Capacity requirements of photographic table

Photographic table is an important contact table between animation design and photographer's supply and demand. The ability required for the original painting is divided into the following five levels:

First, the sense of space. In other words, the understanding of L/O should be in place, that is, the so-called perspective relationship between characters and background. Just like a person learning sketch, the first thing a qualified sketch teacher will teach you must be composition, not painting.

Second, the ability to understand movements. The understanding of the original painting is the understanding of key frames, the understanding of the law of action and the understanding of the degree of exaggeration and deformation of action. The painting ability of the original painting is divided into three layers. The first layer is the modeling ability of the role, which is the most basic foundation. In other words, the painted portrait is different, and it is a movable multi-angle shape. The second layer is the ability to shape the role action, including the movement law, exaggeration, deformation and rationality of the action. The third layer is the ability to shape time in action. The original painting wanted to draw more than just movements. What the original painting wants to express is, what kind of action is this, a fast action, a slow action, or a rhythmic, fast and slow action, the inner activities of the characters during the action? Are you hurt?

Third, the ability to understand time. The problem of time speed and layering, how to fill in the time speed reasonably, is called photography table in China, which is not only the sublimation of time understanding, but also directly affects the layering of the picture when drawing the next animation link. A good original painting will divide the layers into rules, which is convenient for making and adding animation. The layering of new people's original paintings is always a headache, and they have no clue to draw.

Fourth, the ability to work hard. In fact, this is the same for all animators. The original painting is likely to fight for several months without any rest, and the working hours per day exceed 16 hours. In a few months, an original painting may be used together with going to the toilet, eating and sleeping, if possible. Animation is a very, very hard and boring thing If it is made in China, it should be accompanied by thankless things. The spirit of hard work and strong psychological quality are essential qualities for all animators.

Fifth, the ability to execute. In other words, you should draw what you want the audience to see, and you should not draw what you don't want the audience to see. As a performance, the most important thing is to convey your feelings directly to the audience through the lens language. The most important hint of performing the original painting is to play a person! Hands up, feet up. When giving a meeting to the original painting, you must not just say that one person raises his hand, but must explain what kind of hand is raising his hand and how the character feels when doing this action. The strength and speed of the force? All the acting skills should be explained in detail, but China's present performance ability still stays in the action itself, and has not penetrated into the inner world of the characters at all. Painting blindly pursues similarity, completely ignoring exaggeration and lens sense. You know, what is painted on the screen is completely different from what is shot with the lens, and using plane painting to express the feeling that this painting is shot with the lens is a deeper level of the original painting.

(Text/Sun Meng,)