Can anyone tell me the style characteristics of Hanfu in each dynasty, the name of each part, how to make it and how to wear it? It’s best to have pictures.

Shang Dynasty (early 17th century BC - 11th century BC) The Shang Dynasty was the first dynasty in China with written records. According to numerous archaeological discoveries, the basic style of Hanfu during this period has been fully formed. The clothing of this period mainly consisted of two parts, the top and the lower part (skirt). The cuffs are narrow and have no buttons. A wide belt is tied around the waist, and a skirt-like "knee cover" is added in front of the waist to cover the knees. The colors of fabrics in this period were mostly warm colors, especially yellow and red, with brown and brown in between, but this does not mean that there are no cool colors such as blue and green. It's just that the red and yellow colors made of cinnabar and stone yellow are more vivid than other colors and have stronger penetration, so they remain unchanged for a long time and have been preserved to this day. According to modern scientific and technological analysis, the dyeing and weaving methods of the Shang and Zhou dynasties often used a combination of dyeing and painting, especially red, yellow and other positive colors. Painting was often added with a paintbrush after the fabric was woven. Western Zhou Dynasty (11th century BC - 711 BC) The Zhou Dynasty founded the country based on the feudal system, consolidated the empire with a strict class system, and formulated a very detailed and thoughtful etiquette to regulate society and stabilize the world. Clothing is a symbol of everyone's class, so the clothing system is one of the foundations of government, and the regulations are very strict. Zhou Dynasty clothing generally followed the Shang Dynasty clothing system with slight changes. The style of clothes is slightly looser than that of the Shang Dynasty. The sleeves are available in two styles, large and small, and the collar is generally crossed to the right. No buttons are used, and belts are usually tied around the waist. Some even have jade ornaments hanging on the waist. The length of skirt or trousers should be as short as knee-length or as long as floor-length. Eastern Zhou Dynasty (Spring and Autumn Period and Warring States Period) (711 BC - 256 BC) During the Spring and Autumn Period and the Warring States Period, an important type of Hanfu - deep clothing - was born. Shenyi is a straight-style long robe. The clothes and clothes are connected together to cover the body. They are cut separately but sewn up and down. It is named because of the "deep quilt body". Shenyi continues the characteristic of Hanfu that the collar is folded on the right side, and has a great influence on society. It can be worn by men and women of high and low status, as well as civil and military positions. Skirts are divided into two styles: curved and straight. The difference in appearance lies in whether there are lines surrounding the lower body. During this period, textile and dyeing technology had become very advanced, and many complicated and gorgeous patterns appeared on Hanfu. Qin and Han Dynasty (221 BC - 280 BC) Qin Dynasty (221 BC - 206 BC) In 221 BC, Qin destroyed the six kingdoms, and Qin Shihuang won the government and established the first unified country in Chinese history. Qin Shihuang unified writing, currency, weights and measures, etc., leaving a profound impact on the formation and continuation of the Chinese national power and the Han nation. Hanfu in the Qin Dynasty mainly inherited the influence of the previous dynasty. The robe was still the typical clothing style, which was divided into two types: curved train and straight train. The sleeves also came in two styles: long and short. In the Qin Dynasty, there was little difference in the shape of clothing in daily life between men and women. They were all large-breasted and narrow-sleeved. The difference was that men had leather belts around their waists with hooks at the ends, while women's waists were only tied with ribbons. Because of the discovery of the Terracotta Warriors and Horses in the Mausoleum of Qin Shihuang, there is rich historical data for the study of costumes and customs of the Qin Dynasty. Han Dynasty (206 BC - 220 BC) The Han Dynasty was one of the most important and outstanding dynasties in China. During this period, with the progress of society, local national culture flourished and reached extremely high artistic and aesthetic achievements. The Han Empire, which led the world in economy, science and technology, and culture, left eternal pride for the Chinese people. Today, the Han nationality, the majority ethnic group in China, is named after the Han Dynasty. From this period onwards, civilians began to wear finely woven clothing. In the Han Dynasty, the deep robe with curved trains was not only worn by men, but was also the most common style of clothing among women. This kind of clothing is tight and narrow, long and can be dragged to the floor. The hem is generally trumpet-shaped and does not reveal enough to show the quietness and elegance of women. The sleeves come in two