Traditional Culture Encyclopedia - Photography and portraiture - Excuse me, how did you get a beautiful wedding photo on location?
Excuse me, how did you get a beautiful wedding photo on location?
The shooting of location wedding dress generally includes the following elements: first, scene selection, second, the position and composition of the characters, and third, the rationality of the picture. The quality of location wedding photos can be seen from the above three points. Therefore, in order to successfully shoot wedding dresses on location, photographers must take these three elements seriously and constantly hone their shooting skills.
Choose scenic spots and scenic spots
If you choose a scenic spot that can shoot three different scenes within the range of 180 degrees, and can also contain panoramic views and close-ups at the same time, then your choice is successful. Take this set of exterior photos as an example. The scenic spot I choose can not only have a panoramic view of the sea, but also watch it at close range, and also bypass the corner to take a beautiful rural photo. This scene selection method is the starting point of shooting wedding dresses on location, and it is also a shortcut, which is very practical.
Character Standing and Photographic Composition
If a photographer lacks experience in station layout, his photo form will be very single, and it is not easy to create a natural modality that combines scenes. If you learn the front and back position, cross position and double position of wedding photography, the content and form of shooting will be greatly enriched, and the resulting composition changes will also be greatly increased, and the photographer's scheduling confidence in shooting will gradually increase. This is an important link to create the richness of outdoor wedding photos.
Rationality of the picture
Just like the split shot of a movie, a group of wedding photos should have continuity on the location, and the dynamic and static relationship should be handled well. The combination of action and modality should be reasonable. First, the combination of human and landscape is reasonable, that is, the composition characteristics; The second is the rationality of the combination of double movements, that is, whether the man's movements can match the woman's movements and look natural and appropriate. The highest state that we pursue is to let the performance of a group of actions show no traces of posing, but like capturing in the dynamic.
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