Post-90 s review

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In the afternoon 1 I took my classmates to watch the documentary "One Day When We Were Children" and had a brief exchange with the director. The first time I saw the name of the movie, it was very confusing and I didn't know what it was about. Look at the details in the sea newspaper again, and you will know that it is a story about the National The National SouthWest Associated University. The graduates of the conference who participated in the interview were all born after 90, so they were called "born after 90". This is a difficult subject to control, especially as a movie played in a cinema. Surprisingly, however, as a documentary, this film is very good in story and substitution, and it is a very good documentary. Let me talk about my feelings about this work, which can be summarized as three points: the spirit of sages, the mission of the times, eternal beauty and knowledge.

Let's talk about the spirit of sages first. In short, it is the feeling of home and country that takes the world as its own responsibility. The film tells the story that when studying at the General Assembly, Mr. Yang Zhenning and Mr. Deng Jiaxian often read ancient poems together. In Yang Zhenning's article recalling Deng Jiaxian, it is also mentioned that they recited the article "Hanging the Ancient Battlefield" by Li Hua, a poet in the Tang Dynasty. The introduction of this passage in the film has two meanings: first, the country is ruined, the mountains and rivers are broken, and the people are miserable; Second, it is the responsibility of intellectuals to change all this. I have always believed that the feelings of home and country are the spiritual background of outstanding intellectuals in China. This spiritual background has existed since ancient times, from pre-Qin philosophers to Confucianism in Song and Ming Dynasties. From the self-cultivation, keeping the family in order, governing the country and leveling the world in "Great Learning" to Zhang Zai's "Four Sentences of Crossing the Canal" and Gu's "Every man is responsible for the rise and fall of the world", their inner feelings are the same, and so are the college students. When Yang Zhenning 1 1 years old, his father, Yang Wuzhi, had returned from the United States, taught in the computer department of Tsinghua University, and began to teach his children. Yang Zhenning once recalled: My father wanted to find someone to teach me math, but he didn't find anyone to teach me math. He went to see Professor Lei Haizong, a historian. He told Mr. Lei that if you could find one of your students to teach Mencius in Zhenning. Mr. Lei introduced one of his favorite students, named Ding Zeliang. I remember very clearly that every morning, five days a week, I went to my father's office in the Science Museum, and then Mr. Ding came to teach me Mencius for an hour or two, which lasted for a summer vacation, and the next year was half a summer vacation. I can recite Mencius from beginning to end in one and a half summer vacations. There are many Confucian philosophies in Mencius, and you can understand the whole way of thinking of China. Looking back now, it has a great influence on my whole thinking. Much more useful than when my dad asked someone to teach me calculus. "Shu Ren virtue first, this is also called.

Talk about "the mission of the times" again. Times are changing, and each generation has its own mission. In the movie, Ma Shitu, an alumnus of United University, said, "I originally studied chemistry at Central University. At that time, my idea was very simple, that is, to study chemistry and bomb the Japanese devils. " This reminds me of the story of Qian Weichang. Qian Weichang, like him, was born in a scholarly family, and took the cultivation of Qi and Zhi Ping as the starting point of his study. Qian Weichang's uncle is a famous historian Qian Mu. 193 1, Qian Weichang was admitted to the history department of Tsinghua University with full marks in Chinese, history and physics. Before he registered for school, the September 18th Incident broke out. Qian Weichang lamented that learning history couldn't make airplane cannons, and decided to transfer to the Department of Physics, but his uncle Qian Mu didn't support it. So Qian Weichang found Gu Jiegang, who is closely related to his uncle, to mediate. Mr. Gu Jiegang said: "Our country cannot be bullied because of backward science. Young people are interested in science and we should support it. " Therefore, "saving the country through industry" and "saving the country through science and technology" are the missions of their generation. Similarly, our generation also has the mission of our generation, with peaks we need to climb and shortcomings we need to fill.

Finally, eternal beauty and knowledge. Knowledge and beauty are roughly the same thing. The significance of knowledge lies not only in the fact that it can be used to build houses and bridges, but also in the fact that it can bring joy and a lofty aesthetic to the soul. This is true of both literature, history and philosophy and mathematical physics. This kind of thinking pleasure and lofty aesthetics can span the times and have eternal significance. In the communication session after watching the movie, the director said that her biggest feeling for these old gentlemen was that they were full of enthusiasm for knowledge itself, not just some specific benefits brought by "knowledge". Some students asked the people in United University who was the most impressed director, and his words touched you? She replied that it was Mr. Deng Jiaxian's pure. I also like "pure". My understanding of "purity" is "pure heart", which is good for the country and knowledge. Without enthusiasm for yourself, it is difficult to make outstanding achievements. We can think about it, what we like is the "score" and "good job" brought by knowledge? Still full of enthusiasm for yourself, and, in the process, feel the pleasure of thinking.

