Dongyang childhood camel team

Yes, I also looked for her detailed information:

Lin Haiyin, female, (1918~21) was originally named Lin Hanying, nicknamed Eiko, originally from Miaoli County, Taiwan Province Province, and her parents had traveled to Japan for business.

Lin Haiyin was born in Osaka, Japan on March 18th, 1918, and soon returned to Taiwan. At that time, Taiwan Province had been occupied by Japanese imperialism, and his father Lin Huanwen was unwilling to live under the Japanese aggressors' iron hoof, so his family moved to Beijing, where Lin Haiyin grew up. He studied at Changdian Primary School in the south of Beijing, Beijing Journalism College, and served as a reporter for World News after graduation. He soon married his newspaper colleague Xia Chengying. In August 1948, she returned to her hometown of Taiwan Province with her husband and three children, and served as the editor of Mandarin Daily. In 1953, he edited the supplement of United Daily News and started literary creation. He also served as the editor of satellites magazine and the teacher of the World Journalism School. In 1967, he founded Pure Literature Magazine and later managed the Pure Literature Publishing House. Lin Haiyin's creation is rich. So far, eighteen books have been published. Prose collections: Window (in cooperation with He Fan), Two Places, Visiting America, Reading at Night through the Window, Silhouette on the Literary World, Head of the Family, Living in a Bookstore, and prose novel collection: Holly Tree; Collection of short stories: Candle Heart, Marriage Story, Old Things in the South of the City, Green Algae and Salted Eggs; Novels Spring Breeze, Xiaoyun and Meng Zhu's Journey; Radio series "Vivian's Weekly Diary", "Selected Works of Lin Haiyin" and "Fairy Tales of Lin Haiyin"; China Modern Writers and Works, in addition, there are many literary comments and essays, which are scattered in Taiwan Province newspapers and periodicals.

Introduction to related works:

Novels: Xiaoyun, Eiko's Hometown Love, Wind chimes of Life, Old Things in the South of the City, Eiko's Heart, Holly Tree, Joan Jun, Golden Carp's Hundred Crotched Skirt, Crab Shell Yellow, and Bloody.

Masterpiece: Old Things in the South of the City.

Lin Haiyin died of stroke, pneumonia and septicemia in Taipei Zhenxing Hospital on December 1st, 21, at the age of 83.

[ Edit this paragraph] Lin Haiyin's life

Lin Haiyin studied in Beijing since childhood, studied as a female teacher when he grew up, and then went to Beijing World Journalism College. After graduation, I worked as a reporter for Beijing World Journal, and also worked as an editor and librarian. These occupations provided a wide range of opportunities, which enabled her to have a deeper understanding of the social features of old Beijing and provided many materials for her later novel creation. Her famous novel Old Things in the South of the City is based on this period of life. After Lin Haiyin returned to Taiwan Province with her husband in 1948, she was hired as an editor by the newly founded Mandarin Daily. In 1951, United Daily was founded, and she was appointed as the editor-in-chief of the supplement of United Daily, with her husband as the main editor. During this period, she paid special attention to fostering and supporting local writers in Taiwan Province. For example, at that time, Chung Li-ho's manuscripts were often rejected, but Lin Haiyin often brought his manuscripts to light. After Chung Li-ho's death, Lin Haiyin published his first book Rain for him, and then his novel Li Shan Farm was serialized in the supplement of United Daily. When editing the supplement of United Daily, Lin Haiyin published a poem called "Ship", which described that there was a ship floating in the sea for a long time, and finally drifted to an isolated island, and the treasure was slowly used up, so it was trapped in hardship. Taiwan Province authorities think this is an allusion to the living conditions of Chiang Kai-shek after he arrived in Taiwan Province, and arrested the author, so Lin Haiyin can't make up a supplement. Lin Haiyin's creation is rich.

in the afternoon of p>1957, satellites magazine was founded, with Lin Haiyin as the editor and a faculty member of the World Journalism School. In 1967, she founded and edited the monthly magazine Pure Literature, and after the publication of Pure Literature stopped in 1972, she was independently responsible for the Pure Literature Publishing House and published the Pure Literature Series.

On November 4th, 1976, the 9th annual meeting of Chinese Newspaper Association opened in furama hotel, Hong Kong. Lin Haiyin attended as a member of the Taiwan Province delegation and delivered a speech. She later engaged in children's literature.

Lin Haiyin's literary career started very early, starting in Beijing, which is closely related to her family. Lin Haiyin was born in a scholarly family. Her father, Lin Huanwen, was an excellent patriotic intellectual. He was influenced by Sinology in his early years, and later received Japanese education in the normal department of "Mandarin School". He was proficient in Japanese and taught at Xinpu Public School in Taiwan Province. Wu Zhuoliu, a famous Taiwan Province writer during the Japanese occupation period, was his student. Later, Lin Huanwen traveled across the ocean to do business in Japan, where she gave birth to her eldest daughter, Eiko-Lin Haiyin. Later, he moved to Beijing and served as the director of the post office. Lin Huanwen was popular and generous, which had a great influence on Lin Haiyin as a child.