styles: wide and narrow, and the cuffs are mostly edged. The collar part is very distinctive. It is usually cross-collared and the neckline is very low to reveal the underwear. If you wear several pieces of clothing, the collar of each layer must be exposed, and the maximum number is more than three layers, which is called "triple clothing". In addition, the narrow-sleeved and tight-fitting deep-breasted clothes of the Han Dynasty were worn. The clothes were turned several times, wrapped around the hips, and then tied with silk ribbons. The clothes were also painted with exquisite and gorgeous patterns. The straight skirt of the Han Dynasty could be worn by both men and women. This kind of clothing has appeared as early as the Western Han Dynasty, but it cannot be used as a formal dress. The reason is that ancient trousers had no crotch, only two trouser legs that were pulled up to the knees and tied around the waist with a belt. These crotchless trousers were worn underneath, and if they were not covered with outerwear, the trousers would be exposed, which was considered disrespectful at the time. Therefore, you should wear dark clothes with curved lining. Later, as clothing became more and more complete, the form of trousers also improved, and crotch trousers appeared. Due to the improvement of underwear, deep garments with curved trains and lapels have become redundant. Therefore, after the Eastern Han Dynasty, straight trains gradually became popular and replaced deep garments. Han Dynasty women's underskirts The style of women's clothing with upper underskirts and lower skirts had already appeared as early as the Warring States Period. In the Han Dynasty, due to the widespread popularity of deep clothing, the number of women wearing this style of clothing gradually decreased. Based on this, some people believe that this kind of clothing did not exist at all in the Han Dynasty, and only revived in the Wei, Jin, Southern and Northern Dynasties. In fact, women in the Han Dynasty did not abandon this kind of clothing, and there were many descriptions in Han Yuefu poems. The styles of underskirts in this period were generally very short, only reaching the waist, while the skirts were very long, hanging down to the floor. Ruqun is one of the most important forms of Chinese women's clothing. From the Warring States Period to the Ming Dynasty, more than two thousand years ago, although the length, width and width changed from time to time, the basic shape always maintained the original style.

A large number of silk embroidery fabrics from the Han Dynasty were unearthed from the Mawangdui Han Tomb in Hunan, vividly showing the characteristics of its decorative style and reflecting the development level of the textile industry in the Han Dynasty. The dyeing and weaving technology of the Han Dynasty has developed rapidly on the basis of inheriting the tradition of the Warring States Period. The varieties of dyeing and weaving have increased. Not only can we weave exquisite and diverse patterns, but the dyeing and weaving technology has also reached a higher level. The progress of the dyeing and weaving technology is a key factor in the clothing of the Han Dynasty. The basis for improving quality. With the establishment of the famous Silk Road, the beauty of Chinese clothing has spread to all directions. Wei, Jin, Southern and Northern Dynasties Hanfu (220-589) Three Kingdoms (Wei, Shu, Wu) (220-280) Jin Dynasty (265-420) Southern and Northern Dynasties (420-580) Wei and Jin Dynasties, celebrities Advocating nature, transcending things, being forthright and free-spirited and self-admiring. The elegant style of the Wei and Jin Dynasties was also reflected in Hanfu. Men in this period generally wore large-sleeved shirts - shirts with large sleeves and elegant clothes. From the princes and celebrities to the common people, they all wore wide-sleeved shirts with large sleeves to praise their clothes. It’s still a good idea to have a wide range of skills. Until the Southern Dynasties, this kind of shirt was still loved by men from all walks of life. There are obvious differences in style between shirts and robes. According to the customs of the Han Dynasty, if a blouse is called a robe, the sleeves should be converged and equipped with slits. But the shirt does not need to be removed, and the cuffs are wide. Clothing in the Wei and Jin Dynasties became increasingly broad, and shirts became a temporary custom because they were not subject to the restrictions of clothing and clothing. Women's shirts and skirts in the Wei, Jin, Southern and Northern Dynasties Women's clothing in the Wei and Jin Dynasties inherited the customs of the Qin and Han Dynasties, and absorbed the costume characteristics of ethnic minorities. It was improved on the traditional basis. Generally, they wore shirts, jackets, and jackets on the upper body, and skirts on the lower body. The waist is tied with a silk belt, and the styles are mostly frugal at the top and rich at the bottom, mainly wide. Its characteristics are: double-breasted, waist-cinched, wide sleeves, and rims of different colors on the cuffs, placket, and hem. Striped mid-color skirt, tied