Sometimes, the environment we live in makes us inevitably utilitarian, and also lets us educate our children about utilitarianism. A colleague told me that in the last semester of senior one, she once talked about her views on world phenomena in class. After class, the students sincerely asked, "Teacher, do you want the college entrance examination?" Let the teacher laugh and cry. Some students have also told me that "it doesn't matter if you choose physics in the college entrance examination, and it doesn't matter if you have a bad history", which makes me feel very sorry. Watching such a documentary can make it feel something, and it is also a matter of infinite merit.

Education is a game of probability, and we can only try to create some possibilities for excellent people.

Asking a good question should be the biggest gain from listening to lectures or watching documentaries:

Thanks for the invitation and organization.

On June 12, the Party branch of the Third Direct Management Department organized the employees of the Direct Management Department to watch the red film "After 90s".

I am a post-90s generation. I don't think idolization doesn't pursue the plot, but I am deeply attracted by this drama. On the day of watching the drama, it seemed that I was back in high school and college, and my heart was completely taken away by the story. This drama has completely left my heart, and I think it has left the hearts of most people. Without the splendor and illusion of soap operas, it is the ups and downs of real youth.

The mountains and rivers fall and the stars shine. The brilliance of the conference is destined to be created by a special era, incomparable and unrepeatable.

The "post-90 s" in the film is full of tears and high spirits, calmly telling the precious memories of that difficult time. Of course, Mr. old boys Xu Yuanchong's responsibility for the atmosphere is predictable. After watching movies in 1990, we had a post-film exchange and seriously discussed how to apply what we have learned and how to find our own way.

The film lineup is called "luxury": 98-year-old Nobel Prize winner Yang Zhenning; Wang Xiji, a 99-year-old winner of the two bombs and one satellite meritorious medal; Xu Yuanchong, the highest prize winner in the international translation field; 10 1 year-old translator and translator of Wuthering Heights translated by Yang; Ma Shitu, 106-year-old writer, is also the author of Let the Bullets Fly ...16 "post-90s" national treasure master "co-starred, which is unique in existing documentaries. Through their memories and dictation, this miracle in the history of higher education is more vividly presented to the audience. Xu Bei said: "Only people's stories and details have lasting charm. The best angle to present the national The National SouthWest Associated University in a better audio-visual environment is people. "

Xu Bei recalled that when he met Wang Xiji, he was over 90 years old, but he would go back to the office for half a day. Xu Yuanchong often concentrates on translation until four in the morning; 10 1 year-old Mr. Wu Dachang is still studying Huawei's working method every day; Ma Shitu announced the closure of the pen at the age of 106. The feelings of serving the country and the spirit of seeking knowledge of a generation of outstanding intellectuals are moving.

"Enter the grand era that my heart yearns for." "These masters with an average age of 96 have more stars than stars." At present, the film is being shown nationwide. Many viewers say that Our Young Day shows the youth of a generation. Blood, love, ideals, romance and feelings are all in this movie. This kind of blood and ideal is exactly what young people need today.

The students of National Southwest Associated University are among them. Although the backgrounds are different, they all have the same identity: a scholar. At that time, they shuttled through the Chinese classes of Wen Yiduo, Zhu Ziqing and Shen Congwen. Learning French, learning English ... Now, although I am no longer young, my pursuit of knowledge has never stopped.

At the time of national survival, teachers and students in The National SouthWest Associated University saved the country through teaching, and preserved the precious cultural lifeline. Perhaps the confusion faced by young people today can also be found through reading.

The past and the present, the two generations inside and outside the post-90 s movies, reflect each other and achieve a special viewing experience.

While lamenting this film, I am also amazed at the excellent level of contemporary college students. Therefore, there has never been a "beat generation", and each generation is growing up seriously and enthusiastically in its own way in its own time.

It has been more than half a month since the national release of the documentary "One Day of Our Youth". This film was born in the second year after the outbreak of the epidemic, which is really a blessing. For three years, I have been thinking about the day when we were young and closely related to me.

20 18 After the hit of the TV movie "The National SouthWest Associated University", the director Xu Bei asked someone to contact me, saying that they would go to Nanjing to make up my mother's shot and take some photos of the old people who were still alive in The National SouthWest Associated University from north to south. I also asked a silly question. Did you drive here? How difficult it is! 20 19 was filmed in Nanjing in late autumn. I made an appointment in advance, so I specially cooperated. Although my mother refused at first, she finally acquiesced. This is due to Xu Bei's own personality. She cares about each other, is polite, can listen, does not shout, does not interrupt blindly, asks pertinent questions and does a lot of homework. On the day of shooting, cameras, lights, moving rails, and at least seven or eight staff members poured into my mother's yard, and people outside the house were crowded for a while. From morning to afternoon, the little mother was surrounded by layers. She sat up as usual and said goodbye to the Russian brooch I gave her at the neckline. She also called her eldest daughter, my sister Zhao Yi, and introduced that she was born in Kunming. As the youngest daughter, I am afraid to disturb the filming. The cat is in the corridor, but how can I miss such a rare scene? I drew a sketch of the panorama from the crack. Before shooting, Xu Beihui knew Kim and found his mother listening to an old song "One Day as a Child" in the bedroom. Inspired by this, she flatly changed the original arrangement and added a plot of an old man listening to old songs. My mother never listens to music and is very narcissistic. There was no sound at the scene except the music. The young team came to my house for the first time and was completely infected by the dreamy expression of centenarians. Through the machines and lights, I found the director in tears, and even the photographer with his back to me was using paper towels.

