Traditional Culture Encyclopedia - Photography and portraiture - Motion mode of lens

Motion mode of lens

Push the lens

It means that the position of the person is fixed, and the lens is pushed from far and near from the panorama or other scenes to the subject, and gradually pushed to the close-up or close-up of the person. Its main function is to describe details, highlight themes, portray characters and create suspense.

Pull the lens

It means that the position of the character is fixed, and the lens is gradually away from the subject, which makes people feel wide and stretched.

Tracking lens

Also known as "following", it is the picture taken by the camera following the subject of the athlete. Follow-up lens can continuously and carefully show the movements and expressions of characters in action, which can not only highlight the main body in motion, but also explain the relationship between the direction, speed, posture and environment of the moving body, so as to keep the movement of the moving body coherent and help to show the mental outlook of the characters in the dynamic.

pan

It means to put the camera in a fixed position and pan or pan (follow) with the movement of the subject. Often used to introduce the environment or highlight the significance and purpose of people's actions. Swinging from side to side is generally suitable for showing huge mass scenes or magnificent natural beauty, while swinging up and down is suitable for showing the majesty of tall buildings or the preciseness of cliffs.

Shift lens

It means that the camera moves in all directions along the horizontal plane, which can interweave the moving characters with the scene and produce a strong sense of movement and rhythm.

Lifting lens

The rising lens means that the lens rises slowly from Ping She, forming a overlooking lens and showing a vast space; The descending lens is the opposite. Most of them are used to shoot big scenes, which can change the space of lens and picture and help to strengthen the dramatic effect.

Suspended lens

Refers to the camera moving on the object. For example, the shooting of war scenes such as "Sparta 300 Warriors" will have an epic momentum.

Pitch lens

Overlooking lens is generally called bird's eye lens, which can show gloomy and depressed emotions in emotional color; Look-up lens is generally called look-up lens, which often has a feeling of stretching, openness, loftiness and admiration in emotional color.

subjective shot / point of view shot

It is to regard the lens as the eyes of the people in the play and directly "witness" the scenes of other people or things in life. This kind of lens can best express the inner feelings of movie characters.

object lens

The viewpoint has no obvious director's subjective color, nor does it adopt the viewpoint of the role in the play. The display of the subject is entirely from the perspective of a bystander, and its language function lies in narration and objective narration. In general movies, most shots are objective shots.

scenic photo

Refers to a lens without people.

zoom lens

It means that the position of the camera is unchanged, and the subject can be pulled out or pushed in quickly by changing the focal length without changing the camera distance.

Integrated lens

Refers to the combination of pushing, pulling, ascending, descending, shaking and moving a lens.