Hand-painted technique

Hand-drawing is an important professional compulsory course for students who are engaged in architecture, clothing display design, window design, home soft decoration design, space floral design, fine arts, gardens, environmental art, photography, industrial design, visual communication and other professional studies. The following are my hand-drawing skills and steps, I hope to help you!

First, after the design concept is mature, start with a pencil and show every part of the structure in place.

Second, before using black Gou Xianbi to depict, we need to know which part is the focus, and then start from this part to depict, showing the light and shade and texture of the object at the same time.

Note: Large structural lines can be drawn directly with tools, especially silk fabrics such as sofas and carpets, to avoid the dullness of the picture.

Third, after depicting the visual center of gravity, begin to stretch the space and blur the visual position. After the completion, the scenery and trinkets will be decorated in place, and the lines and faces of the picture will be further adjusted to break the stiff feeling of the picture.

Note: Pay attention to the collection of jewelry materials at ordinary times, and put different shapes of jewelry according to different styles of space.

The above is the drawing process of the black-and-white draft, and five points should be noted in this process:

1, the perspective and proportional relationship of the object should be accurate.

2. The clever use of dots can increase the texture of the object and the motion of the picture.

For example, silk, glass, stone, etc. , you can rely on points to improve the texture. (All works can be felt)

3. Pay attention to the wire feeding process. Generally speaking, the pen is stronger when starting and closing, and lighter when running in the middle, which gives the line force a sense of elegance.

4. Pay attention to the depiction of the light and dark side of the object to enhance the three-dimensional sense of the object. If you paint, the three-dimensional sense and the change of light and shadow can be carved a little weaker, but the three-dimensional sense is stronger.

In the black-and-white manuscript, the texture of the object is also very important, so it is necessary to show the texture and grain of the object.

Fourth, first consider the overall tone of the picture, and then consider the local color contrast, even the use of the overall brush strokes and the' change' of the detailed brush strokes. Do it first, then do it, describe it in detail, pay attention to the texture and light and shadow of the object. There is also the change of brush strokes. Don't draw flat, from shallow to deep, pay attention to the change of reality, and try not to let the color seep out of the outline of the object.

Five, the overall spread of touch-up, the use of flexible strokes, here is to mention the point of colored lead, which can play a great role in the coordination of the whole picture, including the depiction of the long-term and special depiction.

6. Adjust the balance and density of the picture, pay attention to the color change of the object, take into account the environmental color, further strengthen the blurred structural lines, modify the wrong structural lines and the color of the oozing outline with correction fluid, and brighten the high light spot of the object and the luminous point of the light source at the same time. ;