After growing up, Lin Haiyin has a wide range of interests in life, regardless of sacrifice, brave in shouldering heavy burdens and generous in helping others. These personality characteristics can be said to be inherited from his parents and developed on his own. Due to the early death of her father and the pressure of life and society, Lin Haiyin's understanding of society is more mature and profound than that of her peers, all of which constitute the motive force and source of her novel creation. While in Beijing, Lin Haiyin had started his literary creation. In the early days after returning to Taiwan Province in 1948, she wrote some essays and essays. It was about 1951 that Lin Haiyin really embarked on the road of writing. Her works are very rich, including novels, essays, essays, reviews, children's books and other genres, and novels are the main ones.

As a writer of the older generation in Taiwan Province, Lin Haiyin's contribution to Taiwan Province's literary career is concentrated in three aspects: novel creation, cultivating new people and setting up publications. As for the establishment of a publication, as we have said before, apart from being the editor of a newly-established publication, she has personally established the monthly magazine Pure Literature for five years, and is well-known in the literary world for the high quality of her selected works, and has recommended and published the works of many outstanding writers. Later, he founded Pure Literature Publishing House, whose purpose is similar to that of Pure Literature monthly. He chose books carefully and paid attention to quality, which was very popular among readers. So far, it is still one of the influential literary publishing houses in Taiwan Province. In cultivating new people, Lin Haiyin has devoted himself to cultivating a new generation of people in Taiwan Province's literary world and made outstanding achievements. Since the 196s, many literary rookies have emerged in Taiwan Province, which are supported and influenced by her. This is certainly related to her long-term work as a newspaper editor, but more importantly, it comes from her love for literature and her enthusiasm for bringing up new people. The life of Chung Li-ho, a famous writer in Taiwan Province, can be summarized as "writing before death and becoming famous after death". He wrote silently all his life and was unknown before his death, but his fame after his death should be attributed to several bosom friends including Lin Haiyin. Lin Haiyin talked about it in the article Some Memories. After Chung Li-ho's death, his eldest son wrote to Lin Haiyin, asking her to help publish his father's works. Lin Haiyin took it down, and then published Chung Li-ho's work Rain with the money raised, which was only one hundred days away from the memorial day of the deceased; Another book of the deceased, Li Shan Farm, was also published in Zhou Nianji, fulfilling the final wish of the deceased. Lin Haiyin also helped Zhong Tiemin with his influence in the literary world, just as he helped Chung Li-ho in that year, and made Zhong Tiemin gradually grow into a rising star in Taiwan Province's novel world. Zhong's father and son benefited a lot from Lin Haiyin, but who suffered from this kindness was Zhong's father and son? From the 192s to the end of the 194s, Lin Haiyin mainly lived in Beijing for almost 3 years. The best time of her youth was spent in Beijing. Therefore, she is familiar with Beijing and has deep feelings for it. In Taiwan Province, she often calls Beijing her "second hometown". Therefore, the story background of her works mostly takes place in Beijing. Through the description of these story backgrounds, the author paints us a series of genre paintings and landscape paintings of the ancient city of Beijing, revealing the author's nostalgia and memory of his past life and his thoughts and feelings of loving the country and the nation. After she returned to Taiwan Province in 1948, Taiwan Province's social life and local customs were injected into her life accumulation, so she wrote some people and things that happened in Taiwan Province. In a word, Lin Haiyin's life accumulation comes from two sources: one from old Beijing and the other from Taiwan Province.

[ Edit this paragraph] Published books

Eighteen books have been published so far.

Prose collections: Window (in cooperation with He Fan) (1972), Two Places (1966), Visiting America (1966), Reading at Night through a Cloudy Window, Silhouette on the Literary World (1984, Head of the Family (1988), Home.

a collection of essays and novels: Holly (1955).

collection of short stories: Candle Heart (1965), Marriage Story (1963), Old Things in the South of the City (196) and Green Algae and Salted Eggs (1957).

The novels Spring Breeze, Xiaoyun (1959) and Meng Zhu's Journey.

the radio series "Zhou Ji of Wei Wei" (1968), "Selected Works of Lin Haiyin" (1975) and "Fairy Tales of Lin Haiyin" (1987).

edited China's Modern Writers and Works >: >

in addition, there are many literary reviews and essays.

Golden Carp's Hundred Crouched Skirt (1993), Grandma's Fool's Camera (1994), Long Past (1995), Eiko's Heart (1996)

Let's Watch the Sea (1996), Donkey Rolling (1996), and.