at the waist with a silk belt. The body part is tight and fitted, the cuffs are enlarged, the skirt is a multi-pleat skirt, the skirt is floor-length and the hem is loose, thus achieving a handsome and unrestrained effect. Coupled with rich jewelry, it reflects the luxurious and elegant style. At that time, women's lower garments had other skirt styles besides mid-color skirts. Miscellaneous Harness Clothes During the Wei, Jin, Southern and Northern Dynasties The traditional deep-cut clothing system is no longer used by men, but it is still worn by some women. Compared with the Han Dynasty, this kind of clothing is quite different. Add some accessories to the hem of the clothes, usually made of silk fabric. It is characterized by being wide at the top and pointed like a triangle at the bottom, with layers stacked on top of each other. In addition, because the streamers protruding from the skirt are relatively long, they look like swallows flying when walking. By the Northern and Southern Dynasties, this kind of clothing had changed again. The streamers trailing to the ground were removed, and the sharp "swallow tail" was lengthened, so that the two became one. The basic style of trousers pleats during the Northern and Southern Dynasties is wearing knee-length sleeves on the upper body and fat trousers on the lower body. The fabric of this kind of clothing is usually made of thicker woolen cloth. Wearing trousers and a short undershirt are collectively called underpants, but feudal nobles must wear robes on top of underpants. Only those who are engaged in labor, such as horsemen and servants, directly expose their trousers for the convenience of movement. Feudal nobles were not allowed to wear shorts and trousers when going out. It was not until the Jin Dynasty that this habit changed. The trousers of the Northern and Southern Dynasties include large-mouthed trousers and small-mouthed trousers. Large-mouthed trousers are fashionable. It is inconvenient to move when wearing large-mouthed trousers, so brocade belts are used to tie the trouser legs, which is also called tied trousers. Sui and Tang Hanfu (581-960) Sui Dynasty (581-618) Tang Dynasty (618-907) Five Dynasties (907-960) In 581 AD, the establishment of the Sui Dynasty ended the successive dynasties since the Eastern Han Dynasty Four hundred years of division. This is a feudal unified country established again after the Qin and Han Dynasties, a new national unity with the Han nationality as the center. Clothing in the north and south imitated each other, and their industries merged. The Tang Dynasty, the heyday of China's feudal society, opened the most dazzling chapter of ancient China. During the Tang Dynasty, the country was stable, the economy was prosperous, cultural undertakings were fully developed, and feudal culture had reached its peak. After nearly three hundred years of inheritance, evolution, and development, Tang Dynasty clothing has become an extremely important period in the development of Chinese clothing. On the one hand, the costumes of the Tang Dynasty inherited the system of crowns and uniforms of previous dynasties and set the path for future generations; on the other hand, the development of costumes of the Tang Dynasty was inclusive and comprehensive, and it was brilliant. The Five Dynasties and Ten Kingdoms after the Tang Dynasty were the continuation of the feudal warlord rule of the Tang and Song Dynasties, and they generally followed the Tang Dynasty system in terms of clothing. Sui and Tang Dynasty clothing, whether official or civilian, men's or women's clothing, all showed their open mind and pioneering spirit, fully reflecting the distinctive characteristics of the times and strong national character. Ruqun was the main clothing style for women in the Tang Dynasty. In the Sui Dynasty and the early Tang Dynasty, women wore short jackets with small sleeves and tight-fitting long skirts. The skirts were tied at a high waist, usually above the waist, and some were even tied under the armpits and tied with ribbons, giving people a pretty look. Slender feeling. Phi silk, also known as "painted silk", is usually made of a thin gauze with patterns printed on it. The length is generally more than two meters. When used, it is draped over the shoulders and coiled between the two arms. Women in the Tang Dynasty regarded plumpness as their beauty. Due to their plump figures, women's clothing in the mid-Tang Dynasty also gradually became wider, and the width of the skirts was much wider than that in the late Sui and early Tang Dynasties. Although the clothes have small sleeves, they are obviously looser than women's clothes in the early and prosperous Tang Dynasty. Large-sleeved shirts in the Tang Dynasty After the prosperous Tang Dynasty, the influence of Hu clothing gradually weakened, and the styles of women's clothing became increasingly generous. In the middle and late Tang Dynasty, this feature became more obvious. In general women's clothing, the sleeve width was often more than four feet. Noble dresses in the middle and late Tang Dynasty were generally worn on important occasions, such as court visits, courtesy visits, and weddings.

