Film Review of The Earth and Shadow

The Earth and Shadow is a drama film, directed by Cé sar Augusto Acevedo and starring José Felipe Cá rdenas/Haimer Lille/Edison Lei Gesi. This article presents some film reviews carefully arranged by my audience friends, hoping to help everyone.

Film Review of The Earth and the Shadow (1): There is a door between the earth and the shadow, and between darkness and light. From the moment I saw the sunshine, I began to walk. At that moment, you can also be regarded as the beginning of a day, the beginning after a dream, anyway, I am here. What I can tell you is that before I came, at that time, I was carrying a bag full of clothes, shoes and hats. Dry dirt road, gravel extends all the way from the high sugarcane fields on both sides. I also know how to use my feet and walk step by step. Regarding the car coming from behind, I have to give way before it approaches. So are rolled-up cigarettes. It told me to hide in the sugarcane field as much as possible, cover my nose and mouth with my hand, and I would keep going until the truck flew away. Follow this aisle until there is a home that can be called my son, daughter-in-law, wife and grandson.

Those memories are his. All these arrangements were made by him earlier. My eyes are in front of me, and I'm not even sure what I look like at the moment. That was a few years ago. Occasionally, one day, he will expose himself to the floor mirror together with his genitals, touch his chin and chest, and look at himself back and forth. Also look back at the woman lying in bed. The skin at that time was not like this now. I raised my hand, a pair of withered, dark and rough. Just like the incomplete burning sugarcane that is often seen here. When I clench my fist so hard and stretch my limbs, the crackling sound can easily jump from imagination to reality. Living existence makes you have to obey some rules. Don't be too skeptical. But I can't treat them all as my assets. Half and a quarter of me, in this rough adobe house. When my wife and daughter-in-law talk to me, they want me to clean, wash dishes and take care of the children. For me, it is more about obedience and understanding! They are hosts, and I am just a passer-by.

At least on the first day, I talked to them mechanically with this temporary role. Keep your distance, sometimes shake your head, sometimes nod your head. Half of me was lying in bed, and I looked at him, not knowing whether it was bitter or sad. My intuition tells me that there should be a kind of pain, at least you have to comfort him and talk to him. That's why I did it. I found a low stool next to him and sat down. I was silent for a while before I suddenly realized the darkness in the room. "Why don't you open the window?" "Dust will kill him." My son is ashamed that he can't hug me. They left, and then he went to bed. For a while, they forgot to tell me the switch position of the light bulb in this house he remembered well, this once full of laughter. Shut the door and leave me and my son in the dark.

"I am an intern." Such information must be mentioned frequently. When they asked me out to dinner and taught me how to feed my son, I had to sit. If I have to tell them something myself, I'd better say "please" at the beginning.

The next day, they will go out. Going to school or cutting sugar cane on a distant hillside further proves its obvious advantages here. Since then, I have more time to review his memory. Potted plants in the yard, benches, big trees, thrushes and robins on the trees all help to recover. I began to get used to them, waiting for them at dusk and wiping off dusty leaves with a wet cloth in the morning. I taught my grandson not to stone birds, and I taught him to play bird songs to lure them. But the way I came, as the reality of life and death approached, reappeared in them. "You can't always take others as a shield. I have decided to leave here. It is your decision to go or not, and I will not be ashamed to leave you. " This is the decision they have to make, because he is about to become a memory.

Film Review Earth and Shadow (2): Forgive me, I can't go back to depression, but I'm still depressed. This film is full of these two words. Coupled with the occasional fire in the sugarcane forest, it is a gray tone. Plus the son-in-law who is sick in bed. This emotional film makes people feel very helpless.

I wanted to go home and have a look, but after many years, the man came home and ushered in an unexpected picture. What was familiar a long time ago is gone, replaced by many strange environments and people who are getting familiar with it. People's expressions and eyes are full of high anger, loss and helplessness. But sometimes it is helpless. The brand of poverty makes this beautiful village more and more gloomy.

From the dust raised by the truck in the first fixed-focus lens, we can see that the village lost its way between modern and ancient times. After the truck passed by, the dust could not be dispersed for a long time, which well echoed the couple's long-term illness. The end result is that even if the dust settles, there will be another dust. Finally, the village was covered with dust.

The whole tone is so gloomy that the relationship between myself and my grandson is relatively thin at the beginning. You can't even beat your grandson by opening a window without a son. However, after I came back with my grandson in the market, my affection for this film suddenly broke out. At this time, his ex-wife and daughter are desperate under the burden of life. At this time, the feelings between the man and the grandson were instantly ignited, and the daughter could no longer restrain her feelings.

