What are the lights in the studio called? What kind? Want a professional name

This article will tell Script House photographers four things you must know when you first touch the lighting in the studio! Including the concepts of shadowless hood, reflective umbrella light control method, modern shed flash control and electroluminescence. Moreover, the flashing lights in the study shed should first know the change of the shadow, not destroy it.

A novice who lights up in the studio first sees not light, but shadows. Looking at the shadow on MODEL's face, they couldn't wait to get rid of him quickly, so they turned on another light, but when there was a light, there would be a shadow. Two lights will have two shadows, and the more shadows are used, the more they can play a big role. Therefore, the first thing to learn the flashing lights in the shed is to know the change of the shadow, not to destroy it.

Beginners are afraid of shadows when they first touch the shed, so the first thing they think of is jumping lights. Anyway, hit the lamp back to the ceiling or wall to make the diffused light bounce back, so as not to create a shadow between the subjects (in fact, there is still a shadow, but it is not so obvious).

Shadowless hood

As long as you take pictures in the studio, everyone will use a shadowless mask, and it is taken for granted that the shadowless mask is originally a part of the studio, but have you ever wondered how the photographer controls the light to take pictures when there is no such thing as a shadowless mask? The time is about 1987. The so-called shadowless mask is just emerging in the studio, and it is not a common lighting control tool. Before this period of time, photographers used the standard cover to directly type or paste tracing paper to deal with the light problem, but what if the light from the standard cover is hard and the shadow is heavy? The solution is to hit another lamp, or use the Three Lamps District, and use the light ratio between the distance and the intensity of the lamp to make the shadow fade, so the photographer at that time was really diligent.

Light control method of reflective umbrella

If you are 4.5.6, what lamp did the master use to take the photo id in the studio? At that time, the most commonly used arm frame was nailed to the ceiling with rivets. The two movable arms are locked by the shed where an umbrella (reflective umbrella) is inserted. Then, the diffracted light of the reflective umbrella flickers in the shed to produce softer light quality, which is slightly harder than that of the shadowless cover. In the era of digital photography, few people use reflective umbrellas to control lighting.

The concept of flash lamp in modern shed

Nowadays, the use of shadowless hood has become the standard in most studios, and many beginners in shed lighting mainly use shadowless hood lighting. The concept of lighting control with reflective umbrella or standard hood may be unfamiliar to them. Modern studios, in addition to shadowless hoods, also combine radomes or honeycomb panels to form a matching relationship between main light and effect light. What would you do if you didn't use a shadowless cover to control the lights and take pictures? Maybe you need to think again.

cold light lamp

Actually, it's an improved fluorescent lamp. Design? Its manufacturer managed to control the [shooting temperature] at around 5000K, but strangely, the shooting color is an indescribable color shift. This kind of light, which looks bright but needs to be shot with [high ISO], is a choice for many corporate graphic designers, because its continuous light can help artists who have never studied photography to shoot something. But it is precisely because of this that enterprises are now responsive, but they have to work more. Art and photography). So electroluminescence and artist+photography, the question is which comes first, the chicken or the egg?

The above are four things you must know for beginners of studio lighting. I hope it helps you.