Old camera lens

Nikon lenses, which ones are good at color?

Hello, let me talk about my experience, views and suggestions:

First, in the film age, lenses designed and manufactured before1980s didn't really care much about color.

Because in the1980s, even in Europe and America, black-and-white film was mainly photographed, and color films were not so popular.

Moreover, the early color films were actually developed and printed, with unreliable colors and many variables, which were not as highly consistent as Apple's iphone screen.

Similarly, in color negative, it's normal for you to change stores to develop photos of different colors.

Second, after 1980, the lenses produced pay more attention to color, but only the middle and high-end lenses.

If it's a low-end shot, it's bullshit.

Mid-range lens, that's all

Of course, this nonsense or that nonsense may have personality and characteristics.

What does it feel like to hit the nail on the head?

Third, after 1990, it really entered the era of true colors.

After this is the true color, the personality or characteristics are not obvious.

Fourth, after entering the digital age, this, basically does not pursue the personality and characteristics of color.

In particular, landscape photography is basically in RAW format and PS.

The main advantage of Nikon camera is landscape photography, but landscape photography doesn't care about the color personality of the lens.

However, in the digital age, we still care about the color expression of skin color.

This is what Nikon is not good at, and of course Sony is not good at.

6. On the Canon fuselage, the skin color of the lens of the vice factory is really not very good.

For example, Sigma's portrait lens is very clear, but the color is not as good as Canon's original lens.

Seven, as far as Nikon digital cameras are concerned, the pursuit of color individuality is actually mainly sketch photography and flowers and plants.

If you shoot sketches and flowers, you can still pursue the color or personality of the lens.

Relatively speaking, the color of D head is more individual.

For example, 50mmF 1.8D has more personality than 50 MMF1.8g. ..

For example, 80-200mmF2.8D has more personality than 70-200mmf2.8g.

To sum up, Nikon fuselage, on the whole, is not suitable for pursuing color individuality. If you really like color personality or characteristics, I suggest you play Canon or Fuji, or Pentax.

If you play Nikon or Sony, you don't really need the subtle personality aesthetic of color.

Nikon, Canon, Germany, because the lens coating is different from optical glass, resulting in different colors and different picture quality.

1. Different colors: You should know the standard of German colors, gray-blue colors, and the colors of a picture are relatively integrated. When shooting, it is easy to achieve the German color you think by means. You can adjust the white balance and set the falling tone when the camera is shooting, so that the color fusion degree becomes larger and reaches the so-called gray, and the color should not jump too much.

2. Different image quality: the light transmission amount and the light transmission mode of the lens are slightly different. Nikon is generally close to German image quality, and downgrading exposure will have the effect of approaching German.

3. Post-production and pre-shooting: It can be combined, and you can try to set post-effects such as color prediction and partial blur into pre-shooting.

4. Don't focus on yellow and red. I feel that the style of the work is still quite elegant. Photography is a process of discussion and learning, but it is meaningless to achieve the effect directly. There is a difference between what you want most and what you like. Not everyone thinks German colors, sometimes traditional ones taste better.

5. The reed system is no different from Nikon in strong red tone. The light-colored environment in Germany is obvious. On the contrary, Echo makes movies.

Who is the German Department or the Quankang Department?

Nikon lens who is the best, price and weight to decide.

Personally, I think this question is a bit strange! Nikon's lens color is very good, if you must look at the level.

1, Nikon AF-SNOL 85mm f/1.4g.

2. Nikon 70-200mm f/2.8G AF-S ED VR II

3. Nikon 14-24mmf/2. 8G

4. Nikon AF-S Nicol 35mm f/ 1.4G

5. Nikon AF-S Nikkor 24-70mm f/2.8G ED

Nikon lenses, which ones are good at color? To tell the truth, Nikon's lenses are all very good in color.

We have always said that Nikon's film can be released without later stage, which shows that the color saturation of Nikon lens is still relatively high.

If I have to say which color is good, I can only say it from the lens I have used.

80-200/2.8, the color of this lens is much better than 70-200.

Nikon 105 fixed focus, whether macro or portrait lens, the color is quite good.

85/ 1.4 The color of this fixed focus is very good.

14-24 lens, personally like its color.

There are other lenses with good colors, after all, it is difficult for us non-professionals to tell the subtle differences between them. Like Nikon's big ternary lens and some fixed-focus lenses, these are actually very good in color performance.

The above is my opinion, welcome friends to exchange.

Sword dance images, western photographers, welcome to pay attention.

Attach the photo first, and then look at the following!

The first and second pictures were taken by Nikon 70-2 10f4. This is the head of an old dog! It feels so light, You Lan!

The third picture was taken by Nikon 28-300f3.5-5.6. This is changed by the dog. It feels thicker!

The fourth picture was taken by Nikon 24-70f2.8, with a special bull's head and a moderate color feeling!

Of course, I can't say that there are no unused lenses, and there are not many used Nikon lenses. Among the used Nikon lenses, I personally feel that there are two lenses with quite individual colors, which are very distinctive to be precise:

First of all, the first one is the Nikon 28-300mmf3.5-5.6VR lens. The color is obviously different from other Nikon lenses, but the feeling of color is difficult to express. It's just that the color feels stronger and brighter. For example, comparing Nikon 24-70, it is obvious that the color of 24-70 is lighter than that of 28-300, brighter and thicker than that of Nikon 70-200.

Second, the second one is the old Nikon lens. This aperture 70-2 10mmf4 is commonly known as "Little Black", and its color is different from all Nikon lenses I have used so far. This lens is sharper, but the taste is not the same as other lenses, and the color is different, but it is not the same as 24-70. It's a little blue. Take a portrait.

Nikon's lens is neither a dog's head nor a bull's head, so I have no special impression of Nikon's high-end lens. Instead, Nikon's dog was changed to 28-300, and Nikon's old dog was 70-2 10. These two special lenses are impressive because of their special colors!

Nikon's head is used a lot. In terms of color, it is 80-200, like the color of oil painting.

Nowadays, Japanese lenses are more about restoring their true colors, what you see is what you get, and it will be annoying to see too many rendered photos.

I have the most experience in this problem!

Among the two factors, lens and film, the color difference between different brands and models of films is much greater than that between different brands and models of lenses.

In fact, "Wade" did not exist in the era of black and white movies. After Akfa of Germany produced the first roll of water-soluble color film in 1936, it was found that the two color styles were different from the first roll of Kodakrom reversal film, which was born in 1935, and "Wade" came into being.

Although the production process of this water-soluble color film was gradually replaced by oil-soluble color film, the East German Wolfen Photographic Chemical Company inherited this process and produced it under the ORWO trademark until 199 1 year.

Attached are three photos of the East Germany theme taken by Orvo film, which highlight the blue-green color in the overall warm tone. Nikon and other lenses can't be presented.

This is the real "moral taste" that the lens is difficult to present.

14-24 2.8G, 35 1.4G, 58 1.4G, 105 2.8G micro

The second generation of 80-400 is sharp in image quality and greasy in color.