Wearing this kind of dress, there are gold and green flower hairpins in the hair, so it is also called "hairpin dress". The style of the large-sleeved blouse is with large sleeves and double breasts, and is worn with a long skirt and a shawl. The use of gauze as the material for women's clothing was a feature of Tang Dynasty clothing, which was closely related to the open-mindedness of the time. Especially the costume that does not wear underwear and only covers the body with light gauze is a pioneering work. The so-called "the delicate strands of skin are visible" is a summary of this kind of costume. The Sui and Tang Dynasties also produced an important variant of Hanfu - the round-neck shirt. The round neck style appeared very early in the history of Chinese clothing, but it was not until the Sui and Tang Dynasties that it became popular and became an official uniform. This kind of clothing continued in the Tang, Five Dynasties, Song, and Ming Dynasties, and had a great influence on Japan, Goryeo and other countries. Wrapping one's head in a bun and wearing a round-neck robe and shirt were common clothing for men in the Tang Dynasty, and the bun robe and shirt were the most fashionable. Futou, also known as Futou, is a type of headdress based on the Han and Wei turbans. After the Tang Dynasty, people added a fixed ornament called "scarf" inside the futou. The shape of the towel varies from period to period. In addition to the scarf, the Fu Tou's feet also had many changes. By the late Tang and Five Dynasties, the original soft feet had been changed into hard feet, one on the left and one on the left. It should be pointed out that the popularity of this variant of round-neck Hanfu does not mean the disappearance of the traditional right-fold collared Hanfu. In fact, even in the Tang Dynasty when it was most popular, it was mostly limited to the area centered on Chang'an, and among officials and members of the royal family. However, in areas such as Wuyue and among ordinary people, they used the right-fold collar with a large collar. This type of clothing is mainly Han clothing, similar to the Song and Ming Dynasties. Officials in the Tang Dynasty, in addition to wearing round-necked narrow-sleeved robes, also wore formal attire on some important occasions, such as sacrificial ceremonies. The style of the dress is mostly inherited from the old system of the Sui Dynasty, with a turban or cage crown on the head, a double-breasted shirt with large sleeves, an apron, and a jade pendant. Round-neck Hanfu, like cross-neck Hanfu, is an important part of Han nationality costumes. Hanfu of the Song Dynasty (960 - 1279) Song Dynasty (960 - 1279) The Song Dynasty was a dynasty that was highly developed economically, technologically and culturally. Agriculture, shipbuilding, textiles, and papermaking reached new heights, and gunpowder, the compass, and printing technology were invented. Generally speaking, the clothing of the Song Dynasty can be divided into two categories: official clothing and civilian clothing. Official uniforms are divided into court uniforms and public uniforms. The imperial attire is used for important occasions such as court gatherings and sacrifices. They all wear red clothes and red clothes, and are worn and lined with clothes of different colors and textures, as well as corresponding crowns. Public uniforms are the official uniforms, with round collars and large sleeves, a leather belt around the waist, a futou on the head, and leather shoes or silk and linen shoes on the feet. According to regulations, all senior officials who are qualified to wear purple or crimson public uniforms must wear a "fish bag" decorated with gold and silver in the shape of a fish. Common people were only allowed to wear white clothes, and later officials, officials, and common people were allowed to wear black clothes. But in real life, folk costumes are colorful and not restricted at all. Women's clothing in the Song Dynasty - The clothing worn by women in the Song Dynasty generally includes coats, jackets, shirts, backs, half-arms, skirts, trousers and other clothing styles. Women in the Song Dynasty mainly wore skirts, but they also wore trousers. The clothing of women in the Song Dynasty was similar to that of women in the Han Dynasty. They were all long and thin, with narrow sleeves, crossed collars, and various long skirts in light colors. The undergarment and the jacket are basically similar clothing, with a shorter form and a skirt on the lower body. The colors are often red and purple, followed by yellow. The styles of Ru skirts in the Song Dynasty are roughly the same as those in the Tang Dynasty. The decoration on the body is not complicated. Apart from the shawl, only a jade ring ornament is added to the ribbon worn in the middle of the waist. Its function is mainly to hold down the skirt so that it does not move when walking or moving. It will flutter in the wind and affect the appearance. The "yuhuan ribbon" known in history books is this kind of decoration. In the Song Dynasty, a kind of outer garment called a tuzi was popular. The duzi in the Song Dynasty had long sleeves, a long body, and open hips at the armpits. That is, the clothes were not sewn on the front and back, but had straps on the armpits and back. The double straps under the armpits could have tied the front and back pieces of clothes together, but the mandarins of the Song Dynasty did not use them to tie the knot, but hung them for decoration. The meaning was to imitate the form of the ancient singles (underwear) interlacing, expressing "It's good to retain the old". When wearing the trousers, tie them with silk at the waist. In the Song Dynasty, there were three types of collar styles for the maids: straight collar and lapel collar, diagonal collar and lapel collar, and plate collar and lapel collar. The straight collar style was the most common. The two styles of diagonal collar and plate collar are only worn by men when wearing them under public clothes, while women wear straight collar and double-breasted style. Housewives with status wear large-sleeved clothes. The maids and concubines wear clothes with slits under the arms and crotch, which makes it easier to walk. The jacket worn by women in the Song Dynasty was short at first, and later lengthened, developing into a standard format with sleeves larger than the shirt and as long as the skirt. Ming Dynasty Hanfu (1368 - 1644) Ming Dynasty (1368 - 1644) After the barbaric rule of the Mongol Empire and the Yuan Dynasty, China experienced comprehensive regression in economy, science and technology, and culture. At the end of the Mongolian Yuan Dynasty, China's economy and society fell into complete collapse and chaos. In order to rebuild etiquette and national self-esteem, after the restoration of the Ming Dynasty, it attached great importance to rectifying and restoring the clothing system. It quickly discarded the clothing of the Mongolian and Yuan ethnic minorities, adopted the Zhou and Han styles, and the Tang and Song Dynasties, and fully restored the characteristics of Han costumes. . The costumes of the Ming Dynasty were dignified and graceful, and were a model of ancient Chinese costume art. Most of the styles, textures and colors of today's Chinese opera costumes were adopted from the costumes of the Ming Dynasty. In the Ming Dynasty, the clothes and clothes became more luxurious, the weaving and embroidery skills reached their peak, and the cultural connotation became richer. Ming Dynasty Underskirt The clothing style of the Ming Dynasty's underskirt is no different from the underskirt in the Tang and Song Dynasties, except that among young women, a short waist skirt is often added to facilitate movement. Some maids and maids also like this outfit. The upper jacket is a cross-collar, long-sleeved short jacket. The color of the skirt is light at first, and although there are patterns, they are not obvious.

