What is a montage?

What is a "montage"? Montage means "editing" in French, but it has developed into a theory of lens combination in movies in Russia. Montage is basically a theory developed by Russian directors, which was extended by pudovkin according to the editing technique of Griffith, the father of American movies, and then Eisenstein also put forward related views. Platts thinks that the juxtaposition of two shots is more meaningful than the juxtaposition of a single shot, and even thinks that movies are the art of juxtaposition between shots. At least with a long-term vision and a lot of close contact, psychological, emotional and abstract ideas are the result.

Influenced by Russian dialectical philosophy, Eisenstein believes that the juxtaposition and even fierce conflict between shots will produce a third new meaning. When describing a theme, we can put a series of related or unrelated shots together to produce a metaphorical effect, which is montage. For example, when we are cooking, washing clothes, taking care of the children, or even when our father reads the newspaper, we will feel that our mother is "busy" by putting her in the mirror.

Montage in a broad sense refers to editing. In the previous movies, one reel was unedited, and it took more than ten minutes to shoot before changing to another reel. The first movie to use editing was the battleship potemkin, in which the stroller fell down the stairs, people were filming around, and mother was very nervous. The interactive editing of these pictures has produced a tense, compact and metaphorical effect, which has become an unprecedented classic of invention and creation in film history. If you don't know much about it, you can refer to pudovkin's Mother or Eisenstein's Battleship of potemkin's Footsteps of Odyssey, but basically montage is a way for the director to manipulate the camera, that is, to control the absolute intellectual thinking and express the meaning, and the audience just waits to be instilled, which is completely different from the fuzziness and openness presented by the poetically expressed films such as Tarkovsky, Wenders and Ferini.

Actually, it shouldn't just be called editing, because there are other forms that can create a montage effect. In short, it is the word "knowledge" in China's Chinese characters. People in different places can be sorted in order by editing, which makes you feel that they are related. For example, a person knocks at the door first, and then he brings his offspring into the house. When he goes inside or outside, he may be photographed in different places.

What is a "montage" paragraph? For example, there is a scene where two people face each other, followed by a close-up of one person's expression. The audience can know another person's actions through this person's expression, although that person does not appear in the picture. Montage (clip) is a jump between time and space, and time is a connection of points, which is different from the movement of a line from A to B.

The time of montage presentation is a point strictly selected by the director. In addition, montage emphasizes the result of one thing, just like a woman arguing in the lounge, followed by the scene of her death in the bedroom. The scene emphasizes the ending after the quarrel, and the consideration of the ending exceeds the process of her killing. Montage highlights the shock caused by the result of the event, first let the audience know the ending of death instantly, then let the audience see the messy scene in the living room, and trace the cause and scene from the knowledge.

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There is a scene in Coppola's Vampire in which the vampire's head is cut off and then flies out. The camera follows the scene. During dinner, when the head is about to fall off, the fat in the big plate is cut off, giving people the feeling that the head falls on the plate and becomes a mass of food, giving people a jungle metaphor. In Apocalypse Now, another classic of Coppola, when the hero tries to kill Marlon Brando, the pictures of the ritual of killing and killing buffalo are constantly staggered and spliced together, and you will know what it means.

At the beginning of Out of Africa, the heroine's voice of recalling the past matches the jungle in her heart and the roar of the beast. In the next scene, a man (later called the hero Dennis by the audience) stands on the plain with the sunset on his head. After confirming the development of the plot, the audience will find that these two juxtaposed shots are the epitome of their past contacts. Dennis appeared at the right time and scared away a lion approaching the heroine. He brought her stability. But he died in a plane crash when he was young, and the result was like the sun setting, but people could not rise again. As far as the connection between the two shots is concerned, a short moment is the epitome of a person's life. For a single shot, the hazy figure in the sunset is a true portrayal of Dennis. For the heroine, Dennis is mysterious and difficult to understand, but what he sees in his heart is actually just a hazy outline.