Is the photography of the West Chamber good?

The hinge of "Farewell Pavilion" has always been considered as a farewell song to write about parting from sorrow and hate. Cui Yingying is reluctant to part with Zhang Xun. No sooner had they made an appointment with Bai Shou than they flew away from the old Yan Xihui. Yingying is naturally inseparable. In the farewell, she was full of feelings of parting, but these feelings of parting also experienced some back and forth.

Ups and downs. Let's walk into Cui Yingying's heart and feel the hero's unusual emotional experience.

The departure of the pavilion is in late autumn. On the way to Changting, there was blue sky floating in Wan Li, and withered yellow flowers were everywhere. You could hear the west wind blowing in your ears, and you could see the geese flying south under your eyes. A kind of parting sadness arose. Especially in the morning, when I saw the frosted leaves look drunk, it must be the blood and tears left by people that dyed them red. At this moment, what kind of mood is Yingying sitting in the car? Please pay attention to the tune [rolling hydrangea].

When a piece of music is sung, there is a feeling of being sung repeatedly. This is "hate". First, I hate being late. Yingying and Zhang Sheng meet each other after a brief encounter. They often suffer misfortune and become a good match. Therefore, Yingying felt very uncomfortable. "But she avoided acacia, broke the subject and left early" is the reason for this hatred. It means that I just ended my lovesickness and began to face separation early. Therefore, Yingying hates the wicker but cannot leave the horse, hates the sparse forest and the sunset, and hates that a person's "walking" torments her body and mind.

At the farewell party in the pavilion, the old lady arranged for everyone to sit down: Zhang Sheng and the elderly sat down and the young lady sat on the wall. A banquet is like the Milky Way across the Cowherd and the Weaver Girl, and the yellow leaves are dancing outside the pavilion, which is even more sad. At the banquet, Zhang Sheng was listless. "He sat with his hands tilted, frowning and dying." "Pavilion, tears streaming down her face, I'm afraid people know. Suddenly I saw that he lowered his head, sighed and pushed the plain clothes. " Zhang Sheng frowned and sighed and cried. Yingying sees in her eyes and hurts in her heart. Actually, how good is Yingying's mood? -"I am like a fool, and my heart is drunk. Last night and tonight, I lost my waistline. " Facing the lovers who are about to part, Yingying sings a cavity of resentment. This resentment is just a deep-rooted illusion. Please watch these three songs together: [What] [Full of Fang Ting] [Super Tian Zi].

It is precisely because Zhang Sheng is young and sentimental that he doesn't care about love life. They have been close for several months.

[Man Fang Ting] This is because the food supply is too urgent. Son and mother should avoid it. When they leave each other, they can't be with Zhang Sheng for a moment.

[DPRK] Complaining about wine is tasteless and light as water, and wine turns into sorrow and tears.

Complain that everyone in the world has the heart to "split the mandarin duck in two" for the sake of "vanity and small profits"

At this time, at the banquet, Yingying's heart had some changes. On the way to Changting, she hated the separation of two people and had to drink the bitter wine of acacia alone. However, with the progress of the banquet, the time for parting is getting closer and closer, and Zhang Sheng just sighs in front of her, so Yingying feels very resentful that fame and fortune have torn Yuanyang apart twice.

In an instant, the cups and plates are in a mess, che dong Marcy. The two finally had to face the final separation. This moment is more complicated and mixed feelings. However, please pay attention to the first sentence and the last sentence that Yingying told Zhang Sheng.

The first sentence said: "Zhang Sheng, you are an official in this line, and you will come back when you are ill." The last sentence is "If you don't care about your happiness, I'm afraid you will stop your wife from remarrying. Don't ask for a spring fish goose! I have a letter from Qingluan that needs to be sent frequently, but you take a break from the gold list and swear never to come back. You must remember this passage. If you see exotic flowers and plants, you will stay here for a long time. "

These exhortations go beyond the usual lingering feelings. This shows that Yingying has a kind of worry in her heart. Because whether Zhang Sheng wins or not is a great test of their love: if she comes last, the old lady will not admit this white son-in-law; If he wins, Zhang Sheng is likely to become the son-in-law of a noble family. If Zhang Sheng is not a loyal and sincere gentleman, it is inevitable that Yingying will abandon his wife. It should be said that this kind of fear of being abandoned was a very common psychology of women at that time, but in two of a kind, people often forget it temporarily, and once separation is imminent, it will stand out and make people uneasy. Yingying is an affectionate woman, and she is no exception. So at the end of parting, Yingying's heart was full of worries.

