What is the creative process of Juyitu anna Cavalda? What is the impact on society?

Every bestseller is a legend. With the popularity of works, people's interest in the author is increasing day by day. Who is Anna Kavoda? Readers familiar with the history of French literature will inevitably have such expectations. Maybe she is a copy of the best-selling Queen Sagan: Sagan, 17 years old, wrote the novel Hello, Six Weeks of Sorrow, which easily swept Europe and America. After that, he was addicted to gambling and racing, smoking and drinking, and became addicted to drugs. Every move will cause a star-like sensation. Or maybe she is another Duras: the confusing emotional process, free and erratic temperament and writing style have made generations of Duras fans addicted to it and can't stop.

However, it is doomed to be futile to expect Cavalda to gain insight into the secrets of his best-selling works. Her experience couldn't be simpler. That's all we can know: anna Cavalda was born in an ordinary family in 1970. Like her novels, her life is dull and trivial, with few ups and downs and twists and turns. Like an ordinary French woman, she married an unknown veterinarian soon after she came of age, and then divorced. Now she is a divorced mother, writing books at home and taking care of her children in household clothes. She has been famous for 10 years without any scandal.

We can also learn from the reporters who interviewed her that, as a veritable "beauty writer", Cavalda dislikes all public appearances and hates cameras, and only uses e-mail for interviews besides her own works. Her poor literary qualifications seem insignificant. After obtaining a bachelor's degree in literature from Sorbonne University, she is determined to become a young woman in literature and loves every opportunity to write on white paper. She is even willing to take on the job of writing cover letters for friends and giving party speeches for her family. After becoming famous, Cavalda is still simple. Someone has calculated an account for her: from 2004 to now, she has earned at least 32 million euros. But she still lives in Moran, a small town near Paris, and lives a life of almost seclusion. She has just changed a beautiful big house, bought a golf cart and hired a nanny for her two children, which is at best the standard of the French middle class. Cavalda has always been outside the mainstream French literary world. She claimed that she didn't want to enter the literary circle, nor was she an intellectual. Perhaps it is for this reason that although her works are very popular in France, mainstream writers still ignore her existence and are deeply touched by the decline of French literature. Just like her personality, Cavalda's works are "unremarkable" and only focus on the daily life of ordinary people. Strange men and women meet and flirt in the street, but the good things are accidentally stirred; The pregnant woman happily waited for the baby to be born, only to find that there was a stillbirth in her stomach; When the woman who dreamed of becoming a writer said in the publishing house that she could not publish her own works, she suddenly collapsed; A typical French petty bourgeoisie, while enjoying romantic life, fell into a trivial and boring imagination or desperate mental state. They have been trying to change their way of life, but there is nothing they can do; Four young men and women live together in a huge Ottoman apartment near the Eiffel Tower in Paris. These seemingly isolated figures have all kinds of conflicts because of some special opportunities. Finally, they learned to tolerate and understand each other and live in harmony under the same roof in Paris. An architect in his fifties began to reflect on his life after his friend's mother died.

On the contrary, since the rise of the French New Fiction School, both the rejection and dismemberment of stories by pure literary writers in Cavalda and the endless love of popular writers for creating stories full of romance and adventure are obviously different from Sagan and Duras' yearning for rebellion, destruction and unusual life, which has cast a trance-like magic light and shadow on their works intentionally or unintentionally. She presents the daily life of ordinary people in words close to spoken language: staff, soldiers, veterinarians, petty bourgeoisie, engineers, young men and women. They are like our friends, family members or colleagues. We will meet them in the streets, shops and office buildings at any time, and their stories are at your fingertips. At the same time, as the French actress audrey tautou Klein said, "What I see in her novels is the sunshine in life, not the darkness and cruelty in life." Cavalda tried to tell us through her story that life is hard and full of tragedies, but happiness is everywhere. Reading her novels will make us feel that in such an era of increasingly cramped living space, people will still expect a little kindness and comfort from others in their hearts, while their emotions are pouring out. Thus, the widely circulated "literary anecdote" is as authentic as the story told in her novel: a woman who is a doctor talked about Cavalda's novel at a party and began to cry because she found her own shadow in the book. Just like the characters in the book, she was abandoned, then got cancer and tried to commit suicide many times. Finally, friendship and affection saved her.

After analyzing the magic of Cavalda's novels, some critics said that she calmed the French people's anxiety in the form of novels. This bowl of chicken soup for the soul, slowly stewed, tastes pure, and won't let picky French readers with high self-esteem classify it as a literary fast food. In the name of bestseller, her novels are still a French feast that can satisfy readers from all walks of life. However, for most readers, instead of making such a guess, it is better to learn from Cavalda and witness the ordinary power. It is conceivable that Cavalda's concern for daily life in France and his insight into the tragic and absurd living situation that life can't surpass are profound insights into the gray soul of contemporary French. This concern for noble life and the power to penetrate the soul not only give people a strong artistic shock, but also have a bright inspiration for the creation of contemporary writers in China.