Traditional Culture Encyclopedia - Photography and portraiture - Natural scenery photography skills

Natural scenery photography skills

Rolling valleys, charming forests, winding coastlines and mottled spring pastures can all be the contents of landscape photography, and often touching works will be taken. The following are the natural scenery photography skills I shared. Let's have a look.

1, find the best place

In order to save the cost of gasoline around the destination, some preparations should be made in advance. You can collect information about your destination through the Internet, libraries or local tourist information points, see which photos have been taken locally, and think about how to do better. It is not shameful to refer to the works of photographers you admire, but also to learn from their works.

You can also look at the information of outdoor activities, such as hiking, camping, mountaineering, cycling and rafting, and often mention some scenic spots. You can also talk to other photographers face to face or in the forum and ask their advice on where to go and where to give up. Once you have made a list of "must-visit places", you can pack your bags and set off.

Step 2 wait for the right light

Light can change the scenery. Considering the scene you shot, it is obvious that there is only one light source available: natural light. Many landscape photographers think that the best light comes from the early morning sun-one hour before and after sunrise. Others think that the light at sunset has brighter colors. But the sunshine in winter is best for taking pictures at noon.

No matter what your preference is, you should find the shooting position in advance before the opportunity comes, keep the lights on or measure the light, set up the camera, and then wait for the performance to start. Remember to bring a comfortable chair, a bottle of hot drink and a thick coat.

Step 3 write a composition

Scenes without composition elements are boring, so use other objects to arrange the composition of your photos and think about what will attract the audience. Walk around the shooting location, find the point of interest, and use the composition rules to arrange the picture, such as trisection, symmetry or golden ratio.

Next time, pay attention to the terrain elements in front of you and how they fit together. For example, the direction of the horizon, mountains or lakes. Consider the space between them and you and how composition can form the most interesting picture. Will shadows and reflections be the most interesting elements? You can consider arranging some foreground elements that lead the audience's attention, or some guiding lines. Such as paths, rivers or railway tracks, these lines can bring the audience's eyes into the picture.

Before you shoot, ask yourself, "What makes me most interesting in this photo?" "Is this composition attractive enough for me?" And "where is the most interesting place? Do I show them the best? " Treat these problems as objectively as possible. What you think is interesting will soon be discovered by others? Finally, although you took photos of the scenery, it doesn't mean that you are confined to the narrow scope of the scenery-try more!

Step 4 pursue perfection

Adjust the height of the tripod to find the best shooting angle: if the tripod is too low, the scene will look flat; If it is too high, the foreground may be skewed. Hang a stone bag (backpack is also acceptable) on the tripod shaft to prevent sudden wind from affecting stability. If you have a level on your tripod, use it to ensure the composition level. Remember to fix the camera as tightly as possible.

Turn off the anti-shake switch on the lens and set the camera ISO to 100 or 200. If you have confidence in manual exposure, you can consider using long exposure, especially when the light is weak at dawn and dusk. Long exposure can blur the movement of sea water and clouds, creating a fantastic effect. If shooting in the daytime, or in the case of strong light, you can consider using a medium gray filter to weaken the light entering the lens, which can also achieve long exposure.