What influence does Qin Opera facial makeup have on the formation and development of Peking Opera facial makeup, the quintessence of Chinese culture?

As an integral part of the stage art of one of the oldest operas in China, Qin Opera facial makeup has a unique classical style and a complete system. Together with Peking Opera facial makeup and Sichuan Opera facial makeup, it is one of the three major facial makeup systems in China and has a profound impact on the formation and development of Peking Opera facial makeup.

As an inherent part of the art of Qin Opera, Qin Opera facial makeup has its own complete system and has maintained its own unique part for many years.

As for the characteristics of Qin Opera facial makeup and its relationship with Peking Opera, Mr. Liu Zengfu, a well-known Peking Opera researcher and Peking Opera mask painter, who is in his nineties, developed it under the background of "Introducing the Wonders of Qin Opera Mask:" , Peking Opera is also very important, and it is natural to absorb useful experience in flowers and musical instruments, including facial makeup.

Generally speaking, Qin Opera facial makeup is more complicated than the current Peking Opera facial makeup, especially the eyebrow and eye lines are more broken.

Although today's Peking Opera facial makeup is relatively simple and neat, many of the early Peking Opera's broken and crooked faces are still incomplete. The complexity of the Qin Opera mask suggests that it is more classical than the current Peking Opera pure horn mask.

There are many kinds of Qin Opera facial makeup, such as Guan Yu, Bao Zheng, Meng Liang, Jiao Zan, Hu Yanzan, Li Yuanba and so on.

There is a traditional saying in the Peking Opera circle that Qin opera performers are better at crooked faces. At present, there are not many Peking Opera pure horn masks with crooked faces, but in the early Peking Opera pure horn masks, there were more crooked faces.

Xia Houyuan in "Dingjun Mountain", Xu Chu in "Reverse Xiliang", and Qing Mianhu in "White Water Beach" all had crooked faces in their early years, but in today's Peking Opera , these figures all have straight faces.

But today, many crooked faces in Peking Opera are replaced by straight faces. However, the application of facial makeup with straight angles is far less effective than crooked faces.

The composition of Facebook is the same as that of China, which emphasizes density, penetration, escape, virtuality and reality, and balance. The brushwork of facial makeup is also similar to Chinese brushwork.

In short, the creation of facial makeup and the creation, spectrum and method of Chinese painting. Only facial makeup that follows one's own aesthetic rules and drawn out can become the facial makeup on the opera stage and have a beautiful form of expression. The spoon was originally a living utensil of our ancestors.