Traditional Culture Encyclopedia - Photography and portraiture - What filming techniques were used in the movie "Run Lola Run"?
What filming techniques were used in the movie "Run Lola Run"?
Category: Entertainment and Leisure >> Movies
Problem description:
Especially what techniques were used in the first part of the film
Analysis:
The movie "Run Lola Run" directed by German director Tom Tykwer and starring Franka Boten, Moritz Bredo and Herb Nadeau is a very good film. movie, which received great acclaim in China. The movie's bold images, powerful music, fast-paced narrative and multi-line ending all left a deep impression on the audience.
The movie "Run Lola Run" uses many unique techniques to express the theme. Here are just a few examples:
First, the movie uses a lot of fast and Editing techniques. Lola ran down the street, through the corridors, turned the corner, crossed the street, strode in the bank, screamed in the casino. She meets all kinds of people on the road, and the film suddenly freezes when she passes by each of her important people. In three seconds, the subsequent fate of that person flashed through four or five still images. Some of them lived happily ever after, while others died shortly afterwards. The film itself is full of movement, but the addition of static images does not destroy the original dynamic effect. On the contrary, this makes the original movement well supplemented and strengthened. This is due to the use of fast editing, and the rhythm of rapid switching is well integrated with the film. Not only that, this kind of fast editing shows the powerful power of fate and the oppressive feeling of fate - fate is running towards each of us.
Second, the film has MTV-style music and visuals everywhere. Laura has been running, the camera has been facing her, and the background is retreating at high speed. At the same time, electronic music with increased volume echoes in the ears of the audience, and the strong rhythm of dance music seems to be for Laura who is running desperately. accompaniment. The combination of pictures and music gives the audience a double visual and auditory impact. The audience's heart keeps running with Laura to the rhythm of the music, and follows Laura's destiny.
Third, the film uses a multi-screen segmentation technique. Laura ran around the last corner; her boyfriend Manny turned around desperately, his hand like a pistol on his waist; the hands on the clock were approaching twelve o'clock little by little. These three pictures appear in sequence, dividing the picture into three parts: left, right and bottom. For a few seconds, the film shows the audience in slow motion the actions of the two men in the final moments. At this critical moment, the rhythm of the film suddenly slows down, but the audience's tension is mobilized to the greatest extent. Did Manny hear Laura? This is the question that every viewer is asking.
In fact, this film also uses many refreshing techniques, such as adding animation to the film, multi-camera photography, etc., so I won’t review them one by one here.
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