Structural Analysis of Zhong Ling's Photographic Works

Mr. Chen Yueqin is an excellent painter and calligrapher, who was born in Hekou Town, Qianshan County, Shangrao City, Jiangxi Province. This place is one of the four famous towns in ancient China. Zhong Ling has beautiful scenery, rich humanities and profound traditional culture, and the "meeting between geese and lakes" has far-reaching influence. Xin Qiji, a Song Dynasty man, and Chen, a modern man, both died in lead mountain. Lead Mountain has a tradition of attaching importance to calligraphy, painting and poetry since ancient times, which deeply influenced Chen Yueqin. When I was young, I joined Fu (1938.12—1998.10), a famous painter and connoisseur in China, and I worked tirelessly. Fu was the vice chairman of Jiangxi Calligraphers Association, and his calligraphy was unique in China. His master of traditional Chinese painting is Mr. Lu, a famous master of landscape painting, and devoted himself to studying traditional pen and ink.

In the 1990s, Mr. Chen's painting and calligraphy art gained the attention of domestic counterparts and won many national professional awards. By chance, after he came to Jingdezhen, he devoted himself to the creation of ceramic calligraphy and painting, which has been nearly 30 years. Judging from the changing process of Jingdezhen art ceramics after the reform and opening up, Mr. Chen belongs to one of the earliest foreign artists. His exploration and practice of ceramic painting and calligraphy has been affirmed and appreciated by many people for his rich literati temperament. Jingdezhen artists, Zhou Guozhen and others all spoke highly of Mr. Chen's creation, and they also jointly created a large-scale porcelain painting "Good as Water, Love Without Borders". Many senior masters also praised Mr. Chen's ceramic paintings and calligraphy. Many ceramic calligraphy works by Mr. Chen are also recommended to young people as learning samples.

From the success of the paper industry to the success of the ceramic industry is not easy. After coming to Jingdezhen, Mr. Chen put down his fame and became a primary school student. He studied under Wang Xiliang, Zhou Guozhen and other senior masters. He consulted his peers and learned skills from the younger generation. Hard and down-to-earth efforts have enabled him to overcome the difficulties in materials, materials and firing technology, and he can write freely on porcelain, achieving the artistic effect of moist and smooth ink painting. This effect, in popular terms, is that after seeing porcelain works, it is just like seeing paper works. This effect makes many artists dream of it, which is particularly precious. Isn't it the direction of ceramic painting and calligraphy art to take porcelain as the carrier and keep traditional culture for a long time without annihilation?

China's painting and calligraphy is a comprehensive art, paying attention to comprehensive cultivation and cultural details. Those who can really make a name for their works are people with profound cultural background. Teacher Chen loves traditional culture, has been immersed in it for a long time, and has profound cultivation. His calligraphy style is good at cursive script, compatible with calligraphy schools, familiar with various styles, good at printing, painting with books, fond of temperament, poetry and prose, which is a typical traditional literati style. He likes to use his poems on ceramics, paying attention to rhythm, antithesis and interest, blending with paintings and bringing out the best in each other. I have read the poems and essays written by teacher Chen, and I admire them inexplicably. For example, the book Making Friends with Old Friends-Feeling Mr. Chen, written in 2000, is gentle, elegant and poetic, in which the evaluation and introduction of Selected Poems of Wuyi Chen hit the nail on the head, making people really feel the charm of Master Chen and his poems, even compared with writers. No wonder some collectors say that reading Chen Yueqin's works is not only meaningful, but also very particular about words and sentences, which can enhance people's cultural taste.

Teacher Chen's ceramic paintings and calligraphy are full of literati and Zen. For example, people's favorite porcelain painting "Gathering for Nine Years" is simple but not simple: rough and straightforward barriers; A few chrysanthemums are light black or bright, full of vitality; An altar of old wine, slightly distorted and exaggerated, with a joke in calm. Judging from the composition and layout, the smart chrysanthemum is crossing the fence and extending into the jar. The two jar ears of the jar are light and rising, showing a happy and cheerful look. This is precisely: chrysanthemum and wine are human beings, and enough observation can comfort life.

In the national cultural tradition, chrysanthemum and wine are the favorite of literati, which are used to express their feelings about life. For example, Tao Yuanming likes wine and chrysanthemums. This work by Mr. Chen is a combination of techniques and writing, with moist glaze, harmonious ink and color, elegant and beautiful, exquisite seal cutting position and vigorous and neutral inscription. The whole work fully embodies the beauty of color, material and artistic conception, while the shade of color, the sense of strength of object lines and text lines, and the sense of harmony of space size and position are neither too ostentatious nor timid, showing an introverted freedom in a natural state. In the words of a painting and calligraphy expert, it is "combining rigidity with softness, combining yin and yang, giving people a sense of transcendence in harmony." Without profound artistic accomplishment and long-term practical accumulation, this kind of creative skill and realm will never be achieved.

In addition, the expression of this strong humanistic implication and the expression of unique painting style are closely related to the author's personality and spiritual characteristics. While appreciating beauty, we should pay more attention to the spiritual and cultural value carried by the work itself. As far as skills and realm are concerned, there have been art critics who have written articles to analyze and introduce Mr. Chen's calligraphy, praising his words "iron pens shake mountains, square inches allow heaven and earth." At present, in the southeast coastal developed areas, Mr. Chen's creation has had a great influence. Many people like and collect Mr. Chen's works, and they also value cultural and humanistic values. Over the years, many cultural resorts have adopted Mr. Chen's works, such as some famous Taoist temples in Fujian, couplets and plaques in temples, and all couplets of Ehu Academy, one of the four major academies in the Southern Song Dynasty, were also made for him.

Celebrities have gone out of the mountains since ancient times. When "title fever" and "title fever" arose, Mr. Chen didn't want to join in the fun and insisted on being himself. While insisting on writing, I traveled around and visited hermits, constantly changing from calm to noisy, and then from noisy to calm. This unique spiritual journey allows a person to constantly experience and discover his own heart and self, just like ancient alchemists and scholars. Teacher Chen said: "Real art is from the heart and spiritual." Judging from many works over the years, the self-support and purity of the heart and spirit make Mr. Chen's creation never kitsch and detached. He insisted on speaking with his works, and his bosom friends and fans became more and more. In the past two years, Mr. Chen's works are gaining momentum when the market as a whole is cold. 20 14 10, in the authoritative and fair selection organized by professional associations in the industry, Mr. Chen was voted as the first "Master of Ceramics in Jiangxi Province". Time really proves everything.

There is no end to art and no end to learning. Mr. Chen is never satisfied with his art, and he doesn't want to be a master himself. He just wants to work quietly and continue to do it. At the same time, we will continue to train students, continue the context, and continue to offer love to poor areas. "I love life, and art is the externalization of truth, goodness and beauty." He said to the author.

Say it! This can be seen from the literati's calligraphy and painting and the literati's virtue.