Seeing Zhang Sheng off, Yingying was too lazy to get on the bus. What is her mood at this time? "How can you afford these big and small cars?" This means that all the sorrows that can be experienced in the world are now full of ying ying's chest. Like this time, how can you say "worry"? How to use the word "hate"? How to use the word "resentment"? Words cannot convey.

Well, through the above analysis, let's sum up what changes Yingying's feelings have experienced in Ten Parting Pavilion.

Hate-resentment-worry (on the surface)

Attachment (in essence)

In short, in Yingying's heart, the word "love" is always in the most important position. As for fame and fortune, honor and disgrace, they can be ignored. The word "emotion" had a flash of thought at that time. Wang Shifu's Romance of the West Chamber created a rebellious image in Farewell to the Pavilion, which is more innovative than Cui and Zhang's previous novels. Let's take a brief look at the plot evolution of The West Chamber.

The love story between Cui and Zhang was first seen in Yuan Zhen's Biography of Yingying in the Tang Dynasty. Although Yingying took the initiative to steal the forbidden fruit, she could not escape the tragic fate of abandoning her wife. At the end of the legend, Zhang Sheng called himself a "good death". In fact, he made an excuse for "starting chaos and eventually abandoning it". In the novel, Yingying didn't resist.

Dong Jieyuan's "The West Chamber" links Yingying's love for Zhang Sheng with "repaying kindness". In this way, the deviant behavior of young people is written in line with etiquette. Love has impurities.

Only Wang Shifu's "The Romance of the West Chamber" writes Yingying who only knows one kind of "feeling". In particular, Yingying made the best interpretation of the word "love" in the hinge of Farewell to the Pavilion. Therefore, The Romance of the West Chamber is much higher in theme than the first two works. The theme of "The West Chamber" is "Never leave, always get together, and wish all the people in the world get married." In other words, love is the foundation of marriage. As long as men and women are "congenial", they should be allowed to share their heads. And all behaviors and systems that prevent lovers from getting married should be flogged.

(1) From the perspective of "emotion and scenery"

Farewell to the Pavilion is a wonderful fusion of emotion, scenery and environment in The West Chamber. Yingying's parting feelings are combined with the special scenery in different environments to create a euphemistic, deep and sentimental sad artistic conception. Now let's take a look at two songs [Correct and Good] and [Asha] that Yingying sang when she took the bus to Changting, which showed us a very open realm. There is a blue sky overhead and a chrysanthemum field at the foot. The realm is so empty that people standing in it will definitely feel their own smallness, helplessness and empty loneliness. In this piece, Yingying sings the late autumn scenery of Yun Lan, yellow flowers, west wind, wild goose and frost forest, among which frost forest is the most worrying. "Who is drunk frost Lynne?" Always in tears. The word "dye" communicates the connection between scenery and emotion, which reminds people that Yingying's blood and tears dyed the maple trees red overnight. So the frost forest at this time is no longer an ordinary frost forest, it has become a testimony of Yingying's melancholy. This piece of music perfectly combines the scenery on the road, the scenery in late autumn and the feeling of leaving people.

[One Evil Spirit] A song is written about Yingying watching Zhang Sheng leave, and the green hills are ruthless, blocking the sight of the people who saw him off. Sparse forest is inconvenient for people, and the sunset does not stay. Ride the dust, turn the hillside and wear the sparse forest. The familiar figure was faintly visible in the light smoke and dusk. After parting, Yingying was only accompanied by the cold sunset, the autumn wind through the corn and Ma Si's heartbreaking voice. This song describes a deserted suburb and dusk, so it is more desolate than the one on the road. "Castle Peak", "Ancient Road", "Sunset" and "Haze" are not only unique natural landscapes in this natural environment, but also carriers for expressing feelings and sending regrets. In addition, through the change of time, this piece of music shows Yingying's infatuation with Zhang Sheng: the melancholy that she wants to see but can't leave. This song is also a highly integrated emotion, scenery and environment.

(2) From the perspective of "Qu, Ci and Yi"

The Romance of the West Chamber is a zaju, which mainly focuses on singing. Because there is no sound material in ancient music, the problem of Gongdiao has become a difficult point of interest. Now we can only guess the singing style from some written records. So what is "Gongdiao"?