Introduction of related works:

Lin Haiyin's Collected Works-Xiaoyun

Lin Haiyin's Collected Works

Lin Haiyin's Collected Works-Golden Carp's Bai Cuo Skirt

Lin Haiyin's Collected Works-Eiko's Homesickness

Lin Haiyin's Collected Works-The Wind Bells of Life

< Rolling on a donkey > > < < Holly > > < < Joan Jun > > < < Golden carp's pleated skirt > > < < Crab shell yellow > > < < The story of blood > >

prose: <; < Autumn tour of Shitou Mountain > > < < A blowjob > > < < Mourn for Mr. Chung Li-ho > > < < Read the cherry blossoms in the distance > > < < Hufang Bridge > > < < Wenhua pavilion haircut > > < < Three women in the old days > > < < Dongyang childhood camel team > > < < Riding a donkey to visit Baiyun Temple > > < < My children play > > < < Beiping ramble > > < < Memories of Kamamachi > >

[ Edit this paragraph] Masterpiece: Old Things in the South of the City

Lin Haiyin (1918-21) is a novel describing the social features of old Beijing, Old Things in the South of the City, which was once put on the movie screen and was loved by the audience, describing the life of an ordinary person in a quadrangle in Beijing in the late 192s. The Old Story of the South of the City includes five short stories, namely, Hui 'an Pavilion, Let's Watch the Sea, Aunt Lan, Rolling on a Donkey, and Dad's Flowers Left. Through the eyes of the little girl Eiko, the film describes all kinds of people and things in Beijing at that time. Through the seemingly narrow description, it reflects the whole historical face of Beijing at that time, which has strong social significance. Lin Haiyin said in the "Postscript" of "Old Events in the South of the City": "Over the past few years, I have successively completed these chapters of this book. Their stories may not be true, but when I wrote them, characters kept popping up in front of my eyes, such as Aunt Lan, who was smiling with an oblique mouth, Song Ma, who rode Xiao Lv back to her hometown, Uncle Dexian, who ignored our children, the crazy woman in Chunshu Hutong, the little friend by the well, and the thief hiding in the haystack. " From this simple list of characters, it is not difficult to see that although the author is an intellectual from a scholarly family, the characters in her novels are not limited to this narrow range. She cares about the vast society and is good at describing all kinds of social beings. Most of the characters in her novels are the townspeople, while the central characters are all kinds of women. She devotes herself to depicting the virtues of China women's diligence, sagacity, gentleness and kindness, and is better at expressing the shackles of their hearts and the tragedy of their fate. To exaggerate, every novel of hers is inseparable from the tragedy of women. Someone commented on this: "Most of her writing is aimed at women's issues. However, she can often think about the special experience of women in Taiwan Province today from the crux of the world women's problems, and the depth has reached beyond the boundaries of women. If Lin Haiyin is regarded as the soul figure of the older generation of female writers, it can be said that due to the limitation of the trend of the times, they are less rebellious, and their complaints and protests are mild and weak. " The content of Lin Haiyin's novels is probably the "past events in the south of the city" in childhood memories, and the novels contain traces of autobiography. However, its situation is not narrow. Like all successful writers, her novels see the big from the small, and we can get a glimpse of the times from Old Things in the South of the City. Therefore, her works have certain cognitive value and social significance, and also have certain influence on the literary world in Taiwan Province. The book is filled with deep poetry in a touch of sadness.

[ Edit this paragraph] Stealing Notes

Published in Lesson 27, Volume 11, Shanghai Edition Chinese Textbook.

Original text:

Turning the corner, I saw the soaring signboard of Sanyangchun, smelled the smell of cooking and heard the knocking of the pot spoon. I breathed a sigh of relief and slowed down. I hurried here from school after class, and I was already sweating, and finally arrived at my destination-the destination was not Sanyangchun, but a bookstore next to it.

I took the walk to give my brain a chance to think: "Where did you read yesterday? Who will that girl marry in the future? Where is that book? The third row in the left corner is good ... "Walking to the door of Sanyangchun, I can see that the bookstore is still crowded with customers as before, and I can feel at ease. But I'm worried about whether that book will be sold out, because I've seen people buy it for days, and it seems that only one or two books were left yesterday.

I stepped into the bookstore door, secretly glad that no one was paying attention. I stood on tiptoe, making my small body rub against the cracks between other customers and bookcases, and drill under the armpits of adults. Yo, I messed up my short hair. It doesn't matter. I squeezed in. In the queue with a colorful cover, my eyes were too eager to find it, but I couldn't see where the book was. From the beginning, count again, ah! It's here, not where it was yesterday.

I'm glad it hasn't been sold, and it's still lying on the shelf, waiting for my visit. How happy I am and how eager I am to reach for it, but at the same time as my hand, there are a pair of giant palms, with 1 fingers greatly separated and pressed.