In the early years of Chongzhen, most skirts were plain white. Even if there were embroidery patterns, they were only decorated with a strip of lace one or two inches below the skirt as a presser foot. The skirt was initially made of six pieces, which is the so-called "skirt drags the water of the Xiangjiang River in six pieces"; later it was made of eight pieces. There are many fine pleats on the waist, and the movements are like water patterns. By the end of the Ming Dynasty, the decoration of skirts became more and more elaborate, the width of the skirt also increased to ten, and the pleats on the waist became denser and denser. Each pleat has a color. When the breeze blows, the color is like moonlight, so it is called "Moonlight Skirt" . A "palace" made of ribbons is often hung on the belt. It is usually tied with several loops in the middle and then hangs down to the ground. Some even string a jade pendant in the middle to hold down the skirt and prevent it from falling. Scattering affects the appearance, and its function is similar to the jade ring ribbon of the Song Dynasty. Official clothing of Ming Dynasty officials wearing public uniforms. Officials wearing public uniforms in Ming Dynasty. It is made with a coiled collar and right gusset, and the sleeves are three feet wide. The patterns and colors used in the robes vary according to the rank: the first to fourth grades use scarlet; the fifth to seventh grades use cyan; the eighth to ninth grades use green. The patterns are also different. The first grade uses large flowers, five inches in diameter; the second grade uses small flowers, three inches in diameter; the third grade uses loose flowers, without branches and leaves, two inches in diameter; the fourth grade and fifth grade uses small flowers, one inch in diameter. Five points; sixth and seventh grades use small flowers, one inch in diameter; below the eighth grade, there are no patterns. The above costumes, combined with the foot-spreading futou, are mostly used in important court gatherings. The official uniforms of the Ming Dynasty. The clothing of civil and military officials in the Ming Dynasty mainly includes court uniforms, sacrificial uniforms, official uniforms, ordinary uniforms, etc. Officials wear black gauze hats, futou, and long robes with coiled collars and narrow sleeves. "Pan collar" is a high collar with a round edge. This kind of robe was the main style of clothing for men in the Ming Dynasty. It could be worn not only by officials but also by common people, but the color was different. The pan-collar clothes worn by ordinary people must avoid black, purple, green, willow yellow, turmeric and bright yellow. There are no restrictions on other colors such as blue, ocher, etc., commonly known as "variegated pan-collar clothes". Twenty-five years after the founding of the Ming Dynasty, the imperial court made new regulations on official uniforms. All civil and military officials, regardless of rank, must have patches on the chest and back of their robes. Civilian officials used birds, and military officers used animals. To show the difference. This is the most distinctive costume among the official uniforms of the Ming Dynasty. When the Qing army entered the country, they required men to adopt the Manchu uniform. Although some literati resisted, it was quickly accepted. The hand-collar uniform was only allowed to exist among actors, monks and Taoists, and there was no large-scale resistance and bloodshed caused by shaving their heads. conflict. After the development of the Qing Dynasty, although the Han nationality's long-sleeved dress has a semi-cross collar, it has maintained the mainstream clothing characteristics of the Han nationality among the people, such as wide robes and large sleeves. Due to the multi-ethnic country, the types of clothing have increased, and even deviated from the original Han nationality. Some characteristics, such as mandarin jackets, cheongsam, etc., the recently popular "Hanfu", although it was used in ancient times to distinguish ethnic groups, it has never formed a definite concept. Nowadays, folk people miss the cross-dressing system and define it with the popular concept of "Hanfu", aiming to restore this ancient clothing system. The main features of Hanfu are crossed collars, right gussets, waistbands, tied with ropes, and belt hooks, etc., giving people a free and elegant impression. These characteristics are obviously different from the costumes of other ethnic groups. Hanfu can be divided into formal clothes and regular clothes. From the shape point of view, there are mainly "top and lower skirts" system (the skirt in ancient times refers to the lower skirt), "shenyi" system (the top and lower skirts are sewn together), "skirt" system (ru, that is, short clothes), etc. type. Among them, the mianfu with a top and lower skirt is the most solemn and formal dress for emperors and officials; the robe (deep clothes) is the common dress for officials and scholars, and the underskirt is the favorite wear of women. Ordinary working people generally wear short clothes on top and long trousers on bottom. Accessories: Headwear is one of the important parts of Han nationality clothing. In ancient times, when men and women of the Han nationality came of age, they would tie their hair into a bun and tie it with hairpins. Men often wear crowns, scarves, hats, etc. in various shapes. Women's buns can also be combed into various styles, and various ornaments such as beads and flowers can be worn on the buns. Both sides of the temples are decorated with sideburns, and some wear curtain hats and hijabs. Another important feature of Han people's decoration is that they like to decorate with jade pendants. Right