Gongdiao is a mode composed of high and low acoustics. There are seven tunes in ancient music: Gong, Shang, Jiao, Bian Zheng, Hui, Yu and Bian Gong. The mode dominated by palace is called "Gong", and the others are called "Diao", collectively called "Gong Diao". The five palaces and four tunes are commonly used in Yuan Zaju, namely Gong Zheng, Lv Zhong Palace, Lu Nan Palace, Lv Xian Palace, Huangzhong Palace, Dashi Tune, Shuangdiao, Upward Tune and Yuediao, which are collectively called "Jiugong". The preface to Farewell to the Changting uses the main palace, and Zhou Deqing said in the rhyme of the Central Plains that the voice of the main palace is "magnificent". It can be seen that the music of Farewell Pavilion should be melancholy and tragic.

The above talked about Gongdiao, and the following talked about Qupai and Quci. Qupai is the name of this song. For example, [Correct] [Rolling hydrangea] [Speaking order] and so on, the lyrics are written according to certain qupai, which generally rhymes and pays attention to antithesis.

The lyrics of The West Chamber have always been praised. Zhu Quan said in Taihe Yin Zhengpu: "Wang Shifu's ci is as beautiful as a flower, euphemistic and implicit, and won the interest of poets. There is a saying that Yuhuan is out of the bath and Huaqing, and the green beads pick the lotus. " The hinge of Farewell Pavilion is particularly prominent.

First of all, Qu Ci combines many classical poems, such as Fan Zhongyan's Su Qimu, which was adapted.

Blue sky and yellow leaves. The autumn wind is full of waves, and the waves are cold and smoky. The mountains reflect the water in the sunset, and the grass is ruthless, even outside the sunset. Homesickness is getting dark, and people are thinking about traveling. Unless you have a good dream, you can sleep alone in Mingyue Building. When wine enters sorrow, it turns into acacia tears.

The function of translating Fan Zhongyan's words is to use his bleak artistic conception of autumn scenery to set off the sad atmosphere of farewell.

In addition, in the lyrics, there are also some scattered applications of the original sentences or expressions of classical poetry, which are summarized as follows:

(1) "The horn of a worm is a hollow name, and the head of a fly is a small profit": Fang Ting, a man described by Su Shi, is used to express Yingying's thoughts and feelings of cherishing love and despising fame and fortune.

(2) "Get drunk first and then drink": The difference between "get drunk first and then drink" in Liu Yong's Resentment for Love is more exaggerated and more meaningful, which shows Yingying's extreme sadness when she says goodbye.

(3) "Liu is long and long, but it is difficult to connect with jade": Liu homophones "stay" and "think".

(4) "How can you afford these big and small cars?"

I'm afraid the grasshopper boat in Shuangxi can't bear much worry. (Li Qingzhao's Wulingchun) Extreme remarks

Have a lot on my mind

The function of using the original sentence or technique: make the context of the script match the unique meaning, emotion and expression effect of the original sentence, and increase the literary talent and expressive force of the language.

Secondly, he is good at using folk spoken language and processing it into a literary language with rich literary talent. For example, [nagging order]

The vocabulary and sentences of this song are all folk spoken language, but the word "er" is added; By changing the overlapping adjectives and setting them as compound sentence, a kind of phonological cycle is repeated, resulting in an artistic effect of singing three sighs, full of sound and emotion. Writing about Yingying's heartbreaking parting pain made her sad and eager to see the situation.

Finally, use rhetoric skillfully. Metaphor, exaggeration, allusions, contrast, duality, parallelism, repetition, overlapping, rhetorical questions and so on. In particular, hyperbole is skillfully used, combined with metaphor, allusion and contrast, and set up according to the situation. Let's sum it up together.

(1) Hearing the word "go also", Jinchuan was released; Seeing the Shili Pavilion in the distance, I lost my jade muscle. (the same below)

(2) Last night today, I lost my waistline. (exaggeration) expresses mental and physical exhaustion under emotional torture.

(3) Tears add nine twists to the Yellow River, and hate the three peaks and five mountains. (exaggeration and metaphor) Write feelings of parting to the point of extreme sadness and hatred.

(4) Red tears are wetter than Sima Qing's shirt. (Zhang Yongdian) Describe sadness.

(5) Warm jade, white as water. (exaggeration, metaphor, contrast) show extreme sadness by being tired of wine.

Artistic features of A Farewell to the Pavilion;

The scene is natural.

The lyrics are wonderful.