Why is God's black-and-white photography classic?

When Richard Everton stood alone in Paris for the first time, he didn't expect Broadwich was not interested in his model photography. They were thrown away. However, Paris became the starting point of his photography career. At the age of 265,438+0, Everton will continue to soar with his talent, and even for a long time, he has no time to look back. Everton's usual method is to put the characters in front of a blank background and capture their unknown essence with a lens. The king of ballet Nureyev's deformed feet, Marilyn Monroe's unexpected grief, and andy warhol's foot-long scar after being stabbed. Black and white is surreal, it filters the colors in the real world, leaving only light and shadow. And light, this is something that God has. Richard Everton became a man who used TRI-X film to capture "light". "TRI-X is Kodak's oldest black and white film. Using traditional silver salt process, the coating is thick and the stamping performance is excellent. With a special potion, even if the ISO is pushed to 3200 degrees, the color tone can still be maintained quite well. Compared with the current new film, the granularity and resolution are not excellent, but the tone of this film is excellent, especially the gray level. It is one of the most beautiful black and white movies, and it is more tolerant of exposure and development requirements. " "Look at its curve, it is impeccable. TRI-X represents the texture of the object. TRI-X can almost give you a black-and-white world that you enjoy very much on the premise of accurate exposure and careful washing. For the performance of light and dark parts, the characteristics of TRI-X and Leica lens are similar, that is, the dark part is not easy to sink, the bright part is not easy to overflow, and it is easy to scan. " Photographer Wang Miao talks about his feelings when developing black and white TRI-X film. Before coming to Paris, Richard Everton was called up to fight in the war, but he was greeted by a camera instead of a gun. At that time, he was responsible for taking pictures of naval soldiers with a camera. "I must have taken100000 confused faces, and then I suddenly realized that I was a photographer." After Richard Everton retired from the navy, he recruited his sister to take a group of model photos carefully. With the finished work, he clearly knows who he should look for. On the other side of the Atlantic (600558, stock bar), the legendary artistic director of fashion Bazaar, Brodewich, ignored the model photography he handed over, but affirmed his talent in the "big photos" taken during his service. Photographer Wang Miao commented on the photos: "These photos are very fragile and explosive. They seem to be yelling at the camera!" This is Richard Everton's hidden photographic talent. Hit the nail on the head and showed it without reservation, as if it had been exposed negatively by Broadwich, and then poked in front of Richard Iveton. When Richard Everton started his career as a fashion photographer, all the fashion photos at that time looked stiff. However, Iveton injected emotion and movement into it, which set off a revolution in photography. 1955, Richard Everton shot a series of black and white pictures "Duomima and Elephant" for Audi's evening dress, which formed a strong contrast between the rough-skinned elephant and the exquisite and fashionable female model, and established his position in the fashion world at one fell swoop. "Portrait photos have never been copied. Emotions or facts, when converted into photos, are no longer facts, but an opinion. There is no such thing as inaccurate photos. So all the photos are accurate, but none of them are true. " Richard Everton said this when he later summed up his feelings about using talented photography.