Xiushui He Zi annihilation cast

Huang Pinyuan (formerly known as Huang Ruomeng), a powerful actor, plays the head of Uncle Liu in the film. In the film, the team led by Uncle Liu (Huang Pinyuan), with its own weapons and equipment incomplete and the number of combatants greatly different from that of the enemy, uses skillful analysis skills and cooperates with the leader's forward-looking strategy, and even launches a pepper-faced gas bomb developed by the masses to fight with the enemy to the death.

As a tribute film, Zhu Yan, a young actress, plays a woman struggling to survive in the war, which becomes a highlight of the film. Zhu Yan also said that her role in The Battle of Destruction in Xiushui He Zi is different from her previous role. She is a woman struggling to survive in the war, and also a microcosm of a nobody in an extraordinary period. Although he was busy filming a new play and didn't attend the premiere of the film, Zhu Yan also expressed great regret and called on his friends to stay in front of the TV and watch The Death of Xiushui He Zi. The filming of Xiushui He Zi annihilation ended on 20 13125, and the film was finished. On July 29th, 20 13, the premiere was held in Faku County, Shenyang. Director, producer Teng Youwei, screenwriter Zhu, starring,, Chen Shanshan, met with the media and audience present.

At the premiere of Faku County, Shenyang, producer Teng Youwei, screenwriter Zhu and director introduced the hard shooting process of the film, and the hero also shared his unforgettable shooting experience. Huang Pinyuan recalled in an interview: "Compared with all outdoor shooting at minus 30 degrees, the most unforgettable thing is to come to Faku County to pay tribute to the martyrs' monument when turning on the phone. It was a great touch for me to watch the soldiers and students who came to the scene in the cold that day. Thank the martyrs for us. Sixty-seven years ago, a war of annihilation in He Zi Village, Xiushui, Northeast China, kicked off the liberation of Northeast China. Under the command of 10 1 leader (Lin Biao), the Northeast Democratic Allied Forces annihilated the main regiment of the Kuomintang army with a set of inferior American-made equipment, which initiated the annihilation war in the Northeast battlefield.

Today, to reproduce this battle example with images requires us to grasp every character and detail of the film with reverence and earnest spirit, so as to be truly responsible for the history and heroes 67 years ago.

There is an old saying: "A good painter must be in front of a pen …", which is called "creativity" in modern terms. Let's talk about the specific ideas and requirements of "meaning" and "pen" in the filming and production of this film.

1, style: plain, simple and documentary

Xiushuihezi's annihilation war is an encirclement and suppression war, not a battle, so there will be no poetic spectacle, but the battle will be expressed by small bands and big bands. Although the battle scene is smaller than the battle, the gun will bleed and die. Therefore, every battle scene in this film should be strongly rendered in the atmosphere, and the sound, light, color, fireworks and pictures should be based on reality to create a sense of war scenes from the perspective of visual impact.

2. Rhythm: create setbacks in fluency, handle the relationship between "illness and astringency", find the beauty of setbacks in silence, find the beauty of setbacks in flight, and find the beauty of stagnation in flight.

The action of photography, the relaxation of scenery, the speed of speech and the actions of actors should have a sense of rhythm. Liu Toudou political commissar Lin, Liangshan meets Peach Blossom, and the two camps in China were deployed before the war, which was generally soothing and mainly static. The drama in the peripheral battlefield should be compact and dynamic, and the two are intertwined, forming a "sick" change, especially the drama with strong dynamic battlefield, which needs to control the rhythm and pay attention to the dynamic performance of the scene.

3. Performance: Pay attention to historical characteristics and character texture.

Pay attention to the truth of history in the performance, and pay more attention to your portrayal of characters' personality and charm, especially the richness of details. As an actor who plays Uncle Liu, don't forget that you have gone through a 25,000-mile long March, paved with blood and life, and you must pursue a simple, sincere and simple temperament. Lin Dongliang is gentle, clear-cut, objective and rational, and has a strong sense of time. This group of civil-military collocation should control the confrontation between behavior and speech speed. Chen Zhenhua, head of the national army, graduated from Huangpu Military Academy. He is dignified, professional and intelligent. He should avoid the ugly expression of facial makeup in characterization and create a charming image.

4. Art: regionality, typicality and sense of the times are the gist that must be followed.

In the overall modeling, art should consider makeup and clothing modeling together, so as to be integrated with the overall style, and the previously fragmented and loose affiliation must be corrected. Trenches create an atmosphere, and props reflect details! Compared with the two, I pay more attention to the detailed props that actors can rely on when acting. People often find fault with the details when watching a movie, which requires us to start with small places, such as guns, trenches, kettles and luggage. Serious study is a second-hand life, and it is equally important!

5, photography: it is the law, and the virtual place hides the gods.

A lot of real-life shooting in this film, there are many inevitable elements entering the picture, which is easy to produce a sense of disorder. Photography should use focus to guide the audience's attention, at the same time, use the relationship between reality and reality and light and shadow to purify the image, and also let the image sublimate into spiritual content. We should fully control the color tone of the whole film, and complete the potential emotional tension while taking color as an environmental modeling factor. The dignified style of the play and the theme of "tragic beauty" can never be replaced by frivolous colors. More choices of literature and drama should be from a head-up perspective. It can accurately and profoundly show the inner world of characters and show the contradictions and conflicts between characters. This film should not be created from an unconventional and weird angle.

6. Lighting: It should be in harmony with the color of the whole film, and the light and shadow should be created naturally, especially the shape of the night lights on the battlefield. I think there is basic moonlight, and the main light source should mainly deal with the fire on the battlefield, and the strong shaking echoes the sense of instability on the battlefield.

7. Recording: In this movie, sound is not just sound, it is everything except images. "There are no mountains and flowers. Come and listen to the painting today. " I hope that the sound can help the audience achieve a "synaesthesia" effect. Use the sound field outside the painting to create the overall artistic conception together with the image language. Need to pay attention to coordinate the sense of space of sound.

8. Music: Documentaries should be laid out with the help of large pieces of music! Similarly, music should also give consideration to the rendering of atmosphere and the catharsis of personal feelings. In the use and creation of music, we should consciously break the rules. The music and orchestration of this play should be full of modernity and be in the same strain as every story. When the battle is over and the dawn reappears, music will play a decisive role and complete our interpretation of the theme.

To make a good feature film "Xiushuihezi", we need to grasp every detail, take every picture well, be diligent and persist. As the saying goes, "... I'd rather be aware of it than write it, but I can't write anything meaningless, I can't write anything meaningless, and I'll arrive before I get there." The pen arrived unexpectedly, but it hasn't arrived yet. "