kinds of films are famous directors in China good at?

I don't know much about others. Let's talk about Jia alone.

Xu Zhiyuan Thirteen Invitations interviewed Jia in one issue, during which Jia Dao's friends all came, so several important people simply had a meal in a restaurant. Four people, except Xu Zhiyuan, are children who grew up in Fenyang, Shanxi Province, and they are very familiar with the history and culture of their hometown and county. Xu asked one of the men dressed as a young artist in the 1990s.

"How did you feel when you first saw Xiaowu?"

The man said without hesitation:

"I think it's a documentary. I know all the people inside and have communication. I thought I bought pirated movies, which is completely different from what I imagined. "

In fact, his words hit the nail on the head to reflect Jia's film style, that is, full of local flavor, realistic plot, usually seeing the big from the small, and reflecting the characteristics of an era with the help of the fate of small people. Jia's lens is inseparable from Fenyang and Zhao Tao. He likes to record the lives of the people at the bottom silently with the lens. There is nothing new in the county, so he uses plum blossoms to celebrate the New Year.

Some people say that his lens is single, but I don't think what he shoots and thinks is what I like, except for the almost absurd ending of "The Mountain is Bound". That is his native land, which is deeply branded as the county seat. He never tried to break free, but dug deep into the fate of the little people in the same land over and over again.

So is Wang Xiaoshuai, the representative of the sixth generation directors. He has filmed "Seventeen-year-old Bicycle" and "Green Red", both of which are the same, the same dusty small county town, and the same group of ups and downs. Even the actors rarely change. Almost every early film has Li Bin and Gao Yuanyuan. He likes them, so every movie arranges them to be separated.

The same is true of Gu Changwei, whose wife, Jiang, has been occupying his camera for many years.

I don't understand why these people are always obsessed with taking pictures of the same person, dressing her up in different social status and personality, wearing different makeup, acting and shooting all the time. Put yourself in others' shoes and you will understand. Give me a Liao fan, and I can shoot it all my life.