A year and a half later, I learned that director Xu Bei skillfully named the theme song of the popular film "Cui Di Xiao Chun" as the English title of this film, which also set the tone for this special youth film.

On May 8th, the Beijing premiere day, my friends and I specially put on Hanfu to attend. There were 65,438+000 descendants of The National SouthWest Associated University present that night. Mr. Zong Pu said that we are long-lost brothers and sisters. Our fathers had different disciplines and later engaged in different industries. This is the glorious school name of National Southwest Associated University. Let's get to know each other and feel particularly cordial when we meet. Today, we are watching the great times our parents experienced with them on the big screen. How can people not be overwhelmed?

The beginning of the film kicked off a long biographical film. On May 22nd, the Yangzi Evening News took Nanjing as the front page title. The first voice-over in the whole film is mother's voice, "My life is bad, I don't have a father". What jumped into my eyes was the small courtyard where my mother once lived, the green iron gate, the trees, the flowers and the jingling blue wind chimes on the door frames. The narrow living room, old photos and the deceased literary predecessors are her love and guidance for the owner of the house. She treasures her photos of the "dead girl". She and her younger brother and sister-in-law, holding their children, took photos with our grandmother. The little girl with a round head sitting on her mother's lap is me. This is our first family photo after the victory of the Anti-Japanese War. Yang Jingru's student number is N22 14. This film was shot for several living old people in The National SouthWest Associated University, when he was just 100 years old. She is articulate and unhurried, and her oral accounts of the Yang family before the Anti-Japanese War are very interesting. The usual way of reading, the concentration of burying one's head at a desk, and the freedom of lifting one page after reading one page of manuscript paper are enough to capture the hearts of the audience.

It's still my mother's voice, "The Japanese dropped a bomb and hit Nankai University. Nankai is gone." . Harsh explosions, soaring flames, smoke everywhere, and school buildings turned into rubble. Then Wu Ningkun's voice sounded. The school was ordered to dissolve and let the teachers and students leave. When the old man said this, he sobbed for a long time on the other side of the Atlantic after 80 years, which deeply hurt the audience present. The film continues to advance in depth. National The National SouthWest Associated University students who were alive at the time of shooting appeared one after another. Ma Shitu, Pan Jiluan, Wang Xiji, Yang Zhenning, Wu Dachang and Xu Yuanchong. Each of them tells the reasons and experiences of going to The National SouthWest Associated University in those years, showing the historical picture of China intellectuals' righteous words and generous lamentations at the critical moment of national survival.

A huge activity map swims on the screen, and several routes, domestic and foreign, Jiangxi, Hunan and Yunnan hiking groups, and water and land all point to the destination Kunming. Mom's route became a very touching passage in this film. "We have to go to Shanghai first, pass through Hong Kong, go from Hong Kong to Haiphong, and take the train from Haiphong. When we arrived at the border of China, we stood up and sang "People who get up and don't want to be slaves", "On the Songhua River" and "Cutting the Devil's Head with a Big Sword". At that time, I was in tears and finally returned to the land of China. " I've heard my mother say this before, and I'm still very moved to sit in the audience today. My father's route is almost the same as my mother's, only one year earlier. 1937. At the age of 22, I went to Changsha Temporary University and then to Mengzi, a beautiful border town in Yunnan. Young poets of Nanhu Poetry Society wrote poems by the lake and listened to Mr. Wen Yiduo and Mr. Zhu Ziqing. Thankfully, three paragraphs in my father's posthumous work "Wandering Away from Random Chords" have been put on the screen, and those seemingly ordinary words, once read with voice-over, become so magical. Xu Bei told me that there was actually a book with no source, which was also selected from my father.

The first meeting of parents is also a very interesting clip in this film. In my mother's mouth, my father is not punctual. As the host of the Plateau Poetry Society that day, it was funny that he was late. Father stutters a little, and the more nervous he is, the more he stutters. It's ridiculous to think about it. My father recalled his first impression of seeing his mother more than once before his death-"wearing a cheongsam with a black background and a red short-sleeved sweater." The conference in Kunming, the rise of mass organizations and the gathering of talents, what a poetic youth!