gusset: Han nationality's clothing, right gusset is a characteristic that has always been retained in their clothing. Therefore, the right fold has become a symbol of the Han people. On the contrary, the clothing of some ethnic minorities in ancient my country had the front fold turned to the left, which was different from the right fold in the Central Plains. Therefore, Zuo Ren is used to refer to being ruled by foreigners. So Confucius said: "Guan Zhong served as Duke Huan, dominated the princes, and ruled the world. The people have been blessed by him to this day. If Guan Zhong is insignificant, I will be sent to the left." This means that without Guan Zhong, we would have become slaves of foreign races. , wearing left-hand clothes and with her hair disheveled. In addition, the left collar is also used to refer to the deceased. In the murals buried with the dead and the portraits of ancestors, the left collar is used to show the difference between yin and yang. Shenyi: An ancient garment that consists of a top and a lower skirt. The clothes commonly worn by princes, officials and scholars in ancient times were also common clothes for common people. Characteristics of deep clothing: A design of one-piece upper and lower clothing. The design is conservative (wide, long-sleeved, not open) and the colors are mainly cold tones. The connotation of men's and women's formal wear styles in the three generations: deep clothing is the best expression Clothing of Chinese cultural spirit. Deep clothing symbolizes the unity of nature and man, the Eastern virtues of magnanimity, fairness and integrity, and tolerance of all things. The cuffs are wide, symbolizing the harmony of heaven; the neckline intersecting at right angles, symbolizing integrity; a straight seam running from top to bottom on the back, symbolizing human integrity; a large belt tied around the waist, symbolizing balance; divided into two parts, the upper garment and the lower garment, symbolizing two things; the upper garment is made of cloth Four pieces of cloth symbolize the four seasons of the year; twelve pieces of cloth are used on the lower garment to symbolize the twelve months of the year. Wearing deep clothes can naturally embody the harmony of the way of heaven, embrace the uprightness of the earth, conform to the righteous way of the world, move forward and retreat in accordance with the rules of balance, and live in accordance with the order of the four seasons. Underskirt: Underskirt is composed of a short top and a long skirt, that is, an upper skirt and a lower skirt, a suit.

The underskirt has been the most basic form of Han traditional clothing since the Warring States Period with physical evidence, and finally in the "shaving of hair and changing clothes" in the late Ming and early Qing Dynasties. Over the past 2,000 years, although the length, width and width have changed from time to time, the basic shape has always maintained the original style. The underskirt is one of the earliest and most basic clothing forms in the history of Chinese clothing. According to different styles of collars, they can be divided into cross-collar skirts and straight-neck skirts. According to the height of the skirt waist, it can be divided into low-waisted skirts, high-waisted skirts and chest-length skirts. PS: There are indeed chest-length underskirts, which are from the Tang Dynasty. It is wrong to call the underskirts in the Tang Dynasty high-waisted underskirts. The high-waisted underskirts and under-bust underskirts can be divided into single undershirts and compound undershirts. Single undershirts are almost like shirts. , the jacket is close to the jacket, the difference lies in whether it is tucked in or not. The sleeves of the jacket are generally longer and narrow, and Pipa sleeves were common in the Ming Dynasty. The right lapel collar is the standard collar style of Hanfu, and its appearance is like the letter Y. (The right lapel means the collar is tied to the right side of the body. The direction cannot be reversed. The left lapel is the style of a foreigner or the deceased.) Straight collars are often paired with myrobalan or a tube top. The belt is made of silk or leather and plays a fixed role. (Hanfu is not as wide as the kimono, so avoid it.) The palace ribbon (as shown in the picture) is made of ribbons, usually tied with several loops in the middle, and then drooped to the ground. Some even string a jade pendant in the middle to hold it down. The skirt width prevents it from spreading out and affecting the appearance. (This is not a necessity) Skirts range from six to twelve, with various colors and styles. Compared with other clothing shapes, the skirt has an obvious feature: the top is short, the bottom skirt is long, and the upper and lower proportions reflect the golden The requirement of segmentation has rich aesthetic connotation. They have the same characteristics: flat cutting, multiple edges, and ribbons; the upper jacket changes mainly in the collar shape and placket, and the lower skirt reaches the upper of the shoe. Generally speaking, if the dress is short, the skirt will be long, and if the dress is short, it will reach the waist, and if the skirt is long, it will be below the ankle bone; if the dress is long, the skirt will be wide, and when the dress is long, it will be from the hip to below the knee, and the skirt will reveal only a few inches, so the skirt does not need to show any features.

It is taboo for the upper and lower skirts to be evenly divided, as it will look dull and less varied. The straight skirt of Hanfu is very simple. I will give you a URL for the skirt: /u92/v_Mzc3NTc4ODk.html Illustrations of wearing the upper skirt and lower skirt