How to choose the lens when shooting the sunrise

Sunshine bathes me, comfort slowly drowns people, and sleepiness gradually strikes. I want to lie on the grass and enjoy the gift of afternoon sunshine. Warm winds swept by, soothing the cheeks like gentle feathers.

Lose weight, light and lively. The mood is like a white sheet washed in the sun, clean and spotless, with a faint fragrance. Winter has passed, and the spring of everything's recovery has come.

Unparalleled kapok is open in this busy and chaotic world. I envy her. I envy her for learning the information of spring so quickly and blooming peacefully in her own world. Even if the coming March is chilly and warm, kapok is still brave and open, which requires much courage and perseverance.

Don't be afraid of the cold, stick to your own season and bravely report the spring.

This red flower made my heart beat for a while, and it also brought a lot of courage.

The sunshine in spring is gentle and charming. She nourishes every inch of skin on the earth and cares for the darling of the earth. How to get such a beautiful scene into the lens? Here are some suggestions for you.

First, the choice of lens

1. Wide-angle lens depicts the scene of cranes dancing with the sunrise.

Aperture F5 exposure time 1/200s aperture F5.6 exposure time 1/400s focal length 30mm sensitivity 1250.

2. Beautiful seaside sunrise scene depicted by standard lens.

Aperture F5.6 exposure time 1/400s focal length 30mm sensitivity 1250 focal length 50mm sensitivity 200.

3. The wonderful moment when the geese and the sun overlap captured by the super telephoto lens.

Aperture F 1 1 exposure time 1/500s focal length 600mm sensitivity 100.

Sunshine photography has a wide range of lens choices. If the photographer wants to show the big scene of sunrise and sunset, he can use a wide-angle lens; If you want to make the scene of sunrise and sunset more detailed and emotional, you can shoot it with a standard lens; If the subject of the photo is the sun itself, then the photographer can shoot the sun with a long focal length lens.

However, photographers should pay attention to the fact that once the sun starts to set, the brightness of its light drops obviously, and the relative shutter speed will decrease. If the photographer holds the telephoto lens with his hand, it will be very unstable. So prepare a tripod when shooting the sun.

Second, correct exposure

Aiming at the sky above the sun for photometry can get a more balanced picture effect.

Aperture F9 exposure time 1/320s focal length 600mm sensitivity 100 focal length 300mm sensitivity 100.

When shooting the sun, the camera lens should be facing the sun. Because the brightness of the sun is very different from the surrounding light, it is easy to cause only the sun on the picture and the rest is underexposed. One way to solve this problem is to put the sun in three different positions in the viewfinder, and then take the average of these three exposure readings. Another method is to shoot exposure value directly above the sun or use the camera's surround exposure function to get a suitable exposure value. When shooting sunrise and sunset, different exposures will produce different shooting effects. Photographers can choose the right exposure value according to their shooting intentions.

Third, use the cloud skillfully.

The cloud was illuminated by the sun with a bright edge line.

Aperture F4 exposure time 1/800s focal length 300mm sensitivity 100.

The sun scatters to the sea in the form of radiation through the cracks in the clouds, giving people a mysterious feeling.

Aperture F4 exposure time11300s focal length 6mm sensitivity 100.

Sunrise and sunset can be said to be the charm of sunshine photography. The best seasons for shooting sunrises and sunsets are spring and autumn. There are more clouds in these two seasons, which can increase the visual effect of shooting. Clouds are natural reflective objects, which can spread the red light of the sun and change with time. Of course, the cloud can also be used as a separate subject.

When shooting, photographers should use clouds and fog flexibly, because the sun itself is bright, and if its light is blocked by clouds and fog, it can show its circle. Especially when shooting the sun in the morning and evening, this method can not only emphasize the outline of the sun, but also show its fiery red color.

Of course, if the clouds are too thick, photographers should pay attention to the situation where the clouds cover the sun. When the light is scattered from behind the cloud, the picture will have a very touching effect; When the sun approaches the edge of the clouds, there will be bright edges, which is also very suitable for shooting.

Fourth, wonderful vertical composition

Vertical composition shows people more changes in the cloud.

Aperture F2.8 exposure time 1/8000s focal length 48mm sensitivity 320

When shooting the sun, banner composition can show broad power. Compared with banner composition, vertical composition can better reflect the true sense of change at sunrise and sunset.

Fifth, the sky is full of red clouds.

Record Xia Yun's moving track with a slow shutter.

Aperture F5.6 exposure time 25s focal length 16mm

Xiaxia is often accompanied by sunrise or sunset, forming a magnificent natural landscape. Whether it is sunrise or sunset, it is because of the low color temperature of the sun in the morning and evening, which makes the clouds with different shapes in the sky appear red and orange. Xia Xia's appearance time is relatively short, generally only 20 minutes to 30 minutes, so photographers need to seize the opportunity when shooting. The shape of the cloud is constantly changing, very moving, sometimes fleeting, and it is easy to leave regrets.

In addition, the shooting of clouds is usually in the case of backlight, so the ground scenery appears dark and the contrast is large, so it is necessary to choose an object as the foreground and treat it as a silhouette, so that the obtained image is more attractive.

Aperture F4.9 exposure time11000s focal length 25mm sensitivity100.

Using trees as foreground makes the bright sky more mysterious.