The village that has lived for so many years has no feelings for itself. And his ex-wife and daughter's family have long lost expectations for the man. This strange visit made the family very nervous. However, the son-in-law's serious illness made the family collapse at any time. The man was unable to change his ex-wife's will, but he finally chose to take his daughter away. This result is not perfect, but it also gives people hope.

The old home will eventually dissipate with the elderly, and the new life is destined to rely on new hopes and women and children who symbolize new things. This is the theme of this film.

Many things in the world are like this. We haven't seen each other for a long time, and we easily break into a strange world, which is so disharmonious. This abrupt move made everyone feel a little unnatural. And this unnatural will eventually dissipate, because after all, it is a family.

Family sometimes dilutes everything, the only difference is the length of time.

Film Review of The Earth and Shadow (III): Essays of the Home of Heart Dust and the Home of Heart Dust Land and Shadow?

Winner of the Cannes Film Festival made in Colombia. This is a fairly standard film festival genre, the dirge of the third world workers, the minimalist character scenes, the slow rhythm, the meticulous light and shadow design in the still lens, and the emotional undercurrent in the dull and silent life.

An old man was walking on a road in a sugarcane field, and the truck coming behind him raised dust all over the sky, forcing him to hide his face. Then he came to the house surrounded by sugarcane fields and was greeted by his little grandson, whom he had never met before. His son is bedridden after a long illness. His wife and grandmother, covered in black mud, came back from work, and his wife seemed unwilling to talk to him. A simple family sketch, several conflicts and suspense.

Handed down from generation to generation, disabled men, persevering women, old people and children depict the confrontation, frustration and separation between the family and the big environment. The emotion accumulated in the details of life and the unrealistic metaphor of the house and land space, we can see the wonderful gesture of sugarcane workers skillfully waving knives, as well as their courage and hesitation in the face of the boss who exploited them. The old man taught his grandson how to call a bird, just as he used to teach his son, except that birds no longer seem to want to fly to people.

The film has minimalist poetry and human feelings like Iranian films, human struggles like European films, and natural and humanistic depictions like Asian films. The human dilemma and political and social criticism are local and universal, but it is not too difficult to please people. It has long-shot grammar and composition familiar to low-cost art films, but it is also generous to switch scenes appropriately, and the roles are silent but not silent. The film is not surprising, but it still has touching emotional strength and formal beauty.

For the audience who have never seen art films at the film festival, it seems quite appropriate as an introduction film. It is also a big screen work. This type of work has not been shown in Taiwan Province Province before. Unfortunately, it is said that the producers have no plans to push it to the cinema at present.

Film Review of the Earth and Shadow (IV): The Earth and Shadow eat, sleep and get up in this way.

Sweep the floor to see the sultry summer.

Open the window to see and listen to peace.

Introduce a green breeze.

The wind moistens this impatience and boredom.

I can't bear to feel whether I'm afraid or not.

Look at the boring, boring, repetitive and lifeless work.

It is true that our daily life is different from TV series.

I am used to not looking at the scenery outside the window.

Accustomed to being squeezed, arranged and driven

It is also a habit to play alone with yourself.

Blindness and ignorance are caused by the surrounding environment.

Uncivilized bird playing still just wants to have interaction.

Only later did I know whether it was beauty, life or spirit.

You might as well just watch and listen quietly.

I don't know how many times I walked that wilderness path.

No surprises, no unusual feelings, no feelings

Kites and birds can fly.

A dull face in the car

Tortured, deceived and destroyed by life again and again.

Filial Piety and Self-existence

It is a huge dilemma in rural areas.

No suffering, deliberately rendering

Simple and normal introduction

Most of them are like this

Reality is cruel because it is true.

No tenderness, no affectation, no true feelings.

Not much to say, no explanation, life goes on.

It's all because of a kind heart that we continue.

No regrets, no efforts.

Attention to suffering has always been there.

Pass on the suffering and leave your beauty to the people you love.

I don't have to say anything if I am moved.

The continuous explosion in my heart will be a bit dull and powerless.

When God appears before your eyes

Meet the end of this beautiful wish with dignity.

This is a beautiful existence, there is nothing wrong. We will know later.

Beauty can be treated in the form of distance and alienation.

This is adult mode. Children don't understand yet.

But sooner or later, there will be that step, recalling the memory of this sentence.

A solemn formal farewell to the last supper.

Smile at each other with tears.

The most speechless thing is to watch death and do nothing.

Only heaven and earth cry in the dark.

Companionship is when love is dying.

Why does the image move?

When I move, I feel full of energy and freedom.

Like kites and birds.

Life and freedom are always the most precious.

Love can sacrifice another person for one person.

Is the most real and thorough.

It seems like a lifetime ago.

Still there/still there

Will you forgive?

Throw away the fire, run away from home, curse, throw it out.

It's always easy

Forgive.

But I can't go back.

Only in front of me

Earth and shadow

It's shameful to close your eyes.